Writing Men: Literary Masculinities from Frankenstein to the New Man
In Writing Men, Berthold Schoene-Harwood develops a trajectory of masculine emancipation from the monstrous imagery of nineteenth-century fiction to contemporary men writers' experimental new discourse of écriture masculine. Looking at 13 individual case studies, Schoene-Harwood outlines the hi...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
Schlagworte: | |
Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | In Writing Men, Berthold Schoene-Harwood develops a trajectory of masculine emancipation from the monstrous imagery of nineteenth-century fiction to contemporary men writers' experimental new discourse of écriture masculine. Looking at 13 individual case studies, Schoene-Harwood outlines the historical development of literary representations of masculinity from Mary Shelley's Frankenstein to Ian McEwan's The Child in Time. Subdivided into four parts, the study's first section takes a journey into the nineteenth-century pre-history of post-war and contemporary British men's writing, introducing readers to literature's capacity to both consolidate and unsettle traditional conceptions of femininity and masculinity. In Part II, detailed readings of modern classics such as Lord of the Flies, A Clockwork Orange, Look Back in Anger and Room at the Top reveal the persistence of patriarchal gender hierarchies in the 1950s and early 1960s. The third and central section explores the influence feminist thought has had on some men's contemporary re-imaging of themselves beyond the confines of traditional gender formations. The final section discusses Neil Bartlett's Ready to Catch Him Should He Fall as an attempt to subvert patriarchal masculinity from a gay male perspective. Inspired by feminist theory and the new academic discipline of Men's Studies, Schoene-Harwood analyses men's writing both in relation to women's writing and as a literary genre in its own right. Arguing for a new discourse of écriture masculine, Writing Men makes a challenging and theoretically ambitious contribution to current critical debates on the literary representation of gender.Key FeaturesThe study comprises detailed, innovative and original readings of 13 works of literatureIt historicises the literary representation of masculinity by outlining its development from the nineteenth century to the immediate presentIts introductory, yet sophisticated approach will appeal to students, academics, specialists and non-specialists alike |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
Beschreibung: | 1 Online-Ressource (224 pages) |
ISBN: | 9781474472364 |
DOI: | 10.1515/9781474472364 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV047870165 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 220308s2022 |||| o||u| ||||||eng d | ||
020 | |a 9781474472364 |9 978-1-4744-7236-4 | ||
024 | 7 | |a 10.1515/9781474472364 |2 doi | |
035 | |a (ZDB-23-DGG)9781474472364 | ||
035 | |a (OCoLC)1304488463 | ||
035 | |a (DE-599)BVBBV047870165 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
082 | 0 | |a 820.9352041 |2 21//oclceng | |
100 | 1 | |a Schoene, Berthold |e Verfasser |4 aut | |
245 | 1 | 0 | |a Writing Men |b Literary Masculinities from Frankenstein to the New Man |c Berthold Schoene |
264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
264 | 4 | |c © 2000 | |
300 | |a 1 Online-Ressource (224 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | ||
520 | |a In Writing Men, Berthold Schoene-Harwood develops a trajectory of masculine emancipation from the monstrous imagery of nineteenth-century fiction to contemporary men writers' experimental new discourse of écriture masculine. Looking at 13 individual case studies, Schoene-Harwood outlines the historical development of literary representations of masculinity from Mary Shelley's Frankenstein to Ian McEwan's The Child in Time. Subdivided into four parts, the study's first section takes a journey into the nineteenth-century pre-history of post-war and contemporary British men's writing, introducing readers to literature's capacity to both consolidate and unsettle traditional conceptions of femininity and masculinity. In Part II, detailed readings of modern classics such as Lord of the Flies, A Clockwork Orange, Look Back in Anger and Room at the Top reveal the persistence of patriarchal gender hierarchies in the 1950s and early 1960s. | ||
520 | |a The third and central section explores the influence feminist thought has had on some men's contemporary re-imaging of themselves beyond the confines of traditional gender formations. The final section discusses Neil Bartlett's Ready to Catch Him Should He Fall as an attempt to subvert patriarchal masculinity from a gay male perspective. Inspired by feminist theory and the new academic discipline of Men's Studies, Schoene-Harwood analyses men's writing both in relation to women's writing and as a literary genre in its own right. | ||
