Sensory perception, history and geology: the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought
William Molyneux's question to John Locke about whether a blind man restored to sight could name the difference between a cube and a sphere without touching them shaped fundamental conflicts in philosophy, theology and science between empirical and idealist answers that are radically alien to c...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
2022
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| Series: | Cambridge elements
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| Subjects: | |
| Online Access: | BSB01 UBG01 Volltext |
| Summary: | William Molyneux's question to John Locke about whether a blind man restored to sight could name the difference between a cube and a sphere without touching them shaped fundamental conflicts in philosophy, theology and science between empirical and idealist answers that are radically alien to current ways of seeing and feeling but were born of colonizing ambitions whose devastating genocidal and ecocidal consequences intensify today. This Element demonstrates how landscape paintings of unfamiliar terrains required historical and geological subject matter to supply tactile associations for empirical recognition of space, whereas idealism conferred unmediated but no less coercive sensory access. Close visual and verbal analysis using photographs of pictorial sites trace vividly different responses to the question, from those of William Hazlitt and John Ruskin in Britain to those of nineteenth-century authors and artists in the United States and Australia, including Ralph Waldo Emerson, Thomas Cole, William Haseltine, Fitz Henry Lane and Eugene von Guérard |
| Item Description: | Title from publisher's bibliographic system (viewed on 11 Jan 2022) |
| Physical Description: | 1 Online-Ressource (79 Seiten) |
| ISBN: | 9781009091800 |
| DOI: | 10.1017/9781009091800 |
Staff View
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Record in the Search Index
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| author | Read, Richard 1951- |
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| discipline | Kunstgeschichte |
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| id | DE-604.BV047855877 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:16:15Z |
| indexdate | 2024-07-10T09:23:13Z |
| institution | BVB |
| isbn | 9781009091800 |
| language | English |
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| physical | 1 Online-Ressource (79 Seiten) |
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| publishDate | 2022 |
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| publisher | Cambridge University Press |
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| spelling | Read, Richard 1951- (DE-588)1252553781 aut Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought Richard Read Cambridge Cambridge University Press 2022 1 Online-Ressource (79 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge elements Title from publisher's bibliographic system (viewed on 11 Jan 2022) William Molyneux's question to John Locke about whether a blind man restored to sight could name the difference between a cube and a sphere without touching them shaped fundamental conflicts in philosophy, theology and science between empirical and idealist answers that are radically alien to current ways of seeing and feeling but were born of colonizing ambitions whose devastating genocidal and ecocidal consequences intensify today. This Element demonstrates how landscape paintings of unfamiliar terrains required historical and geological subject matter to supply tactile associations for empirical recognition of space, whereas idealism conferred unmediated but no less coercive sensory access. Close visual and verbal analysis using photographs of pictorial sites trace vividly different responses to the question, from those of William Hazlitt and John Ruskin in Britain to those of nineteenth-century authors and artists in the United States and Australia, including Ralph Waldo Emerson, Thomas Cole, William Haseltine, Fitz Henry Lane and Eugene von Guérard Molyneux, William 1656-1698 (DE-588)11933982X gnd rswk-swf Landscape painting Landscape painting / Appreciation Composition (Art) History in art Geology in art Visuelle Wahrnehmung (DE-588)4078921-4 gnd rswk-swf Landschaftsmalerei (DE-588)4114355-3 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Landschaftsmalerei (DE-588)4114355-3 s Philosophie (DE-588)4045791-6 s Ästhetik (DE-588)4000626-8 s Visuelle Wahrnehmung (DE-588)4078921-4 s DE-604 Molyneux, William 1656-1698 (DE-588)11933982X p Erscheint auch als Druck-Ausgabe 978-1-00-909548-8 https://doi.org/10.1017/9781009091800 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Read, Richard 1951- Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought Molyneux, William 1656-1698 (DE-588)11933982X gnd Landscape painting Landscape painting / Appreciation Composition (Art) History in art Geology in art Visuelle Wahrnehmung (DE-588)4078921-4 gnd Landschaftsmalerei (DE-588)4114355-3 gnd Ästhetik (DE-588)4000626-8 gnd Philosophie (DE-588)4045791-6 gnd |
| subject_GND | (DE-588)11933982X (DE-588)4078921-4 (DE-588)4114355-3 (DE-588)4000626-8 (DE-588)4045791-6 |
| title | Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought |
| title_auth | Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought |
| title_exact_search | Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought |
| title_exact_search_txtP | Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought |
| title_full | Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought Richard Read |
| title_fullStr | Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought Richard Read |
| title_full_unstemmed | Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought Richard Read |
| title_short | Sensory perception, history and geology |
| title_sort | sensory perception history and geology the afterlife of molyneux s question in british american and australian landscape painting and cultural thought |
| title_sub | the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought |
| topic | Molyneux, William 1656-1698 (DE-588)11933982X gnd Landscape painting Landscape painting / Appreciation Composition (Art) History in art Geology in art Visuelle Wahrnehmung (DE-588)4078921-4 gnd Landschaftsmalerei (DE-588)4114355-3 gnd Ästhetik (DE-588)4000626-8 gnd Philosophie (DE-588)4045791-6 gnd |
| topic_facet | Molyneux, William 1656-1698 Landscape painting Landscape painting / Appreciation Composition (Art) History in art Geology in art Visuelle Wahrnehmung Landschaftsmalerei Ästhetik Philosophie |
| url | https://doi.org/10.1017/9781009091800 |
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