Cosmetics in Shakespearean and Renaissance Drama:
Revised and updated critical survey of the field of cosmetics and adornment studiesThis revised edition examines how the plays of Shakespeare and his contemporaries dramatise the Renaissance preoccupation with cosmetics. Farah Karim-Cooper explores the then-contentious issue of female beauty and ide...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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Schlagworte: | |
Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | Revised and updated critical survey of the field of cosmetics and adornment studiesThis revised edition examines how the plays of Shakespeare and his contemporaries dramatise the Renaissance preoccupation with cosmetics. Farah Karim-Cooper explores the then-contentious issue of female beauty and identifies a 'culture of cosmetics', which finds its visual identity on the early modern stage. She also examines cosmetic recipes and anti-cosmetic literature focusing on their relationship to drama in its representations of gender, race, politics and beauty.Key FeaturesOffers a new analysis of the construction of whiteness as a racial signifierProvides an original insight into women's cosmetic practice through an exploration of ingredients, methods and materials used to create cosmetics and the perception of make up in Shakespeare's timeIncludes numerous cosmetic recipes from the early modern period found in printed books and never published in a modern edition |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
Beschreibung: | 1 Online-Ressource (232 pages) 17 B/W illustrations |
ISBN: | 9781474452731 |
DOI: | 10.1515/9781474452731 |
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520 | |a Revised and updated critical survey of the field of cosmetics and adornment studiesThis revised edition examines how the plays of Shakespeare and his contemporaries dramatise the Renaissance preoccupation with cosmetics. Farah Karim-Cooper explores the then-contentious issue of female beauty and identifies a 'culture of cosmetics', which finds its visual identity on the early modern stage. She also examines cosmetic recipes and anti-cosmetic literature focusing on their relationship to drama in its representations of gender, race, politics and beauty.Key FeaturesOffers a new analysis of the construction of whiteness as a racial signifierProvides an original insight into women's cosmetic practice through an exploration of ingredients, methods and materials used to create cosmetics and the perception of make up in Shakespeare's timeIncludes numerous cosmetic recipes from the early modern period found in printed books and never published in a modern edition | ||
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650 | 4 | |a Cosmetics |x History | |
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Datensatz im Suchindex
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author | Karim-Cooper, Farah |
author_facet | Karim-Cooper, Farah |
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discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
doi_str_mv | 10.1515/9781474452731 |
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illustrated | Illustrated |
index_date | 2024-07-03T19:19:59Z |
indexdate | 2024-07-10T09:23:40Z |
institution | BVB |
isbn | 9781474452731 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033252360 |
oclc_num | 1304483701 |
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physical | 1 Online-Ressource (232 pages) 17 B/W illustrations |
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publishDate | 2022 |
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publisher | Edinburgh University Press |
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spelling | Karim-Cooper, Farah Verfasser aut Cosmetics in Shakespearean and Renaissance Drama Farah Karim-Cooper Edinburgh Edinburgh University Press [2022] © 2019 1 Online-Ressource (232 pages) 17 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Revised and updated critical survey of the field of cosmetics and adornment studiesThis revised edition examines how the plays of Shakespeare and his contemporaries dramatise the Renaissance preoccupation with cosmetics. Farah Karim-Cooper explores the then-contentious issue of female beauty and identifies a 'culture of cosmetics', which finds its visual identity on the early modern stage. She also examines cosmetic recipes and anti-cosmetic literature focusing on their relationship to drama in its representations of gender, race, politics and beauty.Key FeaturesOffers a new analysis of the construction of whiteness as a racial signifierProvides an original insight into women's cosmetic practice through an exploration of ingredients, methods and materials used to create cosmetics and the perception of make up in Shakespeare's timeIncludes numerous cosmetic recipes from the early modern period found in printed books and never published in a modern edition In English Literary Studies LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Beauty, Personal, in literature Cosmetics History English drama 17th century History and criticism English drama Early modern and Elizabethan, 1500-1600 History and criticism https://doi.org/10.1515/9781474452731 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Karim-Cooper, Farah Cosmetics in Shakespearean and Renaissance Drama Literary Studies LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Beauty, Personal, in literature Cosmetics History English drama 17th century History and criticism English drama Early modern and Elizabethan, 1500-1600 History and criticism |
title | Cosmetics in Shakespearean and Renaissance Drama |
title_auth | Cosmetics in Shakespearean and Renaissance Drama |
title_exact_search | Cosmetics in Shakespearean and Renaissance Drama |
title_exact_search_txtP | Cosmetics in Shakespearean and Renaissance Drama |
title_full | Cosmetics in Shakespearean and Renaissance Drama Farah Karim-Cooper |
title_fullStr | Cosmetics in Shakespearean and Renaissance Drama Farah Karim-Cooper |
title_full_unstemmed | Cosmetics in Shakespearean and Renaissance Drama Farah Karim-Cooper |
title_short | Cosmetics in Shakespearean and Renaissance Drama |
title_sort | cosmetics in shakespearean and renaissance drama |
topic | Literary Studies LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Beauty, Personal, in literature Cosmetics History English drama 17th century History and criticism English drama Early modern and Elizabethan, 1500-1600 History and criticism |
topic_facet | Literary Studies LITERARY CRITICISM / European / English, Irish, Scottish, Welsh Beauty, Personal, in literature Cosmetics History English drama 17th century History and criticism English drama Early modern and Elizabethan, 1500-1600 History and criticism |
url | https://doi.org/10.1515/9781474452731 |
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