Breaking the Fourth Wall: Direct Address in the Cinema
GBS_insertPreviewButtonPopup(['ISBN:9780748644261','ISBN:9780748644254']);What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask so...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
[2022]
|
| Subjects: | |
| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | GBS_insertPreviewButtonPopup(['ISBN:9780748644261','ISBN:9780748644254']);What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask some fundamental questions of film theory, history and criticism and tackle, head-on, assumptions about the cinema as a medium. Brown provides a broad understanding of the role of direct address within fiction cinema, with focused analysis of its role in certain strands of avant-garde or experimental cinema, on the one hand, and popular genre traditions (musicals and comedies) on the other. |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) |
| Physical Description: | 1 Online-Ressource (208 pages) 20 B/W illustrations |
| ISBN: | 9780748644261 |
| DOI: | 10.1515/9780748644261 |
Staff View
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| spelling | Brown, Tom Verfasser aut Breaking the Fourth Wall Direct Address in the Cinema Tom Brown Edinburgh Edinburgh University Press [2022] © 2012 1 Online-Ressource (208 pages) 20 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) GBS_insertPreviewButtonPopup(['ISBN:9780748644261','ISBN:9780748644254']);What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask some fundamental questions of film theory, history and criticism and tackle, head-on, assumptions about the cinema as a medium. Brown provides a broad understanding of the role of direct address within fiction cinema, with focused analysis of its role in certain strands of avant-garde or experimental cinema, on the one hand, and popular genre traditions (musicals and comedies) on the other. In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Dialogue in motion pictures Experimental films History and criticism Motion pictures History https://doi.org/10.1515/9780748644261 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Brown, Tom Breaking the Fourth Wall Direct Address in the Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Dialogue in motion pictures Experimental films History and criticism Motion pictures History |
| title | Breaking the Fourth Wall Direct Address in the Cinema |
| title_auth | Breaking the Fourth Wall Direct Address in the Cinema |
| title_exact_search | Breaking the Fourth Wall Direct Address in the Cinema |
| title_exact_search_txtP | Breaking the Fourth Wall Direct Address in the Cinema |
| title_full | Breaking the Fourth Wall Direct Address in the Cinema Tom Brown |
| title_fullStr | Breaking the Fourth Wall Direct Address in the Cinema Tom Brown |
| title_full_unstemmed | Breaking the Fourth Wall Direct Address in the Cinema Tom Brown |
| title_short | Breaking the Fourth Wall |
| title_sort | breaking the fourth wall direct address in the cinema |
| title_sub | Direct Address in the Cinema |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Dialogue in motion pictures Experimental films History and criticism Motion pictures History |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Dialogue in motion pictures Experimental films History and criticism Motion pictures History |
| url | https://doi.org/10.1515/9780748644261 |
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