Feminism, Film, Fascism: Women's Auto/biographical Film in Postwar Germany
German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books b...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns-namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages-Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Brückner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780292799721 |
| DOI: | 10.7560/746961 |
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| 520 | |a German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns-namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages-Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Brückner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past | ||
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| spelling | Linville, Susan E. Verfasser aut Feminism, Film, Fascism Women's Auto/biographical Film in Postwar Germany Susan E. Linville Austin University of Texas Press [2022] © 1998 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022) German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns-namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages-Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Brückner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past In English PERFORMING ARTS / Film & Video / General bisacsh Guilt Motion pictures Germany History Motion pictures Germany Psychological aspects Women in motion pictures Women motion picture producers and directors Germany https://doi.org/10.7560/746961 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Linville, Susan E. Feminism, Film, Fascism Women's Auto/biographical Film in Postwar Germany PERFORMING ARTS / Film & Video / General bisacsh Guilt Motion pictures Germany History Motion pictures Germany Psychological aspects Women in motion pictures Women motion picture producers and directors Germany |
| title | Feminism, Film, Fascism Women's Auto/biographical Film in Postwar Germany |
| title_auth | Feminism, Film, Fascism Women's Auto/biographical Film in Postwar Germany |
| title_exact_search | Feminism, Film, Fascism Women's Auto/biographical Film in Postwar Germany |
| title_exact_search_txtP | Feminism, Film, Fascism Women's Auto/biographical Film in Postwar Germany |
| title_full | Feminism, Film, Fascism Women's Auto/biographical Film in Postwar Germany Susan E. Linville |
| title_fullStr | Feminism, Film, Fascism Women's Auto/biographical Film in Postwar Germany Susan E. Linville |
| title_full_unstemmed | Feminism, Film, Fascism Women's Auto/biographical Film in Postwar Germany Susan E. Linville |
| title_short | Feminism, Film, Fascism |
| title_sort | feminism film fascism women s auto biographical film in postwar germany |
| title_sub | Women's Auto/biographical Film in Postwar Germany |
| topic | PERFORMING ARTS / Film & Video / General bisacsh Guilt Motion pictures Germany History Motion pictures Germany Psychological aspects Women in motion pictures Women motion picture producers and directors Germany |
| topic_facet | PERFORMING ARTS / Film & Video / General Guilt Motion pictures Germany History Motion pictures Germany Psychological aspects Women in motion pictures Women motion picture producers and directors Germany |
| url | https://doi.org/10.7560/746961 |
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