Jean Rhys: Twenty-First-Century Approaches
Presents new critical perspectives on Jean Rhys in relation to modernism, postcolonialism, and theories of affectJean Rhys (1890-1979) is the author of five novels and over seventy short stories. She has played a major figure in debates attempting to establish the parameters of postcolonial and part...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Edinburgh University Press
[2022]
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| Zusammenfassung: | Presents new critical perspectives on Jean Rhys in relation to modernism, postcolonialism, and theories of affectJean Rhys (1890-1979) is the author of five novels and over seventy short stories. She has played a major figure in debates attempting to establish the parameters of postcolonial and particularly Caribbean studies, and although she has long been seen as a modernist writer, she has also been marginalized as one who is not quite in, yet not quite out, either. The 10 newly commissioned essays and introduction collected in this volume demonstrate Jean Rhys's centrality to modernism and to postcolonial literature alike by addressing her stories and novels from the 1920s and 1930s, including Voyage in the Dark, Quartet, After Leaving Mr. Mackenzie, and Good Morning, Midnight, as well as her later bestseller, Wide Sargasso Sea (1966). The volume establishes Rhys as a major author with relevance to a number of different critical discourses, and includes a path-breaking section on affect theory that shows how contemporary interest in Rhys correlates with the recent 'affective turn' in the social sciences and humanities. As this collection shows, strangely haunting and deeply unsettling, Rhys's portraits of dispossessed women living in the early and late twentieth-century continue to trouble easy conceptualisations and critical categories.Key Features:New and original work on Jean Rhys's fiction and short stories, highlighting key areas of her work.Contributors are leading scholars on Jean Rhys from the US, the UK, and Australia, including Mary Lou Emery, Elaine Savory, John J. Su, Maroula Joannou, H. Adlai Murdoch, Rishona Zimring, Carine Mardorossian, Patricia Moran, Erica L. Johnson, and Sue Thomas.Organised around 3 important themes: Rhys and modernism, postcolonial Rhys, and affective Rhys |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (256 pages) 8 B/W illustrations |
| ISBN: | 9781474402200 |
| DOI: | 10.1515/9781474402200 |
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| 520 | |a Presents new critical perspectives on Jean Rhys in relation to modernism, postcolonialism, and theories of affectJean Rhys (1890-1979) is the author of five novels and over seventy short stories. She has played a major figure in debates attempting to establish the parameters of postcolonial and particularly Caribbean studies, and although she has long been seen as a modernist writer, she has also been marginalized as one who is not quite in, yet not quite out, either. The 10 newly commissioned essays and introduction collected in this volume demonstrate Jean Rhys's centrality to modernism and to postcolonial literature alike by addressing her stories and novels from the 1920s and 1930s, including Voyage in the Dark, Quartet, After Leaving Mr. Mackenzie, and Good Morning, Midnight, as well as her later bestseller, Wide Sargasso Sea (1966). The volume establishes Rhys as a major author with relevance to a number of different critical discourses, and includes a path-breaking section on affect theory that shows how contemporary interest in Rhys correlates with the recent 'affective turn' in the social sciences and humanities. As this collection shows, strangely haunting and deeply unsettling, Rhys's portraits of dispossessed women living in the early and late twentieth-century continue to trouble easy conceptualisations and critical categories.Key Features:New and original work on Jean Rhys's fiction and short stories, highlighting key areas of her work.Contributors are leading scholars on Jean Rhys from the US, the UK, and Australia, including Mary Lou Emery, Elaine Savory, John J. Su, Maroula Joannou, H. Adlai Murdoch, Rishona Zimring, Carine Mardorossian, Patricia Moran, Erica L. Johnson, and Sue Thomas.Organised around 3 important themes: Rhys and modernism, postcolonial Rhys, and affective Rhys | ||
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| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| doi_str_mv | 10.1515/9781474402200 |
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| spelling | Johnson, Erica Verfasser aut Jean Rhys Twenty-First-Century Approaches Erica Johnson, Patricia Moran Edinburgh Edinburgh University Press [2022] © 2015 1 Online-Ressource (256 pages) 8 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Presents new critical perspectives on Jean Rhys in relation to modernism, postcolonialism, and theories of affectJean Rhys (1890-1979) is the author of five novels and over seventy short stories. She has played a major figure in debates attempting to establish the parameters of postcolonial and particularly Caribbean studies, and although she has long been seen as a modernist writer, she has also been marginalized as one who is not quite in, yet not quite out, either. The 10 newly commissioned essays and introduction collected in this volume demonstrate Jean Rhys's centrality to modernism and to postcolonial literature alike by addressing her stories and novels from the 1920s and 1930s, including Voyage in the Dark, Quartet, After Leaving Mr. Mackenzie, and Good Morning, Midnight, as well as her later bestseller, Wide Sargasso Sea (1966). The volume establishes Rhys as a major author with relevance to a number of different critical discourses, and includes a path-breaking section on affect theory that shows how contemporary interest in Rhys correlates with the recent 'affective turn' in the social sciences and humanities. As this collection shows, strangely haunting and deeply unsettling, Rhys's portraits of dispossessed women living in the early and late twentieth-century continue to trouble easy conceptualisations and critical categories.Key Features:New and original work on Jean Rhys's fiction and short stories, highlighting key areas of her work.Contributors are leading scholars on Jean Rhys from the US, the UK, and Australia, including Mary Lou Emery, Elaine Savory, John J. Su, Maroula Joannou, H. Adlai Murdoch, Rishona Zimring, Carine Mardorossian, Patricia Moran, Erica L. Johnson, and Sue Thomas.Organised around 3 important themes: Rhys and modernism, postcolonial Rhys, and affective Rhys In English Literary Studies LITERARY CRITICISM / Feminist bisacsh Emery, Mary Lou Sonstige oth Johnson, Erica L. Sonstige oth Mardorossian, Carine M. Sonstige oth Moran, Patricia Sonstige oth Murdoch, H. Adlai Sonstige oth Savory, Elaine Sonstige oth Sea, Sargasso Sonstige oth Su, John J. Sonstige oth Thomas, Sue Sonstige oth Zimring, Rishona Sonstige oth https://doi.org/10.1515/9781474402200 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Johnson, Erica Jean Rhys Twenty-First-Century Approaches Literary Studies LITERARY CRITICISM / Feminist bisacsh |
| title | Jean Rhys Twenty-First-Century Approaches |
| title_auth | Jean Rhys Twenty-First-Century Approaches |
| title_exact_search | Jean Rhys Twenty-First-Century Approaches |
| title_exact_search_txtP | Jean Rhys Twenty-First-Century Approaches |
| title_full | Jean Rhys Twenty-First-Century Approaches Erica Johnson, Patricia Moran |
| title_fullStr | Jean Rhys Twenty-First-Century Approaches Erica Johnson, Patricia Moran |
| title_full_unstemmed | Jean Rhys Twenty-First-Century Approaches Erica Johnson, Patricia Moran |
| title_short | Jean Rhys |
| title_sort | jean rhys twenty first century approaches |
| title_sub | Twenty-First-Century Approaches |
| topic | Literary Studies LITERARY CRITICISM / Feminist bisacsh |
| topic_facet | Literary Studies LITERARY CRITICISM / Feminist |
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