The cultural politics of "Négritude" and the debates around the Brazilian participation in the First World Festival of Negro Arts (Dakar, 1966):
In this chapter, the author focuses on the artistic debates that have marked the participation, while pointing to some of the controversies sparked by the different political leanings of Brazilian artists and intellectuals around the event in Dakar. "Like other black intellectual engagements wi...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2021
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| Schlagworte: | |
| Zusammenfassung: | In this chapter, the author focuses on the artistic debates that have marked the participation, while pointing to some of the controversies sparked by the different political leanings of Brazilian artists and intellectuals around the event in Dakar. "Like other black intellectual engagements with racialist thinking, Négritude developed partly as a result of a complex process of appropriation and rearticulation of earlier European ideas about Africa and its peoples," explains Elizabeth Harney. Along the lines of Negritude, the notion of arts negres was employed to designate works conceived by black artists, which counted on rhythm and intuition as their main aesthetic values. Despite all the flaws, all the deficiencies and even the political commitment that drove Brazil away from the leadership of a tropical civilization, frustrated, this country remains the only alternative to Negritude. The only country who exercises the racial cauldron in a high formation with a new ethnic characteristic. |
| Beschreibung: | Illustrationen |
| ISBN: | 978-0-367-14084-7 |
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| spelling | Moura, Sabrina Verfasser aut The cultural politics of "Négritude" and the debates around the Brazilian participation in the First World Festival of Negro Arts (Dakar, 1966) Sabrina Moura 2021 Illustrationen txt rdacontent n rdamedia nc rdacarrier In this chapter, the author focuses on the artistic debates that have marked the participation, while pointing to some of the controversies sparked by the different political leanings of Brazilian artists and intellectuals around the event in Dakar. "Like other black intellectual engagements with racialist thinking, Négritude developed partly as a result of a complex process of appropriation and rearticulation of earlier European ideas about Africa and its peoples," explains Elizabeth Harney. Along the lines of Negritude, the notion of arts negres was employed to designate works conceived by black artists, which counted on rhythm and intuition as their main aesthetic values. Despite all the flaws, all the deficiencies and even the political commitment that drove Brazil away from the leadership of a tropical civilization, frustrated, this country remains the only alternative to Negritude. The only country who exercises the racial cauldron in a high formation with a new ethnic characteristic. First World Festival of Negro Arts 1966 Dakar (DE-588)5540955-6 gnd rswk-swf Brasilianer (DE-588)4229118-5 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf First World Festival of Negro Arts 1966 Dakar (DE-588)5540955-6 f Brasilianer (DE-588)4229118-5 s Schwarze (DE-588)4116433-7 s Kunst (DE-588)4114333-4 s DE-604 pages:164-177 New histories of art in the global postwar era / edited by Flavia Frigeri and Kristian Handberg New York ; London, 2021 Seite 164-177 (DE-604)BV047683278 978-0-367-14084-7 |
| spellingShingle | Moura, Sabrina The cultural politics of "Négritude" and the debates around the Brazilian participation in the First World Festival of Negro Arts (Dakar, 1966) First World Festival of Negro Arts 1966 Dakar (DE-588)5540955-6 gnd Brasilianer (DE-588)4229118-5 gnd Schwarze (DE-588)4116433-7 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)5540955-6 (DE-588)4229118-5 (DE-588)4116433-7 (DE-588)4114333-4 |
| title | The cultural politics of "Négritude" and the debates around the Brazilian participation in the First World Festival of Negro Arts (Dakar, 1966) |
| title_auth | The cultural politics of "Négritude" and the debates around the Brazilian participation in the First World Festival of Negro Arts (Dakar, 1966) |
| title_exact_search | The cultural politics of "Négritude" and the debates around the Brazilian participation in the First World Festival of Negro Arts (Dakar, 1966) |
| title_exact_search_txtP | The cultural politics of "Négritude" and the debates around the Brazilian participation in the First World Festival of Negro Arts (Dakar, 1966) |
| title_full | The cultural politics of "Négritude" and the debates around the Brazilian participation in the First World Festival of Negro Arts (Dakar, 1966) Sabrina Moura |
| title_fullStr | The cultural politics of "Négritude" and the debates around the Brazilian participation in the First World Festival of Negro Arts (Dakar, 1966) Sabrina Moura |
| title_full_unstemmed | The cultural politics of "Négritude" and the debates around the Brazilian participation in the First World Festival of Negro Arts (Dakar, 1966) Sabrina Moura |
| title_short | The cultural politics of "Négritude" and the debates around the Brazilian participation in the First World Festival of Negro Arts (Dakar, 1966) |
| title_sort | the cultural politics of negritude and the debates around the brazilian participation in the first world festival of negro arts dakar 1966 |
| topic | First World Festival of Negro Arts 1966 Dakar (DE-588)5540955-6 gnd Brasilianer (DE-588)4229118-5 gnd Schwarze (DE-588)4116433-7 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | First World Festival of Negro Arts 1966 Dakar Brasilianer Schwarze Kunst |
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