The color of modernism: paints, pigments, and the transformation of modern architecture in 1920s Germany
One of the most enduring and pervasive myths about modernist architecture is that it was white–pure white walls both inside and out. Yet nothing could be further from the truth. The Color of Modernism explodes this myth of whiteness by offering a riot of color in modern architectural treatises, pole...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Visual Arts
2021
|
| Schlagworte: | |
| Zusammenfassung: | One of the most enduring and pervasive myths about modernist architecture is that it was white–pure white walls both inside and out. Yet nothing could be further from the truth. The Color of Modernism explodes this myth of whiteness by offering a riot of color in modern architectural treatises, polemics, and buildings. Focusing on Germany in the early 20th century, one of modernism’s most foundational and influential periods, it examines the different scientific and artistic color theories which were advanced by members of the German avant-garde, from Bruno Taut to Walter Gropius to Hans Scharoun. German color theory went on to have a profound influence on the modern movement, and Germany serves as the key case study for an international phenomenon which encompassed modern architects worldwide from le Corbusier and Alvar Aalto to Berthold Lubetkin and Lina Bo Bardi. Supported by accessible introductions to the development of color theory in philosophy, science and the arts, the book uses the German case to explore the new ways in which color was used in architecture and urban design, turning attention to an important yet overlooked aspect of the period. Much more than a mere correction to the historical record, the book leads the reader on an adventure into the color-filled worlds of psychology, the paranormal, theories of sensory perception, and pleasure, showing how each in turn influenced the modern movement. The Color of Modernism will fundamentally change the way the early modernist period is seen and discussed. |
| Beschreibung: | xxii, 233 Seiten, 32 ungezählte Seiten Tafeln Illustrationen, Pläne |
| ISBN: | 9781350251335 9781350251342 |
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| 520 | 3 | |a One of the most enduring and pervasive myths about modernist architecture is that it was white–pure white walls both inside and out. Yet nothing could be further from the truth. The Color of Modernism explodes this myth of whiteness by offering a riot of color in modern architectural treatises, polemics, and buildings. Focusing on Germany in the early 20th century, one of modernism’s most foundational and influential periods, it examines the different scientific and artistic color theories which were advanced by members of the German avant-garde, from Bruno Taut to Walter Gropius to Hans Scharoun. German color theory went on to have a profound influence on the modern movement, and Germany serves as the key case study for an international phenomenon which encompassed modern architects worldwide from le Corbusier and Alvar Aalto to Berthold Lubetkin and Lina Bo Bardi. Supported by accessible introductions to the development of color theory in philosophy, science and the arts, the book uses the German case to explore the new ways in which color was used in architecture and urban design, turning attention to an important yet overlooked aspect of the period. Much more than a mere correction to the historical record, the book leads the reader on an adventure into the color-filled worlds of psychology, the paranormal, theories of sensory perception, and pleasure, showing how each in turn influenced the modern movement. The Color of Modernism will fundamentally change the way the early modernist period is seen and discussed. | |
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Datensatz im Suchindex
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| author | Barnstone, Deborah Ascher 1959- |
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| illustrated | Illustrated |
| index_date | 2024-07-03T19:26:08Z |
| indexdate | 2024-07-10T09:24:22Z |
| institution | BVB |
| isbn | 9781350251335 9781350251342 |
| language | English |
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| physical | xxii, 233 Seiten, 32 ungezählte Seiten Tafeln Illustrationen, Pläne |
