Abbas Kiarostami and Film-Philosophy:
A deflationary, anti-theoretical film-philosophy through the cinema of Abbas KiarostamiMathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami's films carry out cinematic thinking: they do not just illus...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
[2022]
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| Subjects: | |
| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | A deflationary, anti-theoretical film-philosophy through the cinema of Abbas KiarostamiMathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami's films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work.Crossing the divide between analytic and continental philosophy, he draws on Ludwig Wittgenstein, Stanley Cavell, John McDowell, Alice Crary, Noël Carroll, Giorgio Agamben, and Martin Heidegger, bringing out the thinking at work in Kiarostami's most recent films: Taste of Cherry, The Wind Will Carry Us, ABC Africa, Ten, Five, Shirin, Certified Copy and Like Someone in Love |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Physical Description: | 1 Online-Ressource (176 pages) |
| ISBN: | 9780748699919 |
| DOI: | 10.1515/9780748699919 |
Staff View
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| isbn | 9780748699919 |
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| spelling | Abbott, Mathew Verfasser aut Abbas Kiarostami and Film-Philosophy Mathew Abbott Edinburgh Edinburgh University Press [2022] © 2016 1 Online-Ressource (176 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) A deflationary, anti-theoretical film-philosophy through the cinema of Abbas KiarostamiMathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami's films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work.Crossing the divide between analytic and continental philosophy, he draws on Ludwig Wittgenstein, Stanley Cavell, John McDowell, Alice Crary, Noël Carroll, Giorgio Agamben, and Martin Heidegger, bringing out the thinking at work in Kiarostami's most recent films: Taste of Cherry, The Wind Will Carry Us, ABC Africa, Ten, Five, Shirin, Certified Copy and Like Someone in Love In English Philosophy ART / Film & Video bisacsh Motion pictures Philosophy https://doi.org/10.1515/9780748699919 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Abbott, Mathew Abbas Kiarostami and Film-Philosophy Philosophy ART / Film & Video bisacsh Motion pictures Philosophy |
| title | Abbas Kiarostami and Film-Philosophy |
| title_auth | Abbas Kiarostami and Film-Philosophy |
| title_exact_search | Abbas Kiarostami and Film-Philosophy |
| title_exact_search_txtP | Abbas Kiarostami and Film-Philosophy |
| title_full | Abbas Kiarostami and Film-Philosophy Mathew Abbott |
| title_fullStr | Abbas Kiarostami and Film-Philosophy Mathew Abbott |
| title_full_unstemmed | Abbas Kiarostami and Film-Philosophy Mathew Abbott |
| title_short | Abbas Kiarostami and Film-Philosophy |
| title_sort | abbas kiarostami and film philosophy |
| topic | Philosophy ART / Film & Video bisacsh Motion pictures Philosophy |
| topic_facet | Philosophy ART / Film & Video Motion pictures Philosophy |
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