Staging voice:
"Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This study reflects on what it would mean to take opera's decisive attribute-voice-as the foundation of its staged performance. The book thinks of staging through the medium of voice. It is a nua...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2022
|
| Schriftenreihe: | Routledge voice studies
Routledge focus |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This study reflects on what it would mean to take opera's decisive attribute-voice-as the foundation of its staged performance. The book thinks of staging through the medium of voice. It is a nuances exploration, which brings together scholarly and directorial interpretations, and engages in detail with less frequently performed works of major and influential 20th century artists--Erik Satie, Bertolt Brecht and Kurt Weill--as well as exposes readers to an innovative experimental work of Evelyn Ficarra and Valerie Whittington. The study is intertwined throughout with the author's staging of the works accessible online. This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design and cultural studies"-- |
| Beschreibung: | xiv, 129 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781032034270 9781032034287 |
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| 505 | 8 | 0 | |t Staging a vulnerable voice: Weill and Brecht's Der Jasager (1930) -- |t Binding the voice : Ficarra and Whittington's The Empress's Feet (1995) -- |t Staging thought in Satie's Socrate (1919) |
| 520 | 3 | |a "Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This study reflects on what it would mean to take opera's decisive attribute-voice-as the foundation of its staged performance. The book thinks of staging through the medium of voice. It is a nuances exploration, which brings together scholarly and directorial interpretations, and engages in detail with less frequently performed works of major and influential 20th century artists--Erik Satie, Bertolt Brecht and Kurt Weill--as well as exposes readers to an innovative experimental work of Evelyn Ficarra and Valerie Whittington. The study is intertwined throughout with the author's staging of the works accessible online. This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design and cultural studies"-- | |
| 650 | 0 | 7 | |a Bühnengesang |0 (DE-588)4146859-4 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Opera / Production and direction | |
| 653 | 0 | |a Opera / 20th century | |
| 653 | 0 | |a Voice culture | |
| 653 | 0 | |a Voice | |
| 653 | 1 | |a Weill, Kurt / 1900-1950 / Jasager | |
| 653 | 1 | |a Ficarra, Evelyn / 1962- / Empress's feet | |
| 653 | 1 | |a Satie, Erik / 1866-1925 / Socrate | |
| 653 | |a Jasager (Weill, Kurt) | ||
| 653 | |a Socrate (Satie, Erik) | ||
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| 653 | 0 | |a Opera / Production and direction | |
| 653 | 0 | |a Voice | |
| 653 | 0 | |a Voice culture | |
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| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033261756&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
Datensatz im Suchindex
| _version_ | 1805077852557672448 |
|---|---|
| adam_text |
Contents List offigures List ofmusic examples Acknowledgements Introduction: directing opera, staging voice Directing opera 1 Staging voice 19 1 Staging a vulnerable voice: weill and Brecht’s Der Jasager (1930) 'Music. goes its own vast peaceful way’ 30 Translations and transformations 31 Consent 35 Yes and no 38 Yes-singing and mute agreement 41 Doubling and muteness 42 Death 44 Acrobat, measure, distance, scale 50 2 Binding the voice: ficarra and Whittington’s The Empress’s Feet (1995) A voicefor the feet 57 The Empress’s Feet 58 Sleepwalking feet 61 Sleepwalking Empress 65 Foot-binding 66 Castrati 69 ix xi xiii 1 29 56
viii Contents Fold 70 Soaring voice 71 Hollowed֊out voice 73 Aerial acrobat 76 3 Staging thought in Satie’s Socrate (1919) Enigmatic work 82 Flexible timbre 83 Satie’s Plato 84 Marsyas 87 Cicadas 89 Swan song 90 'One becomes more of a philosopher the more one becomes a musician’: Nietzsche’s Socrates 91 White 93 Furniture music 96 Respectful silence 98 Restaging Socrate 99 Voice and music echoed in staging and set 104 Staging images ofmusic 107 Staging Socrates’s death 110 References Index 81 115 125 |
| adam_txt |
Contents List offigures List ofmusic examples Acknowledgements Introduction: directing opera, staging voice Directing opera 1 Staging voice 19 1 Staging a vulnerable voice: weill and Brecht’s Der Jasager (1930) 'Music. goes its own vast peaceful way’ 30 Translations and transformations 31 Consent 35 Yes and no 38 Yes-singing and mute agreement 41 Doubling and muteness 42 Death 44 Acrobat, measure, distance, scale 50 2 Binding the voice: ficarra and Whittington’s The Empress’s Feet (1995) A voicefor the feet 57 The Empress’s Feet 58 Sleepwalking feet 61 Sleepwalking Empress 65 Foot-binding 66 Castrati 69 ix xi xiii 1 29 56
