Life-destroying diagrams:
"In Life-Destroying Diagrams, Eugenie Brinkema brings the insights of her radical formalism to bear on supremely risky terrain: the ethical extremes of horror and love. Through close readings of works of film, literature, and philosophy, she explores how diagrams, grids, charts, lists, abecedar...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "In Life-Destroying Diagrams, Eugenie Brinkema brings the insights of her radical formalism to bear on supremely risky terrain: the ethical extremes of horror and love. Through close readings of works of film, literature, and philosophy, she explores how diagrams, grids, charts, lists, abecedaria, toroids, tempos, patterns, colors, negative space, lengths, increments, and thresholds attest to formal logics of torture and cruelty, violence and finitude, friendship and eros, debt and care. Beginning with a wholesale rethinking of the affect of horror, orienting it away from entrenched models of feeling toward impersonal schemes and structures, Brinkema moves outward to consider the relation between objects and affects, humiliation and metaphysics, genre and the general, bodily destruction and aesthetic generation, geometry and scenography, hatred and value, love and measurement, and, ultimately, the tensions, hazards, and speculative promise of formalism itself. Replete with etymological meditations, performative typography, and lyrical digressions, Life-Destroying Diagrams is at once a model of reading without guarantee and a series of generative experiments in the writing of aesthetic theory"-- |
| Beschreibung: | xix, 470 Seiten Illustrationen 23 cm |
| ISBN: | 9781478014348 9781478013433 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047840605 | ||
| 003 | DE-604 | ||
| 005 | 20240410 | ||
| 007 | t | ||
| 008 | 220216s2022 a||| b||| 00||| eng d | ||
| 020 | |a 9781478014348 |c paperback |9 978-1-4780-1434-8 | ||
| 020 | |a 9781478013433 |c hardcover |9 978-1-4780-1343-3 | ||
| 035 | |a (OCoLC)1334729636 | ||
| 035 | |a (DE-599)BVBBV047840605 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-11 |a DE-12 |a DE-M472 |a DE-384 |a DE-188 |a DE-20 | ||
| 082 | 0 | |a 809.9164 |2 23 | |
| 084 | |a AP 53900 |0 (DE-625)7733: |2 rvk | ||
| 084 | |a AP 53925 |0 (DE-625)7734: |2 rvk | ||
| 084 | |a EC 1990 |0 (DE-625)20455: |2 rvk | ||
| 100 | 1 | |a Brinkema, Eugenie |d 1980- |e Verfasser |0 (DE-588)1051827019 |4 aut | |
| 245 | 1 | 0 | |a Life-destroying diagrams |c Eugenie Brinkema |
| 264 | 1 | |a Durham ; London |b Duke University Press |c 2022 | |
| 300 | |a xix, 470 Seiten |b Illustrationen |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a "In Life-Destroying Diagrams, Eugenie Brinkema brings the insights of her radical formalism to bear on supremely risky terrain: the ethical extremes of horror and love. Through close readings of works of film, literature, and philosophy, she explores how diagrams, grids, charts, lists, abecedaria, toroids, tempos, patterns, colors, negative space, lengths, increments, and thresholds attest to formal logics of torture and cruelty, violence and finitude, friendship and eros, debt and care. Beginning with a wholesale rethinking of the affect of horror, orienting it away from entrenched models of feeling toward impersonal schemes and structures, Brinkema moves outward to consider the relation between objects and affects, humiliation and metaphysics, genre and the general, bodily destruction and aesthetic generation, geometry and scenography, hatred and value, love and measurement, and, ultimately, the tensions, hazards, and speculative promise of formalism itself. Replete with etymological meditations, performative typography, and lyrical digressions, Life-Destroying Diagrams is at once a model of reading without guarantee and a series of generative experiments in the writing of aesthetic theory"-- | |
| 650 | 0 | 7 | |a Affekt |0 (DE-588)4135470-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Messung |0 (DE-588)4038852-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Objekt |g Philosophie |0 (DE-588)4172302-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Diagramm |0 (DE-588)4012044-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Liebe |0 (DE-588)4035646-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Philosophie |0 (DE-588)4045791-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schrecken |0 (DE-588)4179970-7 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Formalism (Literary analysis) | |
