Fictions of emancipation: Carpeaux's "Why born enslaved!" reconsidered
"This groundbreaking publication on Jean-Baptiste Carpeaux’s (1827–1875) bust Why Born Enslaved! examines the work in the context of transatlantic abolitionist movements and France’s colonialist fascination with Africa in the nineteenth century. Thoughtful essays by noted art historians and lit...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
The Metropolitan Museum of Art
[2022]
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| Schlagworte: | |
| Zusammenfassung: | "This groundbreaking publication on Jean-Baptiste Carpeaux’s (1827–1875) bust Why Born Enslaved! examines the work in the context of transatlantic abolitionist movements and France’s colonialist fascination with Africa in the nineteenth century. Thoughtful essays by noted art historians and literary scholars, including Adrienne L. Childs, James Smalls, and Wendy S. Walters, unpack European artists’ engagement with the Black figure, simultaneously evoked as a changeable political symbol and a representation of exoticized beauty and desire. The authors compare Carpeaux’s sculpture to works by his contemporaries, such as Charles-Henri-Joseph Cordier, Edmonia Lewis, and Louis Simon Boizot, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley. In so doing, the book critically examines the portrayal of Black emancipation and personhood; the commodification of Black images to assert social capital; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux’s sculpture to legacies of empire in the postcolonial present. It will also feature a chronology of events central to the nineteenth-century antislavery movement." -- Publisher's description "Organized around a single object—the marble bust Why Born Enslaved! by French sculptor Jean-Baptiste Carpeaux—Fictions of Emancipation: Carpeaux Recast is the first exhibition at The Met to examine Western sculpture in relation to the histories of transatlantic slavery, colonialism, and empire. Created in the wake of American emancipation and some twenty years after the abolition of slavery in the French Atlantic, Why Born Enslaved! was shaped by the enduring popularity of antislavery imagery, the development of nineteenth-century ethnographic theories of racial difference, and France’s colonialist fascination with Africa. The exhibition will explore the sculpture’s place within these contexts. Featuring more than thirty-five works of art in sections unfolding around Carpeaux’s sculpture, Fictions of Emancipation will offer an in-depth look at portrayals of Black enslavement, emancipation, and personhood with an aim toward challenging the notion that representation in the wake of abolition constitutes a clear moral or political stance. Important works by Josiah Wedgwood, Frédéric Auguste Bartholdi, Charles Cordier, Edmonia Lewis, Louis-Simon Boizot, and others will show how Western artists of the nineteenth century engaged with the Black figure as a political symbol and site of exoticized beauty, while contemporary sculptures by Kara Walker and Kehinde Wiley will connect the dialogue around Carpeaux’s bust to current conversations about the legacies of slavery in the Western world. This exhibition was conceived in collaboration with guest curator Wendy S. Walters and enriched through conversations with numerous intellectual partners. It is one of many projects that the Museum is undertaking in an effort to reassess and broaden the narratives it presents about the past and present." -- Metropolitan Museum of Art website |
| Beschreibung: | Rückseite Titelblatt: "This catalogue is published in conjunction with "Fictions of Emancipation: Carpeaux Recast", on view at The Metropolitan Museum of Art, New York, from March 10, 2022, through March 5, 2023" |
| Beschreibung: | 139 Seiten, 32 ungezählte Seiten Tafeln Illustrationen (teilweise farbig) 23 cm |
| ISBN: | 9781588397447 1588397440 |
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| building | Verbundindex |
| bvnumber | BV047873990 |
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| era_facet | Geschichte 1800-1900 |
