Heritage Film Audiences: Period Films and Contemporary Audiences in the UK
The concept of 'heritage cinema' is now firmly established as an influential - as well as much-debated and contested - critical framework for the discussion of period or historical representation in film, most prominently with reference to British heritage and 'post-heritage' fil...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | The concept of 'heritage cinema' is now firmly established as an influential - as well as much-debated and contested - critical framework for the discussion of period or historical representation in film, most prominently with reference to British heritage and 'post-heritage' film successes since the 1980s, but also to comparable examples from Europe, North America and beyond. These successes have ranged from Merchant Ivory's A Room with a View, Maurice, Howards End and The Remains of the Day, via Jane Austen adaptations such as Ang Lee's Sense and Sensibility to post-heritage adaptations such as Sally Potter's Orlando. Yet the very idea of the heritage film has rested on untested assumptions about its audiences.This book breaks significant new ground in the scholarship on contemporary period films, and makes a distinctive new contribution to the growing field of film-audience studies, by presenting the first empirically based study of the audiences for quality period films. Monk engages directly with two highly contrasting sections of these audiences, surveyed in the UK in the late 1990s, to explore their identities, their wider patterns of film taste, and above all their attitudes and pleasures - in relation to the period films they enjoy, and on issues central to debates around the heritage film, literary adaptation and cultural value - with illuminating and unpredicted results |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (248 pages) 11 B/W tables |
| ISBN: | 9780748647040 |
| DOI: | 10.1515/9780748647040 |
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| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) | ||
| 520 | |a The concept of 'heritage cinema' is now firmly established as an influential - as well as much-debated and contested - critical framework for the discussion of period or historical representation in film, most prominently with reference to British heritage and 'post-heritage' film successes since the 1980s, but also to comparable examples from Europe, North America and beyond. These successes have ranged from Merchant Ivory's A Room with a View, Maurice, Howards End and The Remains of the Day, via Jane Austen adaptations such as Ang Lee's Sense and Sensibility to post-heritage adaptations such as Sally Potter's Orlando. Yet the very idea of the heritage film has rested on untested assumptions about its audiences.This book breaks significant new ground in the scholarship on contemporary period films, and makes a distinctive new contribution to the growing field of film-audience studies, by presenting the first empirically based study of the audiences for quality period films. Monk engages directly with two highly contrasting sections of these audiences, surveyed in the UK in the late 1990s, to explore their identities, their wider patterns of film taste, and above all their attitudes and pleasures - in relation to the period films they enjoy, and on issues central to debates around the heritage film, literary adaptation and cultural value - with illuminating and unpredicted results | ||
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Datensatz im Suchindex
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| author | Monk, Claire |
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| discipline | Allgemeines |
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| doi_str_mv | 10.1515/9780748647040 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:19:56Z |
| indexdate | 2025-02-19T17:33:37Z |
| institution | BVB |
| isbn | 9780748647040 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033251556 |
| oclc_num | 1304482946 |
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| physical | 1 Online-Ressource (248 pages) 11 B/W tables |
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| spelling | Monk, Claire Verfasser aut Heritage Film Audiences Period Films and Contemporary Audiences in the UK Claire Monk Edinburgh Edinburgh University Press [2022] © 2011 1 Online-Ressource (248 pages) 11 B/W tables txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) The concept of 'heritage cinema' is now firmly established as an influential - as well as much-debated and contested - critical framework for the discussion of period or historical representation in film, most prominently with reference to British heritage and 'post-heritage' film successes since the 1980s, but also to comparable examples from Europe, North America and beyond. These successes have ranged from Merchant Ivory's A Room with a View, Maurice, Howards End and The Remains of the Day, via Jane Austen adaptations such as Ang Lee's Sense and Sensibility to post-heritage adaptations such as Sally Potter's Orlando. Yet the very idea of the heritage film has rested on untested assumptions about its audiences.This book breaks significant new ground in the scholarship on contemporary period films, and makes a distinctive new contribution to the growing field of film-audience studies, by presenting the first empirically based study of the audiences for quality period films. Monk engages directly with two highly contrasting sections of these audiences, surveyed in the UK in the late 1990s, to explore their identities, their wider patterns of film taste, and above all their attitudes and pleasures - in relation to the period films they enjoy, and on issues central to debates around the heritage film, literary adaptation and cultural value - with illuminating and unpredicted results In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Historical films History and criticism Historical films Public opinion Great Britain Historical films Great Britain Public opinion Motion picture audiences Public opinion Great Britain https://doi.org/10.1515/9780748647040 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Monk, Claire Heritage Film Audiences Period Films and Contemporary Audiences in the UK Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Historical films History and criticism Historical films Public opinion Great Britain Historical films Great Britain Public opinion Motion picture audiences Public opinion Great Britain |
| title | Heritage Film Audiences Period Films and Contemporary Audiences in the UK |
| title_auth | Heritage Film Audiences Period Films and Contemporary Audiences in the UK |
| title_exact_search | Heritage Film Audiences Period Films and Contemporary Audiences in the UK |
| title_exact_search_txtP | Heritage Film Audiences Period Films and Contemporary Audiences in the UK |
| title_full | Heritage Film Audiences Period Films and Contemporary Audiences in the UK Claire Monk |
| title_fullStr | Heritage Film Audiences Period Films and Contemporary Audiences in the UK Claire Monk |
| title_full_unstemmed | Heritage Film Audiences Period Films and Contemporary Audiences in the UK Claire Monk |
| title_short | Heritage Film Audiences |
| title_sort | heritage film audiences period films and contemporary audiences in the uk |
| title_sub | Period Films and Contemporary Audiences in the UK |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Historical films History and criticism Historical films Public opinion Great Britain Historical films Great Britain Public opinion Motion picture audiences Public opinion Great Britain |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Historical films History and criticism Historical films Public opinion Great Britain Historical films Great Britain Public opinion Motion picture audiences Public opinion Great Britain |
| url | https://doi.org/10.1515/9780748647040 |
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