| 653 | 0 | |a Critical theory | |
| 653 | 0 | |a Aestheticism (Literature) | |
| 653 | 0 | |a Horror in literature | |
| 653 | 0 | |a PERFORMING ARTS / Film / History & Criticism | |
| 653 | 0 | |a PHILOSOPHY / General | |
| 653 | 0 | |a Aestheticism (Literature) | |
| 653 | 0 | |a Critical theory | |
| 653 | 0 | |a Formalism (Literary analysis) | |
| 653 | 0 | |a Horror in literature | |
| 689 | 0 | 0 | |a Objekt |g Philosophie |0 (DE-588)4172302-8 |D s |
| 689 | 0 | 1 | |a Affekt |0 (DE-588)4135470-9 |D s |
| 689 | 0 | 2 | |a Diagramm |0 (DE-588)4012044-2 |D s |
| 689 | 0 | 3 | |a Messung |0 (DE-588)4038852-9 |D s |
| 689 | 0 | 4 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 1 | 1 | |a Philosophie |0 (DE-588)4045791-6 |D s |
| 689 | 1 | 2 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 1 | 3 | |a Schrecken |0 (DE-588)4179970-7 |D s |
| 689 | 1 | 4 | |a Liebe |0 (DE-588)4035646-2 |D s |
| 689 | 1 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-4780-2165-0 |w (DE-604)BV047874123 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-4780-2165-0 |w (DE-604)BV047681858 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033223684&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung UB Augsburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033223684&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Klappentext |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033223684 | |
Datensatz im Suchindex
| _version_ | 1806142903957848064 |
|---|---|
| adam_text |
Contents LIST OF ILLUSTRATIONS ♦ xi EXORDIA ♦ xv CHAPTER ONE ♦ HORRĒRE OR * Î Four Ways of Looking at a Shudder ю Cervical Fractures 20 As Many Comparisons as Possible (Zickzack) 26 Aeneid ♦ Dracula ♦ The Expression of Emotions ♦ On the Pleasure Derivedfrom Objects of Terror ♦ Suspiria ♦ Krisis ♦ The Law of Genre CHAPTER TWO ♦ THE ORDINAL (DEATH BY DESIGN) ♦ 36 The Way Deaths Go: Possibility :: Impossibility :: Certainty 45 How the Next Thing Happens 57 Dasein versus Design, and the Work of Reading 68 Les Faux-Monnayeurs ♦ Final Destination 1, 2,3, 4,5 ♦ Simple Way to Find Your Glasses ♦ Sein und Zeit ♦ Der Lauf der Dinge ♦ Notes on the Synthesis of Form INTERLUDE I ♦ ABECEDARIUM ♦ 81 The abcs of Death ♦ alphabet · The Gashlycrumb Tinies ♦ The Order of Things ♦ Alphabet Reform Committee ♦ A · Ľabécédaire de Gilles Deleuze ♦ Phaedo INTERLUDE II ♦ RHYTHM FEEL ♦ 101 De la cruauté ♦ A l’intérieur ♦ image et Violence ♦ De Poetica ♦ Topologie der Gewalt
LAPSUS ♦ 119 INTERLUDE III ♦ OBJECTS, RELATIONS, SHAPE ♦ 125 The Fearful Sphere of Pascal ♦ Rubber ♦ The Cares of a Family Man · Micro Loup ♦ Uzumaki ♦ Frankenstein ♦ The Colour Out of Space · Writing Degree Zero CHAPTER THREE ♦ GRID, TABLE, FAILURE, LINE ♦ 145 the bureaucrat’s unconceived child 146 ♦ infinite possible contingencies (extension) 164 ♦ 1. the grid (GPS the bee as geometer) 165 The Cabin in the Woods ♦ Dictionary of the English Language ♦ The Instant ofMy Death · Donguri korokoro ♦ #Accelerate ♦ Critique of the Power ofJudgment · Urbanisme ♦ Théorie du drone ♦ The Honeycomb Conjecture TWO VIOLENCES ♦ 193 CHAPTER FOUR ♦ MIDDLE-TERM NOTATIONS: LETTER, NUMBER, DIAGRAM ♦ 202 A to B to C 209 A Further Aside on the Topology of Different Types of Lines 217 I Is I 227 ♦ 814326 814327 814328 234 ♦ The Humiliation of Metaphysics 242 Treatises of Fistula in Ano, Haemorrhoids, and Clysters ♦The Human Centipede (First Sequence) · The Human Centipede II (Full Sequence) ♦ The Human Centipede III (Final Sequence) ♦ TheCrafteofNombrynge ♦ The Manhattan Transcripts ♦ The Analysis ofBeauty ♦ De Ľévasion ♦ How It Is POSTSCRIPT ♦ ARS FORMULARIA: RADICAL FORMALISM AND THE SPECULATIVE TASK ♦ 251 The Violence of a (Certain) Fascination with Form (And what thereby introduces a potentially fatal late-stage complication, requiring a reimagining of formalism as process) 260 Définition du néo-traditionnisme ♦ Republic ♦ Martyrs ♦ Laforme et la façon ♦ Metamorphoses · 120 Days of Sodom ♦ Passion ofJoan ofArc ♦ Consilium de Encyclopaedia nova conscribenda methodo inventoria
