Listening for Theatrical Form in Early Modern England:
Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shape...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Edinburgh
Edinburgh University Press
[2022]
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| Schriftenreihe: | Edinburgh Critical Studies in Renaissance Culture : ECSRC
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped the two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key Features Invites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (208 pages) 6 B/W illustrations |
| ISBN: | 9781474411271 |
| DOI: | 10.1515/9781474411271 |
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| 520 | |a Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped the two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key Features Invites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it | ||
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Datensatz im Suchindex
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| doi_str_mv | 10.1515/9781474411271 |
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| indexdate | 2024-07-10T09:23:39Z |
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| isbn | 9781474411271 |
| language | English |
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| spelling | Deutermann, Allison Verfasser aut Listening for Theatrical Form in Early Modern England Allison Deutermann Edinburgh Edinburgh University Press [2022] © 2016 1 Online-Ressource (208 pages) 6 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Edinburgh Critical Studies in Renaissance Culture : ECSRC Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped the two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key Features Invites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it In English Literary Studies LITERARY CRITICISM / General bisacsh English drama Early modern and Elizabethan, 1500-1600 History and criticism English drama, Early modern and Elizabethan, 1500-1600; History and criticism Theater England History 16th century Theater; England; History, 16th century Theaters Sound effects https://doi.org/10.1515/9781474411271 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Deutermann, Allison Listening for Theatrical Form in Early Modern England Literary Studies LITERARY CRITICISM / General bisacsh English drama Early modern and Elizabethan, 1500-1600 History and criticism English drama, Early modern and Elizabethan, 1500-1600; History and criticism Theater England History 16th century Theater; England; History, 16th century Theaters Sound effects |
| title | Listening for Theatrical Form in Early Modern England |
| title_auth | Listening for Theatrical Form in Early Modern England |
| title_exact_search | Listening for Theatrical Form in Early Modern England |
| title_exact_search_txtP | Listening for Theatrical Form in Early Modern England |
| title_full | Listening for Theatrical Form in Early Modern England Allison Deutermann |
| title_fullStr | Listening for Theatrical Form in Early Modern England Allison Deutermann |
| title_full_unstemmed | Listening for Theatrical Form in Early Modern England Allison Deutermann |
| title_short | Listening for Theatrical Form in Early Modern England |
| title_sort | listening for theatrical form in early modern england |
| topic | Literary Studies LITERARY CRITICISM / General bisacsh English drama Early modern and Elizabethan, 1500-1600 History and criticism English drama, Early modern and Elizabethan, 1500-1600; History and criticism Theater England History 16th century Theater; England; History, 16th century Theaters Sound effects |
| topic_facet | Literary Studies LITERARY CRITICISM / General English drama Early modern and Elizabethan, 1500-1600 History and criticism English drama, Early modern and Elizabethan, 1500-1600; History and criticism Theater England History 16th century Theater; England; History, 16th century Theaters Sound effects |
| url | https://doi.org/10.1515/9781474411271 |
| work_keys_str_mv | AT deutermannallison listeningfortheatricalforminearlymodernengland |