Music and power in early modern Spain: harmonic spheres of influence
"This book explores the representation of music in early modern Spanish literature and reveals how music was understood within the framework of the Harmony of the Spheres, emanating from cosmic harmony as directed by the creator. Music and Power in Early Modern Spain is a useful tool for upper-...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2022
|
| Schriftenreihe: | New interdisciplinary approaches to early modern culture: confluences and contexts
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This book explores the representation of music in early modern Spanish literature and reveals how music was understood within the framework of the Harmony of the Spheres, emanating from cosmic harmony as directed by the creator. Music and Power in Early Modern Spain is a useful tool for upper-level undergraduates, postgraduates, and scholars interested in musicology, music history, Spanish literature, cultural studies, and transatlantic studies in the early modern period"-- |
| Beschreibung: | xi, 163 Seiten Illustrationen |
| ISBN: | 9781032053585 9781032053561 |
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Datensatz im Suchindex
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CONTENTS List of Illustrations Acknowledgments ix x Introduction: Music andMyth fromOrpheus to Tubal 1 Spanish Orpheus Pythagoras and providence: Theoretical bases of early modern thought Prelude and fugue Jubal, Tubal, and the foundation of an Iberianmusical monarchy 1 Songs in the Key of Spain: Vihuela and the Ideology of Musical Humanism David’s secret chord: The power of stringed instruments in musical humanism Translatio musicae: Providentialism in the vihuela front matter Remembering and forgetting:Romances andCatholic humanism Conclusion 1 3 8 11 19 21 25 29 37 2 Cervantes Off-Key: Irony and Imperialism in the Novelas ejemplares 41 “True” and “false” music inCervantes’s Spain Miraculous transpositions: Music in La gitanilla and La ilustre fregona Black Orpheus?: The transgressive power of music in El celoso extremeño Conclusion 43 46 50 54
ѵШ Contents 3 Pre-Columbian Providentialism: Musical Origins in Andean Imagination 57 “Music accompanies empire”: Providentialism in colonial chronicles 59 The “four natural voices” of the Inca Garcilaso 60 Guarnan Poma’s dual vision of the origin of Andean music 65 Conclusion 72 4 The King’s Polyphony and the Composing of the Americas Musical evangelization in the viceroyalty of Peru Garcilaso’s mestizo choirs: Education, polyphony, and religious celebrations Guarnan Poma’s musical appeal to the monarch Conclusion 5 Four-Part Harmony for the Four-Part Empire: Calderon’s Musical Metaphors at the Court of Philip IV 76 78 81 85 92 95 The fourth planet: Imperial politics and crown-sponsored theater Air and affect in musical humanism and musical theater Elemental discord and operatic resolution Conclusion 96 100 105 114 6 Immaculate Composition: Religion, Race, and Propaganda 119 The “musical iconography” of Mary Immaculate Musical humanism and the Immaculate Conception “Todo el mundo”: Multiethnic grassroots propaganda in Seville Conclusion 120 126 129 133 Conclusion: Orpheus Looking Back Ritornello Poco a Poco Crescendo Da Capo al Fine Appendix Bibliography Index 136 137 138 139 141 149 160 |
| adam_txt |
CONTENTS List of Illustrations Acknowledgments ix x Introduction: Music andMyth fromOrpheus to Tubal 1 Spanish Orpheus Pythagoras and providence: Theoretical bases of early modern thought Prelude and fugue Jubal, Tubal, and the foundation of an Iberianmusical monarchy 1 Songs in the Key of Spain: Vihuela and the Ideology of Musical Humanism David’s secret chord: The power of stringed instruments in musical humanism Translatio musicae: Providentialism in the vihuela front matter Remembering and forgetting:Romances andCatholic humanism Conclusion 1 3 8 11 19 21 25 29 37 2 Cervantes Off-Key: Irony and Imperialism in the Novelas ejemplares 41 “True” and “false” music inCervantes’s Spain Miraculous transpositions: Music in La gitanilla and La ilustre fregona Black Orpheus?: The transgressive power of music in El celoso extremeño Conclusion 43 46 50 54
ѵШ Contents 3 Pre-Columbian Providentialism: Musical Origins in Andean Imagination 57 “Music accompanies empire”: Providentialism in colonial chronicles 59 The “four natural voices” of the Inca Garcilaso 60 Guarnan Poma’s dual vision of the origin of Andean music 65 Conclusion 72 4 The King’s Polyphony and the Composing of the Americas Musical evangelization in the viceroyalty of Peru Garcilaso’s mestizo choirs: Education, polyphony, and religious celebrations Guarnan Poma’s musical appeal to the monarch Conclusion 5 Four-Part Harmony for the Four-Part Empire: Calderon’s Musical Metaphors at the Court of Philip IV 76 78 81 85 92 95 The fourth planet: Imperial politics and crown-sponsored theater Air and affect in musical humanism and musical theater Elemental discord and operatic resolution Conclusion 96 100 105 114 6 Immaculate Composition: Religion, Race, and Propaganda 119 The “musical iconography” of Mary Immaculate Musical humanism and the Immaculate Conception “Todo el mundo”: Multiethnic grassroots propaganda in Seville Conclusion 120 126 129 133 Conclusion: Orpheus Looking Back Ritornello Poco a Poco Crescendo Da Capo al Fine Appendix Bibliography Index 136 137 138 139 141 149 160 |