LOVE AND MEASUREMENT ♦ 289 The Geometral 291 Amour Fou ♦ Die Marquise von 0. Le Système de Leibniz ♦ ♦ Tristan und Isolde Principles ofPattern Design · ♦ Mille Plateaux Length; or, LOVE.????.!!!!!!!!!! 306 Historie of the World ♦ L’inconnu du lac ♦ Symposium ♦ Souvenir of the Environs ofLake Nemi Negative Space (On no longer being loved) 315 Theory of Colours Blue ե the Warmest Color/La Vie d’Adèle—Chapitres 1 · La Vie de Marianne, ou Les Aventures de Madame la Comtesse de Zwei Mädchen ♦ **» ♦ Zwei Freundinnen Similitude 330 The Lobster ♦ Nicomachean Ethics A Lover’s Discourse: Fragments · · Summa Theologiae ♦ Éloge de l’amour Incremental Love 344 Enough » Mourning Diary Љтоиг en éclats ♦ ♦ The Work ofLove in Remembering One Dead At a Graveside ♦ Amour ♦ Ein Winterabend · Eros the Bittersweet ACKNOWLEDGMENTS ♦ (ON THE EROTICS OF THE COLLEAGUE) ♦ 371 NOTES 379 BIBLIOGRAPHY INDEX 443 421 ♦ Phaedrus
FILM/PHILO SOPHY/CRITICAL THEORY In Life-Destroying Diagrams, Eugenie Brinkema brings the insights of her radical formalism to bear on supremely risky terrain: the ethical extremes of horror and love. Through close readings of works of film, literature, and philosophy, she explores how diagrams, grids, charts, lists, abecedaria, toroids, tempos, patterns, colors, negative space, lengths, incre ments, and thresholds attest to formal logics of torture and cruelty, violence and finitude, friendship and eros, debt and care. Beginning with a wholesale rethinking of the affect of horror, orienting it away from entrenched models of feeling toward impersonal schemes and structures, Brinkema moves outward to consider the relation between objects and affects, humiliation and metaphysics, genre and the general, bodily destruction and aesthetic genera tion, geometry and scenography, hatred and value, love and measurement, and, ultimately, the tensions, hazards, and speculative promise of formalism itself. Replete with etymological meditations, performative typography, and lyrical digressions, Life-Destroying Diagrams is at once a model of reading without guarantee and a series of generative experiments in the writing of aesthetic theory. |
| adam_txt |
Contents LIST OF ILLUSTRATIONS ♦ xi EXORDIA ♦ xv CHAPTER ONE ♦ HORRĒRE OR * Î Four Ways of Looking at a Shudder ю Cervical Fractures 20 As Many Comparisons as Possible (Zickzack) 26 Aeneid ♦ Dracula ♦ The Expression of Emotions ♦ On the Pleasure Derivedfrom Objects of Terror ♦ Suspiria ♦ Krisis ♦ The Law of Genre CHAPTER TWO ♦ THE ORDINAL (DEATH BY DESIGN) ♦ 36 The Way Deaths Go: Possibility :: Impossibility :: Certainty 45 How the Next Thing Happens 57 Dasein versus Design, and the Work of Reading 68 Les Faux-Monnayeurs ♦ Final Destination 1, 2,3, 4,5 ♦ Simple Way to Find Your Glasses ♦ Sein und Zeit ♦ Der Lauf der Dinge ♦ Notes on the Synthesis of Form INTERLUDE I ♦ ABECEDARIUM ♦ 81 The abcs of Death ♦ alphabet · The Gashlycrumb Tinies ♦ The Order of Things ♦ Alphabet Reform Committee ♦ A · Ľabécédaire de Gilles Deleuze ♦ Phaedo INTERLUDE II ♦ RHYTHM FEEL ♦ 101 De la cruauté ♦ A l’intérieur ♦ image et Violence ♦ De Poetica ♦ Topologie der Gewalt
LAPSUS ♦ 119 INTERLUDE III ♦ OBJECTS, RELATIONS, SHAPE ♦ 125 The Fearful Sphere of Pascal ♦ Rubber ♦ The Cares of a Family Man · Micro Loup ♦ Uzumaki ♦ Frankenstein ♦ The Colour Out of Space · Writing Degree Zero CHAPTER THREE ♦ GRID, TABLE, FAILURE, LINE ♦ 145 the bureaucrat’s unconceived child 146 ♦ infinite possible contingencies (extension) 164 ♦ 1. the grid (GPS the bee as geometer) 165 The Cabin in the Woods ♦ Dictionary of the English Language ♦ The Instant ofMy Death · Donguri korokoro ♦ #Accelerate ♦ Critique of the Power ofJudgment · Urbanisme ♦ Théorie du drone ♦ The Honeycomb Conjecture TWO VIOLENCES ♦ 193 CHAPTER FOUR ♦ MIDDLE-TERM NOTATIONS: LETTER, NUMBER, DIAGRAM ♦ 202 A to B to C 209 A Further Aside on the Topology of Different Types of Lines 217 I Is I 227 ♦ 814326 814327 814328 234 ♦ The Humiliation of Metaphysics 242 Treatises of Fistula in Ano, Haemorrhoids, and Clysters ♦The Human Centipede (First Sequence) · The Human Centipede II (Full Sequence) ♦ The Human Centipede III (Final Sequence) ♦ TheCrafteofNombrynge ♦ The Manhattan Transcripts ♦ The Analysis ofBeauty ♦ De Ľévasion ♦ How It Is POSTSCRIPT ♦ ARS FORMULARIA: RADICAL FORMALISM AND THE SPECULATIVE TASK ♦ 251 The Violence of a (Certain) Fascination with Form (And what thereby introduces a potentially fatal late-stage complication, requiring a reimagining of formalism as process) 260 Définition du néo-traditionnisme ♦ Republic ♦ Martyrs ♦ Laforme et la façon ♦ Metamorphoses · 120 Days of Sodom ♦ Passion ofJoan ofArc ♦ Consilium de Encyclopaedia nova conscribenda methodo inventoria
