Italian Post-Neorealist Cinema:
GBS_insertPreviewButtonPopup(['ISBN:9780748650934','ISBN:9780748650927','ISBN:9780748650736','ISBN:9780748640546']);Unlike countries such as France, the Czech Republic or Brazil, Italy did not have a new wave properly understood as a movement. However, while n...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
[2022]
|
| Series: | Traditions in World Cinema : TWC
|
| Subjects: | |
| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | GBS_insertPreviewButtonPopup(['ISBN:9780748650934','ISBN:9780748650927','ISBN:9780748650736','ISBN:9780748640546']);Unlike countries such as France, the Czech Republic or Brazil, Italy did not have a new wave properly understood as a movement. However, while new artistic schools were emerging in many other countries, Italy was undergoing its most dramatic social and economic transformations. Those violent changes, together with the perceived necessity of renewing the aesthetic heritage of Neorealism, sparked a drastic regeneration of the cinematic language and marked the most memorable period of Italian film history.Italian Post-Neorealist Cinema explores the ferments of Italian cinema from the mid-50s to the end of the 60s, situating its wealth in the context of other national cinemas emerging at the same time. Olmi, Pasolini, Antonioni, Fellini, Visconti, the Taviani Brothers, Cavani, Rosi, Ferreri and many others all made their debut or directed their most representative works during the period.The book brings to the surface the lines of experimentation and artistic renewal appearing after the exhaustion of Neorealism, mapping complex areas of interest such as the emergence of ethical concerns, the relationship between ideology and representation, and the role of Italian counter-culture. |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) |
| Physical Description: | 1 Online-Ressource (288 pages) 71 B/W illustrations 71 b&w film stills |
| ISBN: | 9780748650736 |
| DOI: | 10.1515/9780748650736 |
Staff View
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| 520 | |a GBS_insertPreviewButtonPopup(['ISBN:9780748650934','ISBN:9780748650927','ISBN:9780748650736','ISBN:9780748640546']);Unlike countries such as France, the Czech Republic or Brazil, Italy did not have a new wave properly understood as a movement. However, while new artistic schools were emerging in many other countries, Italy was undergoing its most dramatic social and economic transformations. Those violent changes, together with the perceived necessity of renewing the aesthetic heritage of Neorealism, sparked a drastic regeneration of the cinematic language and marked the most memorable period of Italian film history.Italian Post-Neorealist Cinema explores the ferments of Italian cinema from the mid-50s to the end of the 60s, situating its wealth in the context of other national cinemas emerging at the same time. Olmi, Pasolini, Antonioni, Fellini, Visconti, the Taviani Brothers, Cavani, Rosi, Ferreri and many others all made their debut or directed their most representative works during the period.The book brings to the surface the lines of experimentation and artistic renewal appearing after the exhaustion of Neorealism, mapping complex areas of interest such as the emergence of ethical concerns, the relationship between ideology and representation, and the role of Italian counter-culture. | ||
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Record in the Search Index
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| author | Barattoni, Luca |
| author_facet | Barattoni, Luca |
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| author_sort | Barattoni, Luca |
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| dewey-full | 791.4/3/0945/09045 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4/3/0945/09045 |
| dewey-search | 791.4/3/0945/09045 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9780748650736 |
| format | Electronic eBook |
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| illustrated | Illustrated |
| index_date | 2024-07-03T19:19:56Z |
| indexdate | 2025-02-19T17:33:37Z |
| institution | BVB |
| isbn | 9780748650736 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033251596 |
| oclc_num | 1304488931 |
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| physical | 1 Online-Ressource (288 pages) 71 B/W illustrations 71 b&w film stills |
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| publishDate | 2022 |
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| publisher | Edinburgh University Press |
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| series2 | Traditions in World Cinema : TWC |
| spelling | Barattoni, Luca Verfasser aut Italian Post-Neorealist Cinema Luca Barattoni Edinburgh Edinburgh University Press [2022] © 2012 1 Online-Ressource (288 pages) 71 B/W illustrations 71 b&w film stills txt rdacontent c rdamedia cr rdacarrier Traditions in World Cinema : TWC Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) GBS_insertPreviewButtonPopup(['ISBN:9780748650934','ISBN:9780748650927','ISBN:9780748650736','ISBN:9780748640546']);Unlike countries such as France, the Czech Republic or Brazil, Italy did not have a new wave properly understood as a movement. However, while new artistic schools were emerging in many other countries, Italy was undergoing its most dramatic social and economic transformations. Those violent changes, together with the perceived necessity of renewing the aesthetic heritage of Neorealism, sparked a drastic regeneration of the cinematic language and marked the most memorable period of Italian film history.Italian Post-Neorealist Cinema explores the ferments of Italian cinema from the mid-50s to the end of the 60s, situating its wealth in the context of other national cinemas emerging at the same time. Olmi, Pasolini, Antonioni, Fellini, Visconti, the Taviani Brothers, Cavani, Rosi, Ferreri and many others all made their debut or directed their most representative works during the period.The book brings to the surface the lines of experimentation and artistic renewal appearing after the exhaustion of Neorealism, mapping complex areas of interest such as the emergence of ethical concerns, the relationship between ideology and representation, and the role of Italian counter-culture. In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Italy History New wave films Italy History and criticism Realism in motion pictures https://doi.org/10.1515/9780748650736 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Barattoni, Luca Italian Post-Neorealist Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Italy History New wave films Italy History and criticism Realism in motion pictures |
| title | Italian Post-Neorealist Cinema |
| title_auth | Italian Post-Neorealist Cinema |
| title_exact_search | Italian Post-Neorealist Cinema |
| title_exact_search_txtP | Italian Post-Neorealist Cinema |
| title_full | Italian Post-Neorealist Cinema Luca Barattoni |
| title_fullStr | Italian Post-Neorealist Cinema Luca Barattoni |
| title_full_unstemmed | Italian Post-Neorealist Cinema Luca Barattoni |
| title_short | Italian Post-Neorealist Cinema |
| title_sort | italian post neorealist cinema |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Italy History New wave films Italy History and criticism Realism in motion pictures |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism Motion pictures Italy History New wave films Italy History and criticism Realism in motion pictures |
| url | https://doi.org/10.1515/9780748650736 |
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