Inventions of the Skin: The Painted Body in Early English Drama
Examines the painted body of the actor on the early modern stageInventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schriftenreihe: | Edinburgh Critical Studies in Renaissance Culture : ECSRC
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | Examines the painted body of the actor on the early modern stageInventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and stoniness" in Thomas Middleton's The Second Maiden's Tragedy and Shakespeare's The Winter's Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters-not just the words written for them to speak-forms an important and overlooked aspect of stage representation. |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (192 pages) 12 B/W illustrations |
| ISBN: | 9780748670505 |
| DOI: | 10.1515/9780748670505 |
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| 520 | |a Examines the painted body of the actor on the early modern stageInventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and stoniness" in Thomas Middleton's The Second Maiden's Tragedy and Shakespeare's The Winter's Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters-not just the words written for them to speak-forms an important and overlooked aspect of stage representation. | ||
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| doi_str_mv | 10.1515/9780748670505 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T19:19:56Z |
| indexdate | 2025-02-19T17:33:38Z |
| institution | BVB |
| isbn | 9780748670505 |
| language | English |
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| physical | 1 Online-Ressource (192 pages) 12 B/W illustrations |
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| spelling | Stevens, Andrea Verfasser aut Inventions of the Skin The Painted Body in Early English Drama Andrea Stevens Edinburgh Edinburgh University Press [2022] © 2013 1 Online-Ressource (192 pages) 12 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Edinburgh Critical Studies in Renaissance Culture : ECSRC Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Examines the painted body of the actor on the early modern stageInventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and stoniness" in Thomas Middleton's The Second Maiden's Tragedy and Shakespeare's The Winter's Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters-not just the words written for them to speak-forms an important and overlooked aspect of stage representation. In English Literary Studies LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English drama 17th century History and criticism English drama 17th century English drama Early modern and Elizabethan, 1500-1600 History and criticism English drama To 1500 History and criticism Theatrical makeup History https://doi.org/10.1515/9780748670505 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Stevens, Andrea Inventions of the Skin The Painted Body in Early English Drama Literary Studies LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English drama 17th century History and criticism English drama 17th century English drama Early modern and Elizabethan, 1500-1600 History and criticism English drama To 1500 History and criticism Theatrical makeup History |
| title | Inventions of the Skin The Painted Body in Early English Drama |
| title_auth | Inventions of the Skin The Painted Body in Early English Drama |
| title_exact_search | Inventions of the Skin The Painted Body in Early English Drama |
| title_exact_search_txtP | Inventions of the Skin The Painted Body in Early English Drama |
| title_full | Inventions of the Skin The Painted Body in Early English Drama Andrea Stevens |
| title_fullStr | Inventions of the Skin The Painted Body in Early English Drama Andrea Stevens |
| title_full_unstemmed | Inventions of the Skin The Painted Body in Early English Drama Andrea Stevens |
| title_short | Inventions of the Skin |
| title_sort | inventions of the skin the painted body in early english drama |
| title_sub | The Painted Body in Early English Drama |
| topic | Literary Studies LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English drama 17th century History and criticism English drama 17th century English drama Early modern and Elizabethan, 1500-1600 History and criticism English drama To 1500 History and criticism Theatrical makeup History |
| topic_facet | Literary Studies LITERARY CRITICISM / European / English, Irish, Scottish, Welsh English drama 17th century History and criticism English drama 17th century English drama Early modern and Elizabethan, 1500-1600 History and criticism English drama To 1500 History and criticism Theatrical makeup History |
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