LOVE AND MEASUREMENT ♦ 289 The Geometral 291 Amour Fou ♦ Die Marquise von 0. Le Système de Leibniz ♦ ♦ Tristan und Isolde Principles ofPattern Design · ♦ Mille Plateaux Length; or, LOVE.????.!!!!!!!!!! 306 Historie of the World ♦ L’inconnu du lac ♦ Symposium ♦ Souvenir of the Environs ofLake Nemi Negative Space (On no longer being loved) 315 Theory of Colours Blue ե the Warmest Color/La Vie d’Adèle—Chapitres 1 · La Vie de Marianne, ou Les Aventures de Madame la Comtesse de Zwei Mädchen ♦ **» ♦ Zwei Freundinnen Similitude 330 The Lobster ♦ Nicomachean Ethics A Lover’s Discourse: Fragments · · Summa Theologiae ♦ Éloge de l’amour Incremental Love 344 Enough » Mourning Diary Љтоиг en éclats ♦ ♦ The Work ofLove in Remembering One Dead At a Graveside ♦ Amour ♦ Ein Winterabend · Eros the Bittersweet ACKNOWLEDGMENTS ♦ (ON THE EROTICS OF THE COLLEAGUE) ♦ 371 NOTES 379 BIBLIOGRAPHY INDEX 443 421 ♦ Phaedrus
FILM/PHILO SOPHY/CRITICAL THEORY In Life-Destroying Diagrams, Eugenie Brinkema brings the insights of her radical formalism to bear on supremely risky terrain: the ethical extremes of horror and love. Through close readings of works of film, literature, and philosophy, she explores how diagrams, grids, charts, lists, abecedaria, toroids, tempos, patterns, colors, negative space, lengths, incre ments, and thresholds attest to formal logics of torture and cruelty, violence and finitude, friendship and eros, debt and care. Beginning with a wholesale rethinking of the affect of horror, orienting it away from entrenched models of feeling toward impersonal schemes and structures, Brinkema moves outward to consider the relation between objects and affects, humiliation and metaphysics, genre and the general, bodily destruction and aesthetic genera tion, geometry and scenography, hatred and value, love and measurement, and, ultimately, the tensions, hazards, and speculative promise of formalism itself. Replete with etymological meditations, performative typography, and lyrical digressions, Life-Destroying Diagrams is at once a model of reading without guarantee and a series of generative experiments in the writing of aesthetic theory. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Brinkema, Eugenie 1980- |
| author_GND | (DE-588)1051827019 |
| author_facet | Brinkema, Eugenie 1980- |
| author_role | aut |
| author_sort | Brinkema, Eugenie 1980- |
| author_variant | e b eb |
| building | Verbundindex |
| bvnumber | BV047840605 |
| classification_rvk | AP 53900 AP 53925 EC 1990 |
| ctrlnum | (OCoLC)1334729636 (DE-599)BVBBV047840605 |
| dewey-full | 809.9164 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809.9164 |
| dewey-search | 809.9164 |
| dewey-sort | 3809.9164 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Allgemeines Literaturwissenschaft |
| discipline_str_mv | Allgemeines Literaturwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV047840605</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240410</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220216s2022 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478014348</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-4780-1434-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478013433</subfield><subfield code="c">hardcover</subfield><subfield code="9">978-1-4780-1343-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1334729636</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047840605</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-M472</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-20</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">809.9164</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 53900</subfield><subfield code="0">(DE-625)7733:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 53925</subfield><subfield code="0">(DE-625)7734:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">EC 1990</subfield><subfield code="0">(DE-625)20455:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Brinkema, Eugenie</subfield><subfield code="d">1980-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1051827019</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Life-destroying diagrams</subfield><subfield code="c">Eugenie Brinkema</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham ; London</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xix, 470 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"In Life-Destroying Diagrams, Eugenie Brinkema brings the insights