Art as social practice: technologies for change
"With a focus on socially engaged art practices in the twenty-first century, this book explores how artists use their creative practices to raise consciousness, form communities, create change, and bring forth social impact through new technologies and digital practices. Suzanne Lacy's For...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2022
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Schriftenreihe: | Digital Art
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "With a focus on socially engaged art practices in the twenty-first century, this book explores how artists use their creative practices to raise consciousness, form communities, create change, and bring forth social impact through new technologies and digital practices. Suzanne Lacy's Foreword and section introduction authors Anne Balsamo, Harrell Fletcher, Natalie Loveless, Karen Moss, and Stephanie Rothenberg present twenty-five in-depth case studies by established and emerging contemporary artists including Kim Abeles, Christopher Blay, Joseph DeLappe, Mary Beth Heffernan, Chris Johnson, Rebekah Modrak, Praba Pilar, Tabita Rezaire, Sylvain Souklaye, and collaborators Victoria Vesna and Siddharth Ramakrishnan. Artists offer first-hand insight into how they activate methods used in socially engaged art projects from the twentieth century and incorporated new technologies to create twenty-first century, socially engaged, digital art practices. Works highlighted in this book span collaborative image-making, immersive experiences, telematic art, time machines, artificial intelligence, and physical computing. These reflective case studies reveal how the artists collaborate with participants and communities, and have found ways to expand, transform, reimagine and create new platforms for meaningful exchange in both physical and virtual spaces. An invaluable resource for students and scholars of art, technology and new media, as well as artists interested in exploring these intersections"-- |
Beschreibung: | xxix, 339 Seiten Illustrationen 23 cm |
ISBN: | 9780367758462 9780367769543 0367758466 |
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Datensatz im Suchindex
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CONTENTS List offigures List of contributors Foreword: Suzanne Lacy Acknowledgments Introduction ix xiv xxiii xxviii 1 xtine burrough and fudy Walgren in conversation SECTION I Seeds and Tools 15 Introduction by Natalie Loveless 1 Modest in Nature, We Are АД Lichen and Other Lessons Learned With Carbon Sponge 20 Brooke Singer 2 Pandemic Makeover: Reimagining Place and Community in a Time of CoUapse 29 Beverly Naidus 3 Bio-Digital Pathways: Mushrooming Knowledge, Expanding Community Lucy HG Solomon and Cesar Baio (Cesar Lois) 38
vi Contents 4 Valises for Camp Ground: Arts, Corrections, and Fire Management in the Santa Monica Mountains 51 Kim Abeles 5 Cultivating Techno-Tamaladas 60 Praha Pilar SECTION II Windows and Mirrors 75 Introduction by Harrell Fletcher *4* 6 A Human Atlas: Immersive Storytelling for the Twenty-First Century 79 Charissa Terranova in conversation with Human Atlas founder Marcus Lyon 7 Borderland Collective: In Practice and Dialogue 92 Mark Menjivar and Jason Reed 8 We Are Worth Everything: Survivors as Themselves 102 Judy Walgren 9 Interview with Ari Melenciano 115 xtine burrough and Judy Walgren in conversation with Ari Melenciano ■* 10 Making Politics: Engaged Social Tactics 126 A conversation between Joseph DeLappe and Laura Leuzzi 11 Social Practice Artworks 137 Chris Johnson Centerpiece Decolonial Healing: In Defense of Spiritual Technologies Tabita Rezaire 151
