Hunting grounds for painters: the killing of animals and the artistic domination of nature
This article focuses on the intersection of the hunt and art as it is reflected in three early modern depictions of artists as successful hunters: Gabriel Metsu’s Hunter getting dressed after bathing, Ary de Vois’s Self-portrait as a hunter, and Rembrandt’s A dead bittern held high by a hunter. Thes...
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| Format: | Article |
| Language: | English |
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[2021]
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| Summary: | This article focuses on the intersection of the hunt and art as it is reflected in three early modern depictions of artists as successful hunters: Gabriel Metsu’s Hunter getting dressed after bathing, Ary de Vois’s Self-portrait as a hunter, and Rembrandt’s A dead bittern held high by a hunter. These three self-referential paintings show different ways in which the hunt and dead animals were used to characterise artistic practice, and to what extent they were underpinned by the semantics of other forms of ‘the chase’: the pursuit of love, knowledge, and power. |
| Physical Description: | Illustrationen |
| ISSN: | 0169-6726 |
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| 520 | 3 | |a This article focuses on the intersection of the hunt and art as it is reflected in three early modern depictions of artists as successful hunters: Gabriel Metsu’s Hunter getting dressed after bathing, Ary de Vois’s Self-portrait as a hunter, and Rembrandt’s A dead bittern held high by a hunter. These three self-referential paintings show different ways in which the hunt and dead animals were used to characterise artistic practice, and to what extent they were underpinned by the semantics of other forms of ‘the chase’: the pursuit of love, knowledge, and power. | |
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| institution | BVB |
| issn | 0169-6726 |
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| spelling | Saß, Maurice 1984- Verfasser (DE-588)1021421014 aut Hunting grounds for painters the killing of animals and the artistic domination of nature Maurice Saß [2021] Illustrationen txt rdacontent n rdamedia nc rdacarrier This article focuses on the intersection of the hunt and art as it is reflected in three early modern depictions of artists as successful hunters: Gabriel Metsu’s Hunter getting dressed after bathing, Ary de Vois’s Self-portrait as a hunter, and Rembrandt’s A dead bittern held high by a hunter. These three self-referential paintings show different ways in which the hunt and dead animals were used to characterise artistic practice, and to what extent they were underpinned by the semantics of other forms of ‘the chase’: the pursuit of love, knowledge, and power. Metsu, Gabriel 1629-1667 (DE-588)118783548 gnd rswk-swf Rembrandt Harmensz van Rijn 1606-1669 (DE-588)11859964X gnd rswk-swf Vois, Arie de 1631-1680 (DE-588)139083855 gnd rswk-swf Ikonographie (DE-588)4026535-3 gnd rswk-swf Tierdarstellung (DE-588)4117216-4 gnd rswk-swf Jäger Motiv (DE-588)4628312-2 gnd rswk-swf Jagd Motiv (DE-588)4201146-2 gnd rswk-swf Metsu, Gabriel 1629-1667 (DE-588)118783548 p Vois, Arie de 1631-1680 (DE-588)139083855 p Rembrandt Harmensz van Rijn 1606-1669 (DE-588)11859964X p Jäger Motiv (DE-588)4628312-2 s Jagd Motiv (DE-588)4201146-2 s Tierdarstellung (DE-588)4117216-4 s Ikonographie (DE-588)4026535-3 s DE-604 volume:71 year:2021 pages:144-183 Nederlands kunsthistorisch jaarboek / red. A. W. Byvanck [u.a.] Zwolle, 2021 Deel 71 (2021), Seite 144-[183] (DE-604)BV002664896 0169-6726 (DE-600)2483-1 |
| spellingShingle | Saß, Maurice 1984- Hunting grounds for painters the killing of animals and the artistic domination of nature Metsu, Gabriel 1629-1667 (DE-588)118783548 gnd Rembrandt Harmensz van Rijn 1606-1669 (DE-588)11859964X gnd Vois, Arie de 1631-1680 (DE-588)139083855 gnd Ikonographie (DE-588)4026535-3 gnd Tierdarstellung (DE-588)4117216-4 gnd Jäger Motiv (DE-588)4628312-2 gnd Jagd Motiv (DE-588)4201146-2 gnd |
| subject_GND | (DE-588)118783548 (DE-588)11859964X (DE-588)139083855 (DE-588)4026535-3 (DE-588)4117216-4 (DE-588)4628312-2 (DE-588)4201146-2 |
| title | Hunting grounds for painters the killing of animals and the artistic domination of nature |
| title_auth | Hunting grounds for painters the killing of animals and the artistic domination of nature |
| title_exact_search | Hunting grounds for painters the killing of animals and the artistic domination of nature |
| title_exact_search_txtP | Hunting grounds for painters the killing of animals and the artistic domination of nature |
| title_full | Hunting grounds for painters the killing of animals and the artistic domination of nature Maurice Saß |
| title_fullStr | Hunting grounds for painters the killing of animals and the artistic domination of nature Maurice Saß |
| title_full_unstemmed | Hunting grounds for painters the killing of animals and the artistic domination of nature Maurice Saß |
| title_short | Hunting grounds for painters |
| title_sort | hunting grounds for painters the killing of animals and the artistic domination of nature |
| title_sub | the killing of animals and the artistic domination of nature |
| topic | Metsu, Gabriel 1629-1667 (DE-588)118783548 gnd Rembrandt Harmensz van Rijn 1606-1669 (DE-588)11859964X gnd Vois, Arie de 1631-1680 (DE-588)139083855 gnd Ikonographie (DE-588)4026535-3 gnd Tierdarstellung (DE-588)4117216-4 gnd Jäger Motiv (DE-588)4628312-2 gnd Jagd Motiv (DE-588)4201146-2 gnd |
| topic_facet | Metsu, Gabriel 1629-1667 Rembrandt Harmensz van Rijn 1606-1669 Vois, Arie de 1631-1680 Ikonographie Tierdarstellung Jäger Motiv Jagd Motiv |
| work_keys_str_mv | AT saßmaurice huntinggroundsforpaintersthekillingofanimalsandtheartisticdominationofnature |