of her radical formalism to bear on supremely risky terrain: the ethical extremes of horror and love. Through close readings of works of film, literature, and philosophy, she explores how diagrams, grids, charts, lists, abecedaria, toroids, tempos, patterns, colors, negative space, lengths, increments, and thresholds attest to formal logics of torture and cruelty, violence and finitude, friendship and eros, debt and care. Beginning with a wholesale rethinking of the affect of horror, orienting it away from entrenched models of feeling toward impersonal schemes and structures, Brinkema moves outward to consider the relation between objects and affects, humiliation and metaphysics, genre and the general, bodily destruction and aesthetic generation, geometry and scenography, hatred and value, love and measurement, and, ultimately, the tensions, hazards, and speculative promise of formalism itself. Replete with etymological meditations, performative typography, and lyrical digressions, Life-Destroying Diagrams is at once a model of reading without guarantee and a series of generative experiments in the writing of aesthetic theory"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Affekt</subfield><subfield code="0">(DE-588)4135470-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Messung</subfield><subfield code="0">(DE-588)4038852-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Objekt</subfield><subfield code="g">Philosophie</subfield><subfield code="0">(DE-588)4172302-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Diagramm</subfield><subfield code="0">(DE-588)4012044-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Liebe</subfield><subfield code="0">(DE-588)4035646-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Philosophie</subfield><subfield code="0">(DE-588)4045791-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schrecken</subfield><subfield code="0">(DE-588)4179970-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Formalism (Literary analysis)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Critical theory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Aestheticism (Literature)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Horror in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">PERFORMING ARTS / Film / History & Criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">PHILOSOPHY / General</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Aestheticism (Literature)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Critical theory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Formalism (Literary analysis)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Horror in literature</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Objekt</subfield><subfield code="g">Philosophie</subfield><subfield code="0">(DE-588)4172302-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Affekt</subfield><subfield code="0">(DE-588)4135470-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Diagramm</subfield><subfield code="0">(DE-588)4012044-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Messung</subfield><subfield code="0">(DE-588)4038852-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Philosophie</subfield><subfield code="0">(DE-588)4045791-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Schrecken</subfield><subfield code="0">(DE-588)4179970-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="4"><subfield code="a">Liebe</subfield><subfield code="0">(DE-588)4035646-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-4780-2165-0</subfield><subfield code="w">(DE-604)BV047874123</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-4780-2165-0</subfield><subfield code="w">(DE-604)BV047681858</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033223684&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Augsburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033223684&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Klappentext</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033223684</subfield></datafield></record></collection> |
| id | DE-604.BV047840605 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:11:49Z |
| indexdate | 2024-08-01T00:28:18Z |
| institution | BVB |
| isbn | 9781478014348 9781478013433 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033223684 |
| oclc_num | 1334729636 |
| open_access_boolean | |
| owner | DE-11 DE-12 DE-M472 DE-384 DE-188 DE-20 |