520 | |a Arguing for a new discourse of écriture masculine, Writing Men makes a challenging and theoretically ambitious contribution to current critical debates on the literary representation of gender.Key FeaturesThe study comprises detailed, innovative and original readings of 13 works of literatureIt historicises the literary representation of masculinity by outlining its development from the nineteenth century to the immediate presentIts introductory, yet sophisticated approach will appeal to students, academics, specialists and non-specialists alike | ||
546 | |a In English | ||
650 | 4 | |a Gender Studies | |
650 | 7 | |a LITERARY CRITICISM / General |2 bisacsh | |
856 | 4 | 0 | |u https://doi.org/10.1515/9781474472364 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-033252658 | ||
966 | e | |u https://doi.org/10.1515/9781474472364 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474472364 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474472364 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474472364 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474472364 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474472364 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474472364 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781474472364 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804183452887547904 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Schoene, Berthold |
author_facet | Schoene, Berthold |
author_role | aut |
author_sort | Schoene, Berthold |
author_variant | b s bs |
building | Verbundindex |
bvnumber | BV047870165 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9781474472364 (OCoLC)1304488463 (DE-599)BVBBV047870165 |
dewey-full | 820.9352041 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 820 - English & Old English literatures |
dewey-raw | 820.9352041 |
dewey-search | 820.9352041 |
dewey-sort | 3820.9352041 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
doi_str_mv | 10.1515/9781474472364 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04272nmm a2200505zc 4500</leader><controlfield tag="001">BV047870165</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220308s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474472364</subfield><subfield code="9">978-1-4744-7236-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474472364</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781474472364</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1304488463</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047870165</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">820.9352041</subfield><subfield code="2">21//oclceng</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Schoene, Berthold</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Writing Men</subfield><subfield code="b">Literary Masculinities from Frankenstein to the New Man</subfield><subfield code="c">Berthold Schoene</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2000</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (224 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In Writing Men, Berthold Schoene-Harwood develops a trajectory of masculine emancipation from the monstrous imagery of nineteenth-century fiction to contemporary men writers' experimental new discourse of écriture masculine. Looking at 13 individual case studies, Schoene-Harwood outlines the historical development of literary representations of masculinity from Mary Shelley's Frankenstein to Ian McEwan's The Child in Time. Subdivided into four parts, the study's first section takes a journey into the nineteenth-century pre-history of post-war and contemporary British men's writing, introducing readers to literature's capacity to both consolidate and unsettle traditional conceptions of femininity and masculinity. In Part II, detailed readings of modern classics such as Lord of the Flies, A Clockwork Orange, Look Back in Anger and Room at the Top reveal the persistence of patriarchal gender hierarchies in the 1950s and early 1960s. </subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The third and central section explores the influence feminist thought has had on some men's contemporary re-imaging of themselves beyond the confines of traditional gender formations. The final section discusses Neil Bartlett's Ready to Catch Him Should He Fall as an attempt to subvert patriarchal masculinity from a gay male perspective. Inspired by feminist theory and the new academic discipline of Men's Studies, Schoene-Harwood analyses men's writing both in relation to women's writing and as a literary genre in its own right. </subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Arguing for a new discourse of écriture masculine, Writing Men makes a challenging and theoretically ambitious contribution to current critical debates on the literary representation of gender.Key FeaturesThe study comprises detailed, innovative and original readings of 13 works of literatureIt historicises the literary representation of masculinity by outlining its development from the nineteenth century to the