Slow Cinema:
Situates, theorises and maps out cinematic slowness within contemporary global film production and across world cinema historyIn the context of a frantic world that celebrates instantaneity and speed, a number of cinemas steeped in contemplation, silence and duration have garnered significant critic...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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Schriftenreihe: | Traditions in World Cinema : TWC
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Schlagworte: | |
Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | Situates, theorises and maps out cinematic slowness within contemporary global film production and across world cinema historyIn the context of a frantic world that celebrates instantaneity and speed, a number of cinemas steeped in contemplation, silence and duration have garnered significant critical attention in recent years, thus resonating with a larger sociocultural movement whose aim is to rescue extended temporal structures from the accelerated tempo of late-capitalism. Although not part of a structured film movement, directors such as Carlos Reygadas, Tsai Ming-liang, Béla Tarr, Pedro Costa and Kelly Reichardt have been largely subsumed under the term 'slow cinema'. But what exactly is slow cinema? Is it a strictly recent phenomenon or an overarching cinematic tradition? And how exactly do slow cinemas interrelate on an aesthetic, technical and political level?Deploying the concept of slowness as an umbrella category under which filmmakers and traditions from different historical and geographical backgrounds can fruitfully converge, this innovative collection of essays interrogates and expands the frameworks that have generally informed slow cinema debates. Repositioning the term in a broader theoretical space, the book combines an array of fine-grained studies that will provide valuable insight into the notion of slowness in the cinema, while mapping out past and contemporary slow films across the globe.Key featuresEstablishes the significance of slow cinema studies in film scholarshipIlluminates the interconnectedness of past and present-day world cinemas through the methodological and comparative prism of slownessProvides in-depth critical analyses of a wide variety of world cinema traditions and practicesIntervenes in, and contributes to, key debates in current film scholarship: new technologies, art cinema, realism ContributorsMartin Brady teaches in the German and Film Studies Departments at King's College London William Brown is Senior Lecturer in Film at the University of Roehampton, |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
Beschreibung: | 1 Online-Ressource (352 pages) |
ISBN: | 9780748696031 |
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520 | |a Situates, theorises and maps out cinematic slowness within contemporary global film production and across world cinema historyIn the context of a frantic world that celebrates instantaneity and speed, a number of cinemas steeped in contemplation, silence and duration have garnered significant critical attention in recent years, thus resonating with a larger sociocultural movement whose aim is to rescue extended temporal structures from the accelerated tempo of late-capitalism. Although not part of a structured film movement, directors such as Carlos Reygadas, Tsai Ming-liang, Béla Tarr, Pedro Costa and Kelly Reichardt have been largely subsumed under the term 'slow cinema'. | ||
520 | |a But what exactly is slow cinema? Is it a strictly recent phenomenon or an overarching cinematic tradition? And how exactly do slow cinemas interrelate on an aesthetic, technical and political level?Deploying the concept of slowness as an umbrella category under which filmmakers and traditions from different historical and geographical backgrounds can fruitfully converge, this innovative collection of essays interrogates and expands the frameworks that have generally informed slow cinema debates. | ||
520 | |a Repositioning the term in a broader theoretical space, the book combines an array of fine-grained studies that will provide valuable insight into the notion of slowness in the cinema, while mapping out past and contemporary slow films across the globe.Key featuresEstablishes the significance of slow cinema studies in film scholarshipIlluminates the interconnectedness of past and present-day world cinemas through the methodological and comparative prism of slownessProvides in-depth critical analyses of a wide variety of world cinema traditions and practicesIntervenes in, and contributes to, key debates in current film scholarship: new technologies, art cinema, realism ContributorsMartin Brady teaches in the German and Film Studies Departments at King's College London William Brown is Senior Lecturer in Film at the University of Roehampton, | ||