| owner_facet | DE-11 DE-12 DE-M472 DE-384 DE-188 DE-20 |
| physical | xix, 470 Seiten Illustrationen 23 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Duke University Press |
| record_format | marc |
| spelling | Brinkema, Eugenie 1980- Verfasser (DE-588)1051827019 aut Life-destroying diagrams Eugenie Brinkema Durham ; London Duke University Press 2022 xix, 470 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier "In Life-Destroying Diagrams, Eugenie Brinkema brings the insights of her radical formalism to bear on supremely risky terrain: the ethical extremes of horror and love. Through close readings of works of film, literature, and philosophy, she explores how diagrams, grids, charts, lists, abecedaria, toroids, tempos, patterns, colors, negative space, lengths, increments, and thresholds attest to formal logics of torture and cruelty, violence and finitude, friendship and eros, debt and care. Beginning with a wholesale rethinking of the affect of horror, orienting it away from entrenched models of feeling toward impersonal schemes and structures, Brinkema moves outward to consider the relation between objects and affects, humiliation and metaphysics, genre and the general, bodily destruction and aesthetic generation, geometry and scenography, hatred and value, love and measurement, and, ultimately, the tensions, hazards, and speculative promise of formalism itself. Replete with etymological meditations, performative typography, and lyrical digressions, Life-Destroying Diagrams is at once a model of reading without guarantee and a series of generative experiments in the writing of aesthetic theory"-- Affekt (DE-588)4135470-9 gnd rswk-swf Messung (DE-588)4038852-9 gnd rswk-swf Objekt Philosophie (DE-588)4172302-8 gnd rswk-swf Diagramm (DE-588)4012044-2 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Liebe (DE-588)4035646-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Schrecken (DE-588)4179970-7 gnd rswk-swf Formalism (Literary analysis) Critical theory Aestheticism (Literature) Horror in literature PERFORMING ARTS / Film / History & Criticism PHILOSOPHY / General Objekt Philosophie (DE-588)4172302-8 s Affekt (DE-588)4135470-9 s Diagramm (DE-588)4012044-2 s Messung (DE-588)4038852-9 s Ästhetik (DE-588)4000626-8 s DE-604 Literatur (DE-588)4035964-5 s Philosophie (DE-588)4045791-6 s Film (DE-588)4017102-4 s Schrecken (DE-588)4179970-7 s Liebe (DE-588)4035646-2 s Erscheint auch als Online-Ausgabe 978-1-4780-2165-0 (DE-604)BV047874123 Erscheint auch als Online-Ausgabe 978-1-4780-2165-0 (DE-604)BV047681858 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033223684&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033223684&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Brinkema, Eugenie 1980- Life-destroying diagrams Affekt (DE-588)4135470-9 gnd Messung (DE-588)4038852-9 gnd Objekt Philosophie (DE-588)4172302-8 gnd Diagramm (DE-588)4012044-2 gnd Ästhetik (DE-588)4000626-8 gnd Literatur (DE-588)4035964-5 gnd Liebe (DE-588)4035646-2 gnd Film (DE-588)4017102-4 gnd Philosophie (DE-588)4045791-6 gnd Schrecken (DE-588)4179970-7 gnd |
| subject_GND | (DE-588)4135470-9 (DE-588)4038852-9 (DE-588)4172302-8 (DE-588)4012044-2 (DE-588)4000626-8 (DE-588)4035964-5 (DE-588)4035646-2 (DE-588)4017102-4 (DE-588)4045791-6 (DE-588)4179970-7 |
| title | Life-destroying diagrams |
| title_auth | Life-destroying diagrams |
| title_exact_search | Life-destroying diagrams |
| title_exact_search_txtP | Life-destroying diagrams |
| title_full | Life-destroying diagrams Eugenie Brinkema |
| title_fullStr | Life-destroying diagrams Eugenie Brinkema |
| title_full_unstemmed | Life-destroying diagrams Eugenie Brinkema |
| title_short | Life-destroying diagrams |
| title_sort | life destroying diagrams |
| topic | Affekt (DE-588)4135470-9 gnd Messung (DE-588)4038852-9 gnd Objekt Philosophie (DE-588)4172302-8 gnd Diagramm (DE-588)4012044-2 gnd Ästhetik (DE-588)4000626-8 gnd Literatur (DE-588)4035964-5 gnd Liebe (DE-588)4035646-2 gnd Film (DE-588)4017102-4 gnd Philosophie (DE-588)4045791-6 gnd Schrecken (DE-588)4179970-7 gnd |
| topic_facet | Affekt Messung Objekt Philosophie Diagramm Ästhetik Literatur Liebe Film Philosophie Schrecken |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033223684&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033223684&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT brinkemaeugenie lifedestroyingdiagrams |