viii Contents Fold 70 Soaring voice 71 Hollowed֊out voice 73 Aerial acrobat 76 3 Staging thought in Satie’s Socrate (1919) Enigmatic work 82 Flexible timbre 83 Satie’s Plato 84 Marsyas 87 Cicadas 89 Swan song 90 'One becomes more of a philosopher the more one becomes a musician’: Nietzsche’s Socrates 91 White 93 Furniture music 96 Respectful silence 98 Restaging Socrate 99 Voice and music echoed in staging and set 104 Staging images ofmusic 107 Staging Socrates’s death 110 References Index 81 115 125 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Grover-Friedlander, Michal ca. ca. 1950 - |
| author_GND | (DE-588)1011933071 |
| author_facet | Grover-Friedlander, Michal ca. ca. 1950 - |
| author_role | aut |
| author_sort | Grover-Friedlander, Michal ca. ca. 1950 - |
| author_variant | m g f mgf |
| building | Verbundindex |
| bvnumber | BV047879385 |
| classification_rvk | LR 54178 |
| contents | Staging a vulnerable voice: Weill and Brecht's Der Jasager (1930) -- Binding the voice : Ficarra and Whittington's The Empress's Feet (1995) -- Staging thought in Satie's Socrate (1919) |
| ctrlnum | (OCoLC)1314906543 (DE-599)BVBBV047879385 |
| discipline | Musikwissenschaft |
| format | Book |
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| id | DE-604.BV047879385 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:22:09Z |
| indexdate | 2024-07-20T06:19:46Z |
| institution | BVB |
| isbn | 9781032034270 9781032034287 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033261756 |
| oclc_num | 1314906543 |
| open_access_boolean | |
| owner | DE-12 DE-703 |
| owner_facet | DE-12 DE-703 |
| physical | xiv, 129 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | Routledge voice studies Routledge focus |
| spelling | Grover-Friedlander, Michal ca. ca. 1950 - Verfasser (DE-588)1011933071 aut Staging voice Michal Grover-Friedlander London ; New York Routledge, Taylor & Francis Group 2022 xiv, 129 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Routledge voice studies Routledge focus Staging a vulnerable voice: Weill and Brecht's Der Jasager (1930) -- Binding the voice : Ficarra and Whittington's The Empress's Feet (1995) -- Staging thought in Satie's Socrate (1919) "Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This study reflects on what it would mean to take opera's decisive attribute-voice-as the foundation of its staged performance. The book thinks of staging through the medium of voice. It is a nuances exploration, which brings together scholarly and directorial interpretations, and engages in detail with less frequently performed works of major and influential 20th century artists--Erik Satie, Bertolt Brecht and Kurt Weill--as well as exposes readers to an innovative experimental work of Evelyn Ficarra and Valerie Whittington. The study is intertwined throughout with the author's staging of the works accessible online. This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design and cultural studies"-- Bühnengesang (DE-588)4146859-4 gnd rswk-swf Opera / Production and direction Opera / 20th century Voice culture Voice Weill, Kurt / 1900-1950 / Jasager Ficarra, Evelyn / 1962- / Empress's feet Satie, Erik / 1866-1925 / Socrate Jasager (Weill, Kurt) Socrate (Satie, Erik) Opera 1900-1999 Bühnengesang (DE-588)4146859-4 s DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-1-00-318725-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033261756&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Grover-Friedlander, Michal ca. ca. 1950 - Staging voice Staging a vulnerable voice: Weill and Brecht's Der Jasager (1930) -- Binding the voice : Ficarra and Whittington's The Empress's Feet (1995) -- Staging thought in Satie's Socrate (1919) Bühnengesang (DE-588)4146859-4 gnd |
| subject_GND | (DE-588)4146859-4 |
| title | Staging voice |
| title_alt | Staging a vulnerable voice: Weill and Brecht's Der Jasager (1930) -- Binding the voice : Ficarra and Whittington's The Empress's Feet (1995) -- Staging thought in Satie's Socrate (1919) |
| title_auth | Staging voice |
| title_exact_search | Staging voice |
| title_exact_search_txtP | Staging voice |
| title_full | Staging voice Michal Grover-Friedlander |
| title_fullStr | Staging voice Michal Grover-Friedlander |
| title_full_unstemmed | Staging voice Michal Grover-Friedlander |
| title_short | Staging voice |
| title_sort | staging voice |
| topic | Bühnengesang (DE-588)4146859-4 gnd |
| topic_facet | Bühnengesang |
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