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Datensatz im Suchindex
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author | de Luca, Tiago |
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id | DE-604.BV047869436 |
illustrated | Not Illustrated |
index_date | 2024-07-03T19:19:57Z |
indexdate | 2024-07-10T09:23:38Z |
institution | BVB |
isbn | 9780748696031 |
language | English |
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publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Edinburgh University Press |
record_format | marc |
series2 | Traditions in World Cinema : TWC |
spelling | de Luca, Tiago Verfasser aut Slow Cinema Tiago de Luca, Nuno Barradas Jorge Edinburgh Edinburgh University Press [2022] © 2015 1 Online-Ressource (352 pages) txt rdacontent c rdamedia cr rdacarrier Traditions in World Cinema : TWC Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Situates, theorises and maps out cinematic slowness within contemporary global film production and across world cinema historyIn the context of a frantic world that celebrates instantaneity and speed, a number of cinemas steeped in contemplation, silence and duration have garnered significant critical attention in recent years, thus resonating with a larger sociocultural movement whose aim is to rescue extended temporal structures from the accelerated tempo of late-capitalism. Although not part of a structured film movement, directors such as Carlos Reygadas, Tsai Ming-liang, Béla Tarr, Pedro Costa and Kelly Reichardt have been largely subsumed under the term 'slow cinema'. But what exactly is slow cinema? Is it a strictly recent phenomenon or an overarching cinematic tradition? And how exactly do slow cinemas interrelate on an aesthetic, technical and political level?Deploying the concept of slowness as an umbrella category under which filmmakers and traditions from different historical and geographical backgrounds can fruitfully converge, this innovative collection of essays interrogates and expands the frameworks that have generally informed slow cinema debates. Repositioning the term in a broader theoretical space, the book combines an array of fine-grained studies that will provide valuable insight into the notion of slowness in the cinema, while mapping out past and contemporary slow films across the globe.Key featuresEstablishes the significance of slow cinema studies in film scholarshipIlluminates the interconnectedness of past and present-day world cinemas through the methodological and comparative prism of slownessProvides in-depth critical analyses of a wide variety of world cinema traditions and practicesIntervenes in, and contributes to, key debates in current film scholarship: new technologies, art cinema, realism ContributorsMartin Brady teaches in the German and Film Studies Departments at King's College London William Brown is Senior Lecturer in Film at the University of Roehampton, In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Slow cinema Barradas Jorge, Nuno Sonstige oth Brady, Martin Sonstige oth Brown, William Sonstige oth Cooke, Paul Sonstige oth Davis, Glyn Sonstige oth Gorfinkel, Elena Sonstige oth Gott, Michael Sonstige oth Grønstad, Asbjørn Sonstige oth Jorge, Nuno Barradas Sonstige oth Lam, Stephanie Sonstige oth Lim, Song Hwee Sonstige oth Lovatt, Philippa Sonstige oth Luca, Tiago de Sonstige oth Mello, Cecília Sonstige oth Mroz, Matilda Sonstige oth Nagib, Lúcia Sonstige oth Rancière, Jacques Sonstige oth Remes, Justin Sonstige oth Ross, Julian Sonstige oth Schoonover, Karl Sonstige oth Smith, Patrick BrianXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth Stone, RobXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth Stringer, JulianXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth Thomson, C. ClaireXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth https://www.degruyter.com/isbn/9780748696031 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | de Luca, Tiago Slow Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Slow cinema |
title | Slow Cinema |
title_auth | Slow Cinema |
title_exact_search | Slow Cinema |
title_exact_search_txtP | Slow Cinema |
title_full | Slow Cinema Tiago de Luca, Nuno Barradas Jorge |
title_fullStr | Slow Cinema Tiago de Luca, Nuno Barradas Jorge |
title_full_unstemmed | Slow Cinema Tiago de Luca, Nuno Barradas Jorge |
title_short | Slow Cinema |
title_sort | slow cinema |
topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Slow cinema |
topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Slow cinema |
url | https://www.degruyter.com/isbn/9780748696031 |
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