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| genre | (DE-588)4135467-9 Ausstellungskatalog Metropolitan Museum of Art 10.03.2022-05.03.2023 New York, NY gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Ausstellungskatalog Metropolitan Museum of Art 10.03.2022-05.03.2023 New York, NY Aufsatzsammlung |
| geographic | Frankreich (DE-588)4018145-5 gnd |
| geographic_facet | Frankreich |
| id | DE-604.BV047873990 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:20:41Z |
| indexdate | 2024-08-06T00:26:00Z |
| institution | BVB |
| institution_GND | (DE-588)1008914-7 |
| isbn | 9781588397447 1588397440 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033256450 |
| oclc_num | 1309118453 |
| open_access_boolean | |
| owner | DE-Y2 DE-Y3 DE-255 DE-Y7 DE-188 DE-12 DE-B170 |
| owner_facet | DE-Y2 DE-Y3 DE-255 DE-Y7 DE-188 DE-12 DE-B170 |
| physical | 139 Seiten, 32 ungezählte Seiten Tafeln Illustrationen (teilweise farbig) 23 cm |
| psigel | BSB_NED_20221104 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | The Metropolitan Museum of Art |
| record_format | marc |
| spelling | Fictions of emancipation Carpeaux's "Why born enslaved!" reconsidered edited by Elyse Nelson and Wendy S. Walters Fictions of emancipation : Carpeaux recast New York The Metropolitan Museum of Art [2022] New Haven ; London Yale University Press © 2022 139 Seiten, 32 ungezählte Seiten Tafeln Illustrationen (teilweise farbig) 23 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Rückseite Titelblatt: "This catalogue is published in conjunction with "Fictions of Emancipation: Carpeaux Recast", on view at The Metropolitan Museum of Art, New York, from March 10, 2022, through March 5, 2023" "This groundbreaking publication on Jean-Baptiste Carpeaux’s (1827–1875) bust Why Born Enslaved! examines the work in the context of transatlantic abolitionist movements and France’s colonialist fascination with Africa in the nineteenth century. Thoughtful essays by noted art historians and literary scholars, including Adrienne L. Childs, James Smalls, and Wendy S. Walters, unpack European artists’ engagement with the Black figure, simultaneously evoked as a changeable political symbol and a representation of exoticized beauty and desire. The authors compare Carpeaux’s sculpture to works by his contemporaries, such as Charles-Henri-Joseph Cordier, Edmonia Lewis, and Louis Simon Boizot, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley. In so doing, the book critically examines the portrayal of Black emancipation and personhood; the commodification of Black images to assert social capital; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux’s sculpture to legacies of empire in the postcolonial present. It will also feature a chronology of events central to the nineteenth-century antislavery movement." -- Publisher's description "Organized around a single object—the marble bust Why Born Enslaved! by French sculptor Jean-Baptiste Carpeaux—Fictions of Emancipation: Carpeaux Recast is the first exhibition at The Met to examine Western sculpture in relation to the histories of transatlantic slavery, colonialism, and empire. Created in the wake of American emancipation and some twenty years after the abolition of slavery in the French Atlantic, Why Born Enslaved! was shaped by the enduring popularity of antislavery imagery, the development of nineteenth-century ethnographic theories of racial difference, and France’s colonialist fascination with Africa. The exhibition will explore the sculpture’s place within these contexts. Featuring more than thirty-five works of art in sections unfolding around Carpeaux’s sculpture, Fictions of Emancipation will offer an in-depth look at portrayals of Black enslavement, emancipation, and personhood with an aim toward challenging the notion that representation in the wake of abolition constitutes a clear moral or political stance. Important works by Josiah Wedgwood, Frédéric Auguste Bartholdi, Charles Cordier, Edmonia Lewis, Louis-Simon Boizot, and others will show how Western artists of the nineteenth century engaged with the Black figure as a political symbol and site of exoticized beauty, while contemporary sculptures by Kara Walker and Kehinde Wiley will connect the dialogue around Carpeaux’s bust to current conversations about the legacies of slavery in the Western world. This exhibition was conceived in collaboration with guest curator Wendy