The diva's gift to the Shakespearean stage: agency, theatricality, and the innamorata
The Diva's Gift to the Shakespearean Stage traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2021
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Zusammenfassung: | The Diva's Gift to the Shakespearean Stage traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. By the time Shakespeare began to writeplays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat0tours in France and Spain. 0Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw0a vital new model full of promise. Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to playthem. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams-plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | viii, 295 Seiten Illustrationen (schwarz-weiß) 24 cm |
| ISBN: | 9780198867838 |
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Datensatz im Suchindex
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| spelling | Brown, Pamela Allen Verfasser (DE-588)1056152974 aut The diva's gift to the Shakespearean stage agency, theatricality, and the innamorata Pamela Allen Brown First edition Oxford Oxford University Press 2021 viii, 295 Seiten Illustrationen (schwarz-weiß) 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index The Diva's Gift to the Shakespearean Stage traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. By the time Shakespeare began to writeplays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat0tours in France and Spain. 0Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw0a vital new model full of promise. Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to playthem. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams-plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament Geschichte 1550-1600 gnd rswk-swf Shakespearebühne (DE-588)4799367-4 gnd rswk-swf Schauspielerin (DE-588)4153179-6 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William Shakespearean actors and actresses / History / 16th century Women in the theater / England / History / 16th century Women in the theater / Italy / History / 16th century English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Shakespearean actors and actresses English drama ; Early modern and Elizabethan Theater Women in the theater Criticism, interpretation, etc History England Italy Italien (DE-588)4027833-5 g England (DE-588)4014770-8 g Schauspielerin (DE-588)4153179-6 s Shakespearebühne (DE-588)4799367-4 s Geschichte 1550-1600 z DE-604 |
| spellingShingle | Brown, Pamela Allen The diva's gift to the Shakespearean stage agency, theatricality, and the innamorata Shakespearebühne (DE-588)4799367-4 gnd Schauspielerin (DE-588)4153179-6 gnd |
| subject_GND | (DE-588)4799367-4 (DE-588)4153179-6 (DE-588)4027833-5 (DE-588)4014770-8 |
| title | The diva's gift to the Shakespearean stage agency, theatricality, and the innamorata |
| title_auth | The diva's gift to the Shakespearean stage agency, theatricality, and the innamorata |
| title_exact_search | The diva's gift to the Shakespearean stage agency, theatricality, and the innamorata |
| title_exact_search_txtP | The diva's gift to the Shakespearean stage agency, theatricality, and the innamorata |
| title_full | The diva's gift to the Shakespearean stage agency, theatricality, and the innamorata Pamela Allen Brown |
| title_fullStr | The diva's gift to the Shakespearean stage agency, theatricality, and the innamorata Pamela Allen Brown |
| title_full_unstemmed | The diva's gift to the Shakespearean stage agency, theatricality, and the innamorata Pamela Allen Brown |
| title_short | The diva's gift to the Shakespearean stage |
| title_sort | the diva s gift to the shakespearean stage agency theatricality and the innamorata |
| title_sub | agency, theatricality, and the innamorata |
| topic | Shakespearebühne (DE-588)4799367-4 gnd Schauspielerin (DE-588)4153179-6 gnd |
| topic_facet | Shakespearebühne Schauspielerin Italien England |
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