Contents vìi SECTION III Magical Machines 173 Introduction by Anne Balsamo 12 Space and Time: Science Fiction as an Imaginative Catalyst for Social Change 177 Christopher Blay 13 Witch-Plant-Machine: Speculative Histories and Planetary Justice 183 Margaretha Haughwout 14 Cybernetic Loops and Fermented Technologies of Participatory Poetry: Reflections on The Kimchi Poetry Machine Margaret Rhee 15 Impossible Spaces and Other Embodiments: Co-constructing Virtual Realities 196 209 Dalida María Benfield, Christopher Bratton, Evelyn Eastmond, M Eifler, and Gabriel Pereira 16 One Breath Poem: A Telematic Revolution 219 xtine burrough, Sabrina Starnaman, Leticia Ferreira, Fiona Haborak, and Cynthia O’Neill for LabSynthE SECTION IV Expansions 229 Introduction by Stephanie Rothenberg 17 Community Building Through Collaboration 233 Sarah Ruth Alexander 18 Online Intimacies and Artful Life in Turtle Disco Zoomshells 241 Petra Kuppers 19 Community Accessible Archives: What YouLeave, When You Leave Gemma-Rose Turnbull 248
viii Contents 20 Living Liveness Sylvain Souklaye 258 21 Hox Zodiac—Spinning the Wheel of Interspecies Collaboration Victoria Vesna and Siddharth Ramakrishnan SECTION V Reimagination 267 277 Introduction by Karen Moss *· 22 The PPE Portrait Project Social Practice as Social Medicine Mary Beth Heffernan 281 23 Can This Be A Community When You’re Trying To Sell Me A Luxury Watch? Rebekah Modrāk 291 24 Justice and Representation within the Limits of Contemporary Photography Eliza Gregory 307 25 Technology of Touch: How Craft Can Lead to Social Change Cara Levine 318 Փ Index 328 |
adam_txt |
CONTENTS List offigures List of contributors Foreword: Suzanne Lacy Acknowledgments Introduction ix xiv xxiii xxviii 1 xtine burrough and fudy Walgren in conversation SECTION I Seeds and Tools 15 Introduction by Natalie Loveless 1 Modest in Nature, We Are АД Lichen and Other Lessons Learned With Carbon Sponge 20 Brooke Singer 2 Pandemic Makeover: Reimagining Place and Community in a Time of CoUapse 29 Beverly Naidus 3 Bio-Digital Pathways: Mushrooming Knowledge, Expanding Community Lucy HG Solomon and Cesar Baio (Cesar Lois) 38
vi Contents 4 Valises for Camp Ground: Arts, Corrections, and Fire Management in the Santa Monica Mountains 51 Kim Abeles 5 Cultivating Techno-Tamaladas 60 Praha Pilar SECTION II Windows and Mirrors 75 Introduction by Harrell Fletcher *4* 6 A Human Atlas: Immersive Storytelling for the Twenty-First Century 79 Charissa Terranova in conversation with Human Atlas founder Marcus Lyon 7 Borderland Collective: In Practice and Dialogue 92 Mark Menjivar and Jason Reed 8 We Are Worth Everything: Survivors as Themselves 102 Judy Walgren 9 Interview with Ari Melenciano 115 xtine burrough and Judy Walgren in conversation with Ari Melenciano ■* 10 Making Politics: Engaged Social Tactics 126 A conversation between Joseph DeLappe and Laura Leuzzi 11 Social Practice Artworks 137 Chris Johnson Centerpiece Decolonial Healing: In Defense of Spiritual Technologies Tabita Rezaire 151
Contents vìi SECTION III Magical Machines 173 Introduction by Anne Balsamo 12 Space and Time: Science Fiction as an Imaginative Catalyst for Social Change 177 Christopher Blay 13 Witch-Plant-Machine: Speculative Histories and Planetary Justice 183 Margaretha Haughwout 14 Cybernetic Loops and Fermented Technologies of Participatory Poetry: Reflections on The Kimchi Poetry Machine Margaret Rhee 15 Impossible Spaces and Other Embodiments: Co-constructing Virtual Realities 196 209 Dalida María Benfield, Christopher Bratton, Evelyn Eastmond, M Eifler, and Gabriel Pereira 16 One Breath Poem: A Telematic Revolution 219 xtine burrough, Sabrina Starnaman, Leticia Ferreira, Fiona Haborak, and Cynthia O’Neill for LabSynthE SECTION IV Expansions 229 Introduction by Stephanie Rothenberg 17 Community Building Through Collaboration 233 Sarah Ruth Alexander 18 Online Intimacies and Artful Life in Turtle Disco Zoomshells 241 Petra Kuppers 19 Community Accessible Archives: What YouLeave, When You Leave Gemma-Rose Turnbull 248