S. Walters and enriched through conversations with numerous intellectual partners. It is one of many projects that the Museum is undertaking in an effort to reassess and broaden the narratives it presents about the past and present." -- Metropolitan Museum of Art website Wiley, Kehinde 1977- (DE-588)130090603 gnd rswk-swf Carpeaux, Jean-Baptiste 1827-1875 Why born enslaved! Metropolitan Museum of Art (DE-588)125406415X gnd rswk-swf Walker, Kara 1969- (DE-588)119536005 gnd rswk-swf Geschichte 1800-1900 gnd rswk-swf Postkolonialismus (DE-588)4566658-1 gnd rswk-swf Antirassismus (DE-588)4275311-9 gnd rswk-swf Sklaverei Motiv (DE-588)4204853-9 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Antirassismus Motiv (DE-588)4588820-6 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Carpeaux, Jean Baptiste / 1827-1875 / Why born enslaved / Exhibitions Slavery in art / Exhibitions Black people in art / Exhibitions Slavery in art Exhibition catalogs (DE-588)4135467-9 Ausstellungskatalog Metropolitan Museum of Art 10.03.2022-05.03.2023 New York, NY gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Carpeaux, Jean-Baptiste 1827-1875 Why born enslaved! Metropolitan Museum of Art (DE-588)125406415X u DE-604 Frankreich (DE-588)4018145-5 g Plastik (DE-588)4046277-8 s Sklaverei Motiv (DE-588)4204853-9 s Antirassismus Motiv (DE-588)4588820-6 s Kunst (DE-588)4114333-4 s Geschichte 1800-1900 z Walker, Kara 1969- (DE-588)119536005 p Wiley, Kehinde 1977- (DE-588)130090603 p Postkolonialismus (DE-588)4566658-1 s Antirassismus (DE-588)4275311-9 s Nelson, Elyse (DE-588)1266329579 edt Walters, Wendy S. 1970- (DE-588)1268472859 edt Carpeaux, Jean-Baptiste 1827-1875 (DE-588)118519212 scl Metropolitan Museum of Art (DE-588)1008914-7 isb |
| spellingShingle | Fictions of emancipation Carpeaux's "Why born enslaved!" reconsidered Wiley, Kehinde 1977- (DE-588)130090603 gnd Carpeaux, Jean-Baptiste 1827-1875 Why born enslaved! Metropolitan Museum of Art (DE-588)125406415X gnd Walker, Kara 1969- (DE-588)119536005 gnd Postkolonialismus (DE-588)4566658-1 gnd Antirassismus (DE-588)4275311-9 gnd Sklaverei Motiv (DE-588)4204853-9 gnd Kunst (DE-588)4114333-4 gnd Antirassismus Motiv (DE-588)4588820-6 gnd Plastik (DE-588)4046277-8 gnd |
| subject_GND | (DE-588)130090603 (DE-588)125406415X (DE-588)119536005 (DE-588)4566658-1 (DE-588)4275311-9 (DE-588)4204853-9 (DE-588)4114333-4 (DE-588)4588820-6 (DE-588)4046277-8 (DE-588)4018145-5 (DE-588)4135467-9 (DE-588)4143413-4 |
| title | Fictions of emancipation Carpeaux's "Why born enslaved!" reconsidered |
| title_alt | Fictions of emancipation : Carpeaux recast |
| title_auth | Fictions of emancipation Carpeaux's "Why born enslaved!" reconsidered |
| title_exact_search | Fictions of emancipation Carpeaux's "Why born enslaved!" reconsidered |
| title_exact_search_txtP | Fictions of emancipation Carpeaux's "Why born enslaved!" reconsidered |
| title_full | Fictions of emancipation Carpeaux's "Why born enslaved!" reconsidered edited by Elyse Nelson and Wendy S. Walters |
| title_fullStr | Fictions of emancipation Carpeaux's "Why born enslaved!" reconsidered edited by Elyse Nelson and Wendy S. Walters |
| title_full_unstemmed | Fictions of emancipation Carpeaux's "Why born enslaved!" reconsidered edited by Elyse Nelson and Wendy S. Walters |
| title_short | Fictions of emancipation |
| title_sort | fictions of emancipation carpeaux s why born enslaved reconsidered |
| title_sub | Carpeaux's "Why born enslaved!" reconsidered |
| topic | Wiley, Kehinde 1977- (DE-588)130090603 gnd Carpeaux, Jean-Baptiste 1827-1875 Why born enslaved! Metropolitan Museum of Art (DE-588)125406415X gnd Walker, Kara 1969- (DE-588)119536005 gnd Postkolonialismus (DE-588)4566658-1 gnd Antirassismus (DE-588)4275311-9 gnd Sklaverei Motiv (DE-588)4204853-9 gnd Kunst (DE-588)4114333-4 gnd Antirassismus Motiv (DE-588)4588820-6 gnd Plastik (DE-588)4046277-8 gnd |
| topic_facet | Wiley, Kehinde 1977- Carpeaux, Jean-Baptiste 1827-1875 Why born enslaved! Metropolitan Museum of Art Walker, Kara 1969- Postkolonialismus Antirassismus Sklaverei Motiv Kunst Antirassismus Motiv Plastik Frankreich Ausstellungskatalog Metropolitan Museum of Art 10.03.2022-05.03.2023 New York, NY Aufsatzsammlung |
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