Malevich and interwar modernism: Russian art and the international of the square
"This book examines the legacy of international interwar modernism as a case of cultural transfer through the travels of a central motif: the square. The square was the most emblematic and widely known form/motif of the international avant-garde in the interwar years. It originated from the Rus...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Visual Arts
2022
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-Y3 Volltext |
| Zusammenfassung: | "This book examines the legacy of international interwar modernism as a case of cultural transfer through the travels of a central motif: the square. The square was the most emblematic and widely known form/motif of the international avant-garde in the interwar years. It originated from the Russian artist Kazimir Malevich who painted The Black Square on White Ground in 1915 and was then picked up by another Russian artist El Lissitzky and the Dutch artist Theo van Doesburg. It came to be understood as a symbol of a new internationalism and modernity and while Forgács uses it as part of her overall narrative, she focuses on it and its journey across borders to follow its significance, how it was used by the above key artists and how its meaning became modified in Western Europe. It is unusual to discuss interwar modernism and its postwar survival, but this book’s chapters work together to argue that the interwar developments signified a turning point in twentieth-century art that led to much creativity and innovation. Forgács supports her theory with newly found and newly interpreted documents that prove how this exciting legacy was shaped by three major agents: Malevich, Lissitzsky and van Doesburg. She offers a wider interpretation of modernism that examines its postwar significance, reception and history up until the emergence of the New Left in 1956 and the seismic events of 1968." |
| Beschreibung: | 1 Online-Ressource (vii, 318 Seiten) Illustrationen |
| ISBN: | 9781350204188 9781350204195 9781350204201 |
| DOI: | 10.5040/9781350204201 |
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Datensatz im Suchindex
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| id | DE-604.BV047805452 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:03:37Z |
| indexdate | 2024-08-27T00:11:55Z |
| institution | BVB |
| isbn | 9781350204188 9781350204195 9781350204201 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033189080 |
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| spelling | Forgács, Éva 1947- Verfasser (DE-588)105167848X aut Malevich and interwar modernism Russian art and the international of the square Éva Forgács London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Visual Arts 2022 1 Online-Ressource (vii, 318 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier "This book examines the legacy of international interwar modernism as a case of cultural transfer through the travels of a central motif: the square. The square was the most emblematic and widely known form/motif of the international avant-garde in the interwar years. It originated from the Russian artist Kazimir Malevich who painted The Black Square on White Ground in 1915 and was then picked up by another Russian artist El Lissitzky and the Dutch artist Theo van Doesburg. It came to be understood as a symbol of a new internationalism and modernity and while Forgács uses it as part of her overall narrative, she focuses on it and its journey across borders to follow its significance, how it was used by the above key artists and how its meaning became modified in Western Europe. It is unusual to discuss interwar modernism and its postwar survival, but this book’s chapters work together to argue that the interwar developments signified a turning point in twentieth-century art that led to much creativity and innovation. Forgács supports her theory with newly found and newly interpreted documents that prove how this exciting legacy was shaped by three major agents: Malevich, Lissitzsky and van Doesburg. She offers a wider interpretation of modernism that examines its postwar significance, reception and history up until the emergence of the New Left in 1956 and the seismic events of 1968." Doesburg, Theo van 1883-1931 (DE-588)118526405 gnd rswk-swf Lisickij, Lazarʹ Markovič 1890-1941 (DE-588)118573470 gnd rswk-swf Malevič, Kazimir 1879-1935 (DE-588)118640836 gnd rswk-swf Geschichte 1915-1968 gnd rswk-swf Quadrat Motiv (DE-588)4555041-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Malevich, Kazimir Severinovich / 1878-1935 Lissitzky, El / 1890-1941 Doesburg, Theo van / 1883-1931 Modernism (Art) / History / 20th century Art, Modern / 20th century Square in art Art, Modern Modernism (Art) 1900-1999 History Malevič, Kazimir 1879-1935 (DE-588)118640836 p Lisickij, Lazarʹ Markovič 1890-1941 (DE-588)118573470 p Doesburg, Theo van 1883-1931 (DE-588)118526405 p Quadrat Motiv (DE-588)4555041-4 s Kunst (DE-588)4114333-4 s Geschichte 1915-1968 z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-3502-0417-1 (DE-604)BV047805805 Erscheint auch als Druck-Ausgabe, Paperback 978-1-3502-0421-8 https://doi.org/10.5040/9781350204201?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Forgács, Éva 1947- Malevich and interwar modernism Russian art and the international of the square Doesburg, Theo van 1883-1931 (DE-588)118526405 gnd Lisickij, Lazarʹ Markovič 1890-1941 (DE-588)118573470 gnd Malevič, Kazimir 1879-1935 (DE-588)118640836 gnd Quadrat Motiv (DE-588)4555041-4 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)118526405 (DE-588)118573470 (DE-588)118640836 (DE-588)4555041-4 (DE-588)4114333-4 |
| title | Malevich and interwar modernism Russian art and the international of the square |
| title_auth | Malevich and interwar modernism Russian art and the international of the square |
| title_exact_search | Malevich and interwar modernism Russian art and the international of the square |
| title_exact_search_txtP | Malevich and interwar modernism Russian art and the international of the square |
| title_full | Malevich and interwar modernism Russian art and the international of the square Éva Forgács |
| title_fullStr | Malevich and interwar modernism Russian art and the international of the square Éva Forgács |
| title_full_unstemmed | Malevich and interwar modernism Russian art and the international of the square Éva Forgács |
| title_short | Malevich and interwar modernism |
| title_sort | malevich and interwar modernism russian art and the international of the square |
| title_sub | Russian art and the international of the square |
| topic | Doesburg, Theo van 1883-1931 (DE-588)118526405 gnd Lisickij, Lazarʹ Markovič 1890-1941 (DE-588)118573470 gnd Malevič, Kazimir 1879-1935 (DE-588)118640836 gnd Quadrat Motiv (DE-588)4555041-4 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Doesburg, Theo van 1883-1931 Lisickij, Lazarʹ Markovič 1890-1941 Malevič, Kazimir 1879-1935 Quadrat Motiv Kunst |
| url | https://doi.org/10.5040/9781350204201?locatt=label:secondary_bloomsburyCollections |
| work_keys_str_mv | AT forgacseva malevichandinterwarmodernismrussianartandtheinternationalofthesquare |