Hegemonic mimicry: Korean popular culture of the twenty-first century
In Hegemonic Mimicry, Kyung Hyun Kim considers the recent global success of Korean popular culture-the Korean wave of pop music, cinema, and television, which is also known as hallyu-from a transnational and transcultural perspective. Using the concept of mimicry to think through hallyu's adapt...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Durham ; London
Duke University Press
2021
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| Subjects: | |
| Online Access: | DE-12 DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-188 DE-473 DE-706 DE-739 Volltext |
| Summary: | In Hegemonic Mimicry, Kyung Hyun Kim considers the recent global success of Korean popular culture-the Korean wave of pop music, cinema, and television, which is also known as hallyu-from a transnational and transcultural perspective. Using the concept of mimicry to think through hallyu's adaptation of American sensibilities and genres, he shows how the commercialization of Korean popular culture has upended the familiar dynamic of major-to-minor cultural influence, enabling hallyu to become a dominant global cultural phenomenon. At the same time, its worldwide popularity has rendered its Koreanness opaque. Kim argues that Korean cultural subjectivity over the past two decades is one steeped in ethnic rather than national identity. Explaining how South Korea leaped over the linguistic and cultural walls surrounding a supposedly "minor" culture to achieve global ascendance, Kim positions K-pop, Korean cinema and television serials, and even electronics as transformative acts of reappropriation that have created a hegemonic global ethnic identity |
| Physical Description: | 1 Online-Ressource (xviii, 303 Seiten) Illustrationen |
| ISBN: | 9781478021803 |
| DOI: | 10.1515/9781478021803 |
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| spelling | Kim, Kyŏng-hyŏn 1969- Verfasser (DE-588)1020431512 aut Hegemonic mimicry Korean popular culture of the twenty-first century Kyung Hyun Kim Durham ; London Duke University Press 2021 © 2021 1 Online-Ressource (xviii, 303 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier In Hegemonic Mimicry, Kyung Hyun Kim considers the recent global success of Korean popular culture-the Korean wave of pop music, cinema, and television, which is also known as hallyu-from a transnational and transcultural perspective. Using the concept of mimicry to think through hallyu's adaptation of American sensibilities and genres, he shows how the commercialization of Korean popular culture has upended the familiar dynamic of major-to-minor cultural influence, enabling hallyu to become a dominant global cultural phenomenon. At the same time, its worldwide popularity has rendered its Koreanness opaque. Kim argues that Korean cultural subjectivity over the past two decades is one steeped in ethnic rather than national identity. Explaining how South Korea leaped over the linguistic and cultural walls surrounding a supposedly "minor" culture to achieve global ascendance, Kim positions K-pop, Korean cinema and television serials, and even electronics as transformative acts of reappropriation that have created a hegemonic global ethnic identity SOCIAL SCIENCE / Popular Culture bisacsh Glocalization Korea (South) K-pop (Subculture) Mass media and culture Korea (South) Popular culture and globalization Popular culture Korea (South) History 21st century Popular music Korea (South) Erscheint auch als Druck-Ausgabe, paperback 978-1-4780-1449-2 Erscheint auch als Druck-Ausgabe, hardback 978-1-4780-1358-7 https://doi.org/10.1515/9781478021803 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kim, Kyŏng-hyŏn 1969- Hegemonic mimicry Korean popular culture of the twenty-first century SOCIAL SCIENCE / Popular Culture bisacsh Glocalization Korea (South) K-pop (Subculture) Mass media and culture Korea (South) Popular culture and globalization Popular culture Korea (South) History 21st century Popular music Korea (South) |
| title | Hegemonic mimicry Korean popular culture of the twenty-first century |
| title_auth | Hegemonic mimicry Korean popular culture of the twenty-first century |
| title_exact_search | Hegemonic mimicry Korean popular culture of the twenty-first century |
| title_exact_search_txtP | Hegemonic mimicry Korean popular culture of the twenty-first century |
| title_full | Hegemonic mimicry Korean popular culture of the twenty-first century Kyung Hyun Kim |
| title_fullStr | Hegemonic mimicry Korean popular culture of the twenty-first century Kyung Hyun Kim |
| title_full_unstemmed | Hegemonic mimicry Korean popular culture of the twenty-first century Kyung Hyun Kim |
| title_short | Hegemonic mimicry |
| title_sort | hegemonic mimicry korean popular culture of the twenty first century |
| title_sub | Korean popular culture of the twenty-first century |
| topic | SOCIAL SCIENCE / Popular Culture bisacsh Glocalization Korea (South) K-pop (Subculture) Mass media and culture Korea (South) Popular culture and globalization Popular culture Korea (South) History 21st century Popular music Korea (South) |
| topic_facet | SOCIAL SCIENCE / Popular Culture Glocalization Korea (South) K-pop (Subculture) Mass media and culture Korea (South) Popular culture and globalization Popular culture Korea (South) History 21st century Popular music Korea (South) |
| url | https://doi.org/10.1515/9781478021803 |
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