Push: software design and the cultural politics of music production
'Push' shows how changes in the design of music software in the first decades of the 21st century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developme...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
2022
|
| Schriftenreihe: | Oxford scholarship online
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | 'Push' shows how changes in the design of music software in the first decades of the 21st century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, 'user-friendly' interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the 'industry standard,' 'professional' DAW of choice by incorporating design elements from pre-digital music technologies. |
| Beschreibung: | Includes bibliographical references and index Also issued in print: 2022 |
| Beschreibung: | 1 Online-Ressource (322 Seiten) Illustrationen |
| ISBN: | 9780190943349 |
| DOI: | 10.1093/oso/9780190943301.001.0001 |
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| 500 | |a Includes bibliographical references and index | ||
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| 520 | |a 'Push' shows how changes in the design of music software in the first decades of the 21st century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, 'user-friendly' interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the 'industry standard,' 'professional' DAW of choice by incorporating design elements from pre-digital music technologies. | ||
| 650 | 4 | |a Sound / Recording and reproducing / Digital techniques / History | |
| 650 | 4 | |a Popular music / Production and direction | |
| 650 | 4 | |a Electronica (Music) / Production and direction | |
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Datensatz im Suchindex
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| author | D'Errico, Mike ca. 20./21. Jh |
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| author_facet | D'Errico, Mike ca. 20./21. Jh |
| author_role | aut |
| author_sort | D'Errico, Mike ca. 20./21. Jh |
| author_variant | m d md |
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| dewey-full | 781.49 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.49 |
| dewey-search | 781.49 |
| dewey-sort | 3781.49 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| doi_str_mv | 10.1093/oso/9780190943301.001.0001 |
| format | Electronic eBook |
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| id | DE-604.BV047829558 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:08:57Z |
| indexdate | 2024-07-10T09:22:28Z |
| institution | BVB |
| isbn | 9780190943349 |
| language | English |
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| physical | 1 Online-Ressource (322 Seiten) Illustrationen |
| psigel | ZDB-28-OSM ZDB-1-UMC |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Oxford University Press |
| record_format | marc |
| series2 | Oxford scholarship online |
| spelling | D'Errico, Mike ca. 20./21. Jh. Verfasser (DE-588)1046952757 aut Push software design and the cultural politics of music production Mike D'Errico New York, NY Oxford University Press 2022 1 Online-Ressource (322 Seiten) Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier Oxford scholarship online Includes bibliographical references and index Also issued in print: 2022 'Push' shows how changes in the design of music software in the first decades of the 21st century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, 'user-friendly' interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the 'industry standard,' 'professional' DAW of choice by incorporating design elements from pre-digital music technologies. Sound / Recording and reproducing / Digital techniques / History Popular music / Production and direction Electronica (Music) / Production and direction Music / Computer programs Erscheint auch als Druck-Ausgabe, Hardcover 978-0-19-094330-1 Erscheint auch als Druck-Ausgabe, Paperback 978-0-19-094331-8 https://doi.org/10.1093/oso/9780190943301.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | D'Errico, Mike ca. 20./21. Jh Push software design and the cultural politics of music production Sound / Recording and reproducing / Digital techniques / History Popular music / Production and direction Electronica (Music) / Production and direction Music / Computer programs |
| title | Push software design and the cultural politics of music production |
| title_auth | Push software design and the cultural politics of music production |
| title_exact_search | Push software design and the cultural politics of music production |
| title_exact_search_txtP | Push software design and the cultural politics of music production |
| title_full | Push software design and the cultural politics of music production Mike D'Errico |
| title_fullStr | Push software design and the cultural politics of music production Mike D'Errico |
| title_full_unstemmed | Push software design and the cultural politics of music production Mike D'Errico |
| title_short | Push |
| title_sort | push software design and the cultural politics of music production |
| title_sub | software design and the cultural politics of music production |
| topic | Sound / Recording and reproducing / Digital techniques / History Popular music / Production and direction Electronica (Music) / Production and direction Music / Computer programs |
| topic_facet | Sound / Recording and reproducing / Digital techniques / History Popular music / Production and direction Electronica (Music) / Production and direction Music / Computer programs |
| url | https://doi.org/10.1093/oso/9780190943301.001.0001 |
| work_keys_str_mv | AT derricomike pushsoftwaredesignandtheculturalpoliticsofmusicproduction |