Screen Presence: Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon
Explores the intersections of film, popular media and art since the 1950sCinema plays a major role in contemporary art, yet the deeper influence of its diverse historical forms on artistic practice has received little attention. Screen Presence explores the intersections of film, popular media, and...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
[2022]
|
| Series: | Edinburgh Studies in Film and Intermediality : ESFI
|
| Subjects: | |
| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | Explores the intersections of film, popular media and art since the 1950sCinema plays a major role in contemporary art, yet the deeper influence of its diverse historical forms on artistic practice has received little attention. Screen Presence explores the intersections of film, popular media, and art since the 1950s through the examples of four pivotal figures - Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon. While their film-related works may appear primarily as challenges to conventional cinema, these artists draw on overlooked forms of popular film culture that have been commonplace, and even dominant, in specific social contexts. Through a range of new sources, including advertisements, specialty magazines, postcards, technical guides and souvenir programs, Stephen Monteiro demonstrates the dependence of contemporary artists on cinema's shifting applications and interpretations, offering a fresh understanding of the enduring impact of everyday media on how we make and view art.Key featuresConcentrates on four major artists: Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas GordonProvides in-depth studies of selected works by these artistsIncludes significant research on under-valued yet common popular cinema cultures (peep shows, drive-ins, home movies and CinemaScope) |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Physical Description: | 1 Online-Ressource (200 pages) 60 B/W illustrations |
| ISBN: | 9781474403382 |
Staff View
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| 520 | |a Explores the intersections of film, popular media and art since the 1950sCinema plays a major role in contemporary art, yet the deeper influence of its diverse historical forms on artistic practice has received little attention. Screen Presence explores the intersections of film, popular media, and art since the 1950s through the examples of four pivotal figures - Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon. While their film-related works may appear primarily as challenges to conventional cinema, these artists draw on overlooked forms of popular film culture that have been commonplace, and even dominant, in specific social contexts. Through a range of new sources, including advertisements, specialty magazines, postcards, technical guides and souvenir programs, Stephen Monteiro demonstrates the dependence of contemporary artists on cinema's shifting applications and interpretations, offering a fresh understanding of the enduring impact of everyday media on how we make and view art.Key featuresConcentrates on four major artists: Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas GordonProvides in-depth studies of selected works by these artistsIncludes significant research on under-valued yet common popular cinema cultures (peep shows, drive-ins, home movies and CinemaScope) | ||
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Record in the Search Index
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| author | Monteiro, Stephen |
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| discipline | Allgemeines |
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| spelling | Monteiro, Stephen Verfasser aut Screen Presence Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon Stephen Monteiro Edinburgh Edinburgh University Press [2022] © 2016 1 Online-Ressource (200 pages) 60 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Edinburgh Studies in Film and Intermediality : ESFI Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Explores the intersections of film, popular media and art since the 1950sCinema plays a major role in contemporary art, yet the deeper influence of its diverse historical forms on artistic practice has received little attention. Screen Presence explores the intersections of film, popular media, and art since the 1950s through the examples of four pivotal figures - Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon. While their film-related works may appear primarily as challenges to conventional cinema, these artists draw on overlooked forms of popular film culture that have been commonplace, and even dominant, in specific social contexts. Through a range of new sources, including advertisements, specialty magazines, postcards, technical guides and souvenir programs, Stephen Monteiro demonstrates the dependence of contemporary artists on cinema's shifting applications and interpretations, offering a fresh understanding of the enduring impact of everyday media on how we make and view art.Key featuresConcentrates on four major artists: Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas GordonProvides in-depth studies of selected works by these artistsIncludes significant research on under-valued yet common popular cinema cultures (peep shows, drive-ins, home movies and CinemaScope) In English Film, Media & Cultural Studies ART / Popular Culture bisacsh Art and motion pictures https://www.degruyter.com/isbn/9781474403382 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Monteiro, Stephen Screen Presence Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon Film, Media & Cultural Studies ART / Popular Culture bisacsh Art and motion pictures |
| title | Screen Presence Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon |
| title_auth | Screen Presence Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon |
| title_exact_search | Screen Presence Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon |
| title_exact_search_txtP | Screen Presence Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon |
| title_full | Screen Presence Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon Stephen Monteiro |
| title_fullStr | Screen Presence Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon Stephen Monteiro |
| title_full_unstemmed | Screen Presence Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon Stephen Monteiro |
| title_short | Screen Presence |
| title_sort | screen presence cinema culture and the art of warhol rauschenberg hatoum and gordon |
| title_sub | Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon |
| topic | Film, Media & Cultural Studies ART / Popular Culture bisacsh Art and motion pictures |
| topic_facet | Film, Media & Cultural Studies ART / Popular Culture Art and motion pictures |
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