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| spelling | Barnstone, Deborah Ascher 1959- Verfasser (DE-588)133080552 aut The color of modernism paints, pigments, and the transformation of modern architecture in 1920s Germany Deborah Ascher Barnstone London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Visual Arts 2021 xxii, 233 Seiten, 32 ungezählte Seiten Tafeln Illustrationen, Pläne txt rdacontent sti rdacontent n rdamedia nc rdacarrier One of the most enduring and pervasive myths about modernist architecture is that it was white–pure white walls both inside and out. Yet nothing could be further from the truth. The Color of Modernism explodes this myth of whiteness by offering a riot of color in modern architectural treatises, polemics, and buildings. Focusing on Germany in the early 20th century, one of modernism’s most foundational and influential periods, it examines the different scientific and artistic color theories which were advanced by members of the German avant-garde, from Bruno Taut to Walter Gropius to Hans Scharoun. German color theory went on to have a profound influence on the modern movement, and Germany serves as the key case study for an international phenomenon which encompassed modern architects worldwide from le Corbusier and Alvar Aalto to Berthold Lubetkin and Lina Bo Bardi. Supported by accessible introductions to the development of color theory in philosophy, science and the arts, the book uses the German case to explore the new ways in which color was used in architecture and urban design, turning attention to an important yet overlooked aspect of the period. Much more than a mere correction to the historical record, the book leads the reader on an adventure into the color-filled worlds of psychology, the paranormal, theories of sensory perception, and pleasure, showing how each in turn influenced the modern movement. The Color of Modernism will fundamentally change the way the early modernist period is seen and discussed. Gropius, Walter 1883-1969 (DE-588)118542443 gnd rswk-swf Scharoun, Hans 1893-1972 (DE-588)118606565 gnd rswk-swf Taut, Bruno 1880-1938 (DE-588)118621041 gnd rswk-swf Geschichte 1920-1925 gnd rswk-swf Weiß (DE-588)4189483-2 gnd rswk-swf Architektur (DE-588)4002851-3 gnd rswk-swf Stadtgestaltung (DE-588)4077804-6 gnd rswk-swf Farbenlehre (DE-588)4113517-9 gnd rswk-swf Architekturtheorie (DE-588)4112587-3 gnd rswk-swf Raum (DE-588)4048561-4 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Deutschland (DE-588)4011882-4 g Architektur (DE-588)4002851-3 s Raum (DE-588)4048561-4 s Stadtgestaltung (DE-588)4077804-6 s Architekturtheorie (DE-588)4112587-3 s Weiß (DE-588)4189483-2 s Farbenlehre (DE-588)4113517-9 s Geschichte 1920-1925 z DE-604 Taut, Bruno 1880-1938 (DE-588)118621041 p Gropius, Walter 1883-1969 (DE-588)118542443 p Scharoun, Hans 1893-1972 (DE-588)118606565 p Erscheint auch als Online-Ausgabe, PDF 978-1-3502-5135-9 Erscheint auch als Online-Ausgabe, ebk 978-1-3502-5136-6 |
| spellingShingle | Barnstone, Deborah Ascher 1959- The color of modernism paints, pigments, and the transformation of modern architecture in 1920s Germany Gropius, Walter 1883-1969 (DE-588)118542443 gnd Scharoun, Hans 1893-1972 (DE-588)118606565 gnd Taut, Bruno 1880-1938 (DE-588)118621041 gnd Weiß (DE-588)4189483-2 gnd Architektur (DE-588)4002851-3 gnd Stadtgestaltung (DE-588)4077804-6 gnd Farbenlehre (DE-588)4113517-9 gnd Architekturtheorie (DE-588)4112587-3 gnd Raum (DE-588)4048561-4 gnd |
| subject_GND | (DE-588)118542443 (DE-588)118606565 (DE-588)118621041 (DE-588)4189483-2 (DE-588)4002851-3 (DE-588)4077804-6 (DE-588)4113517-9 (DE-588)4112587-3 (DE-588)4048561-4 (DE-588)4011882-4 |
| title | The color of modernism paints, pigments, and the transformation of modern architecture in 1920s Germany |
| title_auth | The color of modernism paints, pigments, and the transformation of modern architecture in 1920s Germany |
| title_exact_search | The color of modernism paints, pigments, and the transformation of modern architecture in 1920s Germany |
| title_exact_search_txtP | The color of modernism paints, pigments, and the transformation of modern architecture in 1920s Germany |
| title_full | The color of modernism paints, pigments, and the transformation of modern architecture in 1920s Germany Deborah Ascher Barnstone |
| title_fullStr | The color of modernism paints, pigments, and the transformation of modern architecture in 1920s Germany Deborah Ascher Barnstone |
| title_full_unstemmed | The color of modernism paints, pigments, and the transformation of modern architecture in 1920s Germany Deborah Ascher Barnstone |
| title_short | The color of modernism |
| title_sort | the color of modernism paints pigments and the transformation of modern architecture in 1920s germany |
| title_sub | paints, pigments, and the transformation of modern architecture in 1920s Germany |
| topic | Gropius, Walter 1883-1969 (DE-588)118542443 gnd Scharoun, Hans 1893-1972 (DE-588)118606565 gnd Taut, Bruno 1880-1938 (DE-588)118621041 gnd Weiß (DE-588)4189483-2 gnd Architektur (DE-588)4002851-3 gnd Stadtgestaltung (DE-588)4077804-6 gnd Farbenlehre (DE-588)4113517-9 gnd Architekturtheorie (DE-588)4112587-3 gnd Raum (DE-588)4048561-4 gnd |
| topic_facet | Gropius, Walter 1883-1969 Scharoun, Hans 1893-1972 Taut, Bruno 1880-1938 Weiß Architektur Stadtgestaltung Farbenlehre Architekturtheorie Raum Deutschland |
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