immediate presentIts introductory, yet sophisticated approach will appeal to students, academics, specialists and non-specialists alike</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gender Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474472364</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033252658</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474472364</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474472364</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474472364</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474472364</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474472364</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474472364</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474472364</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474472364</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV047870165 |
illustrated | Not Illustrated |
index_date | 2024-07-03T19:19:59Z |
indexdate | 2024-07-10T09:23:41Z |
institution | BVB |
isbn | 9781474472364 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033252658 |
oclc_num | 1304488463 |
open_access_boolean | |
owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
physical | 1 Online-Ressource (224 pages) |
psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Edinburgh University Press |
record_format | marc |
spelling | Schoene, Berthold Verfasser aut Writing Men Literary Masculinities from Frankenstein to the New Man Berthold Schoene Edinburgh Edinburgh University Press [2022] © 2000 1 Online-Ressource (224 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) In Writing Men, Berthold Schoene-Harwood develops a trajectory of masculine emancipation from the monstrous imagery of nineteenth-century fiction to contemporary men writers' experimental new discourse of écriture masculine. Looking at 13 individual case studies, Schoene-Harwood outlines the historical development of literary representations of masculinity from Mary Shelley's Frankenstein to Ian McEwan's The Child in Time. Subdivided into four parts, the study's first section takes a journey into the nineteenth-century pre-history of post-war and contemporary British men's writing, introducing readers to literature's capacity to both consolidate and unsettle traditional conceptions of femininity and masculinity. In Part II, detailed readings of modern classics such as Lord of the Flies, A Clockwork Orange, Look Back in Anger and Room at the Top reveal the persistence of patriarchal gender hierarchies in the 1950s and early 1960s. The third and central section explores the influence feminist thought has had on some men's contemporary re-imaging of themselves beyond the confines of traditional gender formations. The final section discusses Neil Bartlett's Ready to Catch Him Should He Fall as an attempt to subvert patriarchal masculinity from a gay male perspective. Inspired by feminist theory and the new academic discipline of Men's Studies, Schoene-Harwood analyses men's writing both in relation to women's writing and as a literary genre in its own right. Arguing for a new discourse of écriture masculine, Writing Men makes a challenging and theoretically ambitious contribution to current critical debates on the literary representation of gender.Key FeaturesThe study comprises detailed, innovative and original readings of 13 works of literatureIt historicises the literary representation of masculinity by outlining its development from the nineteenth century to the immediate presentIts introductory, yet sophisticated approach will appeal to students, academics, specialists and non-specialists alike In English Gender Studies LITERARY CRITICISM / General bisacsh https://doi.org/10.1515/9781474472364 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Schoene, Berthold Writing Men Literary Masculinities from Frankenstein to the New Man Gender Studies LITERARY CRITICISM / General bisacsh |
title | Writing Men Literary Masculinities from Frankenstein to the New Man |
title_auth | Writing Men Literary Masculinities from Frankenstein to the New Man |
title_exact_search | Writing Men Literary Masculinities from Frankenstein to the New Man |
title_exact_search_txtP | Writing Men Literary Masculinities from Frankenstein to the New Man |
title_full | Writing Men Literary Masculinities from Frankenstein to the New Man Berthold Schoene |
title_fullStr | Writing Men Literary Masculinities from Frankenstein to the New Man Berthold Schoene |
title_full_unstemmed | Writing Men Literary Masculinities from Frankenstein to the New Man Berthold Schoene |
title_short | Writing Men |
title_sort | writing men literary masculinities from frankenstein to the new man |
title_sub | Literary Masculinities from Frankenstein to the New Man |
topic | Gender Studies LITERARY CRITICISM / General bisacsh |
topic_facet | Gender Studies LITERARY CRITICISM / General |
url | https://doi.org/10.1515/9781474472364 |
work_keys_str_mv | AT schoeneberthold writingmenliterarymasculinitiesfromfrankensteintothenewman |