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| contents | Introduction. Music and Myth from Orpheus to Tubal -- Songs in the Key of Spain : Vihuela and the Ideology of Musical Humanism -- Cervantes Off-Key : Irony and Imperialism in the Novelas ejemplares -- Pre-Columbian Providentialism : Musical Origins in Andean Imagination -- The King's Polyphony and the Composing of the Americas -- Four-Part Harmony for the Four-Part Empire : Calderón's Musical Metaphors at the Court of Philip IV -- Immaculate Composition: Religion, Race, and Propaganda -- Conclusion. Orpheus Looking Back |
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| spelling | Foster, Timothy M. Verfasser (DE-588)1254555307 aut Music and power in early modern Spain harmonic spheres of influence Timothy M. Foster London ; New York Routledge, Taylor & Francis Group 2022 xi, 163 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier New interdisciplinary approaches to early modern culture: confluences and contexts Introduction. Music and Myth from Orpheus to Tubal -- Songs in the Key of Spain : Vihuela and the Ideology of Musical Humanism -- Cervantes Off-Key : Irony and Imperialism in the Novelas ejemplares -- Pre-Columbian Providentialism : Musical Origins in Andean Imagination -- The King's Polyphony and the Composing of the Americas -- Four-Part Harmony for the Four-Part Empire : Calderón's Musical Metaphors at the Court of Philip IV -- Immaculate Composition: Religion, Race, and Propaganda -- Conclusion. Orpheus Looking Back "This book explores the representation of music in early modern Spanish literature and reveals how music was understood within the framework of the Harmony of the Spheres, emanating from cosmic harmony as directed by the creator. Music and Power in Early Modern Spain is a useful tool for upper-level undergraduates, postgraduates, and scholars interested in musicology, music history, Spanish literature, cultural studies, and transatlantic studies in the early modern period"-- Katholische Kirche (DE-588)2009545-4 gnd rswk-swf Geschichte 1450-1650 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Sphärenharmonie (DE-588)4182222-5 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Spanien (DE-588)4055964-6 gnd rswk-swf Music / Political aspects / Spain / History / 16th century Music / Political aspects / Spain / History / 17th century Music and literature / Spain / History / 16th century Music and literature / Spain / History / 17th century Spain / Colonies / America Harmony of the spheres Music and literature Music / Political aspects Spanish colonies America Spain 1500-1699 History Spanien (DE-588)4055964-6 g Sphärenharmonie (DE-588)4182222-5 s Literatur (DE-588)4035964-5 s Geschichte 1450-1650 z DE-604 Musik (DE-588)4040802-4 s Katholische Kirche (DE-588)2009545-4 b Erscheint auch als Online-Ausgabe, ebk. 9781000485196 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033226430&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Foster, Timothy M. Music and power in early modern Spain harmonic spheres of influence Introduction. Music and Myth from Orpheus to Tubal -- Songs in the Key of Spain : Vihuela and the Ideology of Musical Humanism -- Cervantes Off-Key : Irony and Imperialism in the Novelas ejemplares -- Pre-Columbian Providentialism : Musical Origins in Andean Imagination -- The King's Polyphony and the Composing of the Americas -- Four-Part Harmony for the Four-Part Empire : Calderón's Musical Metaphors at the Court of Philip IV -- Immaculate Composition: Religion, Race, and Propaganda -- Conclusion. Orpheus Looking Back Katholische Kirche (DE-588)2009545-4 gnd Musik (DE-588)4040802-4 gnd Sphärenharmonie (DE-588)4182222-5 gnd Literatur (DE-588)4035964-5 gnd |
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| title | Music and power in early modern Spain harmonic spheres of influence |
| title_auth | Music and power in early modern Spain harmonic spheres of influence |
| title_exact_search | Music and power in early modern Spain harmonic spheres of influence |
| title_exact_search_txtP | Music and power in early modern Spain harmonic spheres of influence |
| title_full | Music and power in early modern Spain harmonic spheres of influence Timothy M. Foster |
| title_fullStr | Music and power in early modern Spain harmonic spheres of influence Timothy M. Foster |
| title_full_unstemmed | Music and power in early modern Spain harmonic spheres of influence Timothy M. Foster |
| title_short | Music and power in early modern Spain |
| title_sort | music and power in early modern spain harmonic spheres of influence |
| title_sub | harmonic spheres of influence |
| topic | Katholische Kirche (DE-588)2009545-4 gnd Musik (DE-588)4040802-4 gnd Sphärenharmonie (DE-588)4182222-5 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Katholische Kirche Musik Sphärenharmonie Literatur Spanien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033226430&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT fostertimothym musicandpowerinearlymodernspainharmonicspheresofinfluence |