Omnibus Films: Theorizing Transauthorial Cinema
The first book-length exploration of internationally distributed, multi-director episode films Omnibus films bring together the contributions of two or more filmmakers. Does this make them inherently contradictory texts? How do they challenge critical categories in cinema studies? What are their imp...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
[2022]
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| Subjects: | |
| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | The first book-length exploration of internationally distributed, multi-director episode films Omnibus films bring together the contributions of two or more filmmakers. Does this make them inherently contradictory texts? How do they challenge critical categories in cinema studies? What are their implications for auteur theory?As the first book-length exploration of internationally distributed, multi-director episode films, David Scott Diffrient's Omnibus Films: Theorizing Transauthorial Cinema fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and transnational production and reception. Delving into such unique yet representative case studies as If I Had a Million (1932), Forever and a Day (1943), Dead of Night (1945), Quartet (1948), Love and the City (1953), Boccaccio '70 , (1962), New York Stories (1989), Tickets (2005), Visions of Europe (2005), and Paris, je t'aime (2006), this book covers much conceptual ground and crosses narrative as well as national borders in much the same way that omnibus films do.Omnibus Films is a particularly thought-provoking book for those working in the fields of auteur theory, film genre and transnational cinema, and is suitable for advanced students in Cinema Studies |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) |
| Physical Description: | 1 Online-Ressource (288 pages) 41 B/W illustrations |
| ISBN: | 9780748695676 |
| DOI: | 10.1515/9780748695676 |
Staff View
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| 520 | |a The first book-length exploration of internationally distributed, multi-director episode films Omnibus films bring together the contributions of two or more filmmakers. Does this make them inherently contradictory texts? How do they challenge critical categories in cinema studies? What are their implications for auteur theory?As the first book-length exploration of internationally distributed, multi-director episode films, David Scott Diffrient's Omnibus Films: Theorizing Transauthorial Cinema fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and transnational production and reception. Delving into such unique yet representative case studies as If I Had a Million (1932), Forever and a Day (1943), Dead of Night (1945), Quartet (1948), Love and the City (1953), Boccaccio '70 , (1962), New York Stories (1989), Tickets (2005), Visions of Europe (2005), and Paris, je t'aime (2006), this book covers much conceptual ground and crosses narrative as well as national borders in much the same way that omnibus films do.Omnibus Films is a particularly thought-provoking book for those working in the fields of auteur theory, film genre and transnational cinema, and is suitable for advanced students in Cinema Studies | ||
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| isbn | 9780748695676 |
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| spelling | Diffrient, David Scott Verfasser aut Omnibus Films Theorizing Transauthorial Cinema David Scott Diffrient Edinburgh Edinburgh University Press [2022] © 2014 1 Online-Ressource (288 pages) 41 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) The first book-length exploration of internationally distributed, multi-director episode films Omnibus films bring together the contributions of two or more filmmakers. Does this make them inherently contradictory texts? How do they challenge critical categories in cinema studies? What are their implications for auteur theory?As the first book-length exploration of internationally distributed, multi-director episode films, David Scott Diffrient's Omnibus Films: Theorizing Transauthorial Cinema fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and transnational production and reception. Delving into such unique yet representative case studies as If I Had a Million (1932), Forever and a Day (1943), Dead of Night (1945), Quartet (1948), Love and the City (1953), Boccaccio '70 , (1962), New York Stories (1989), Tickets (2005), Visions of Europe (2005), and Paris, je t'aime (2006), this book covers much conceptual ground and crosses narrative as well as national borders in much the same way that omnibus films do.Omnibus Films is a particularly thought-provoking book for those working in the fields of auteur theory, film genre and transnational cinema, and is suitable for advanced students in Cinema Studies In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Auteur theory (Motion pictures) https://doi.org/10.1515/9780748695676 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Diffrient, David Scott Omnibus Films Theorizing Transauthorial Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Auteur theory (Motion pictures) |
| title | Omnibus Films Theorizing Transauthorial Cinema |
| title_auth | Omnibus Films Theorizing Transauthorial Cinema |
| title_exact_search | Omnibus Films Theorizing Transauthorial Cinema |
| title_exact_search_txtP | Omnibus Films Theorizing Transauthorial Cinema |
| title_full | Omnibus Films Theorizing Transauthorial Cinema David Scott Diffrient |
| title_fullStr | Omnibus Films Theorizing Transauthorial Cinema David Scott Diffrient |
| title_full_unstemmed | Omnibus Films Theorizing Transauthorial Cinema David Scott Diffrient |
| title_short | Omnibus Films |
| title_sort | omnibus films theorizing transauthorial cinema |
| title_sub | Theorizing Transauthorial Cinema |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Auteur theory (Motion pictures) |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Auteur theory (Motion pictures) |
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