viii Contents 20 Living Liveness Sylvain Souklaye 258 21 Hox Zodiac—Spinning the Wheel of Interspecies Collaboration Victoria Vesna and Siddharth Ramakrishnan SECTION V Reimagination 267 277 Introduction by Karen Moss *· 22 The PPE Portrait Project Social Practice as Social Medicine Mary Beth Heffernan 281 23 Can This Be A Community When You’re Trying To Sell Me A Luxury Watch? Rebekah Modrāk 291 24 Justice and Representation within the Limits of Contemporary Photography Eliza Gregory 307 25 Technology of Touch: How Craft Can Lead to Social Change Cara Levine 318 Փ Index 328 |
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spelling | Art as social practice technologies for change edited by xtine burrough and Judy Walgren New York ; London Routledge, Taylor & Francis Group 2022 xxix, 339 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Digital Art "With a focus on socially engaged art practices in the twenty-first century, this book explores how artists use their creative practices to raise consciousness, form communities, create change, and bring forth social impact through new technologies and digital practices. Suzanne Lacy's Foreword and section introduction authors Anne Balsamo, Harrell Fletcher, Natalie Loveless, Karen Moss, and Stephanie Rothenberg present twenty-five in-depth case studies by established and emerging contemporary artists including Kim Abeles, Christopher Blay, Joseph DeLappe, Mary Beth Heffernan, Chris Johnson, Rebekah Modrak, Praba Pilar, Tabita Rezaire, Sylvain Souklaye, and collaborators Victoria Vesna and Siddharth Ramakrishnan. Artists offer first-hand insight into how they activate methods used in socially engaged art projects from the twentieth century and incorporated new technologies to create twenty-first century, socially engaged, digital art practices. Works highlighted in this book span collaborative image-making, immersive experiences, telematic art, time machines, artificial intelligence, and physical computing. These reflective case studies reveal how the artists collaborate with participants and communities, and have found ways to expand, transform, reimagine and create new platforms for meaningful exchange in both physical and virtual spaces. An invaluable resource for students and scholars of art, technology and new media, as well as artists interested in exploring these intersections"-- Geschichte 2000-2022 gnd rswk-swf Computerkunst (DE-588)4010453-9 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Social practice (Art) New media art (DE-588)4143413-4 Aufsatzsammlung gnd-content Computerkunst (DE-588)4010453-9 s Geschichte 2000-2022 z DE-604 Kunst (DE-588)4114333-4 s Gesellschaft (DE-588)4020588-5 s Burrough, xtine (DE-588)104466732X edt win Walgren, Judy 1964- (DE-588)1254183027 edt win Erscheint auch als Online-Ausgabe, ebk 978-1-003-16910-9 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033260620&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Art as social practice technologies for change Computerkunst (DE-588)4010453-9 gnd Gesellschaft (DE-588)4020588-5 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4010453-9 (DE-588)4020588-5 (DE-588)4114333-4 (DE-588)4143413-4 |
title | Art as social practice technologies for change |
title_auth | Art as social practice technologies for change |
title_exact_search | Art as social practice technologies for change |
title_exact_search_txtP | Art as social practice technologies for change |
title_full | Art as social practice technologies for change edited by xtine burrough and Judy Walgren |
title_fullStr | Art as social practice technologies for change edited by xtine burrough and Judy Walgren |
title_full_unstemmed | Art as social practice technologies for change edited by xtine burrough and Judy Walgren |
title_short | Art as social practice |
title_sort | art as social practice technologies for change |
title_sub | technologies for change |
topic | Computerkunst (DE-588)4010453-9 gnd Gesellschaft (DE-588)4020588-5 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Computerkunst Gesellschaft Kunst Aufsatzsammlung |
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