Art, science, and the natural world in the ancient Mediterranean, 300 BC to AD 100:
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2021
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| Ausgabe: | First edition |
| Schriftenreihe: | Oxford studies in ancient culture & representation
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xxvi, 362 Seiten Illustrationen, Karten (schwarz-weiß) 25,3 cm |
| ISBN: | 9780192844897 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List of Illustrations Abbreviations Note on Translations xiii xxv xxvii I. Art, Science, and the Natural World: Introduction and Historical Background i The Alexandrian Intellectual Achievement 5 Aristotle and His Impact on Alexandrian Intellectualism 18 The Ptolemies and Other Animals 30 2. The Nile Mosaic at Praeneste: Evidence of Ptolemaic Natural Science in Late Republican Italy 41 Context, Chronology, and Modern History 41 The Topography of the Nile Mosaic 49 A Ptolemaic Archetype 55 Praeneste and the Hellenistic East 60 The Nile Mosaic in Its Alexandrian Context 63 Ptolemaic Taxonomy in the Nile Mosaic 68 Territorial Ideology 82 Conclusions 87 3. The Tomb of Apollophanes at Marisa: Parading Knowledge in Hellenistic Idumaea 89 Architecture and Chronology 91 Marisa in the Third Century вс 97 The Painted Decoration of the Tomb 99 The Animal Frieze 104 The Leopardess Hunt: Origins and Significance 114 Aethiopia, Egypt, and the Animal Frieze 117 A Parade of Knowledge? 123 Conclusions 125
X CONTENTS 4. The Artemidoros Papyrus: An Assortment of Scientific Images and Texts 127 Discovery and Reconstruction 128 Chronology and Context 132 Artemidoros and the Verso of PArtemid. 134 The Verso Illustrations: Artistry, Arrangement, Origins 143 P.Artemid. and Hellenistic Natural Science 154 The Function(s) of the Verso 160 Conclusions 166 5. Animals in Hellenistic Royal Mosaics: Tryphe and Taxonomy in Alexandria and Pergamon 168 The Dog Mosaic from Alexandria 169 Royal Mosaics from Pergamon 175 Pliny the Elder and Sosos of Pergamon 186 Contextualizing the Mosaics of Sosos 198 Captive Animals and Transportable Intermediaries 202 Conclusions 204 6. Fish Mosaics in Late Republican Italy: Between Roman Gastronomy and Hellenistic Ichthyology 206 The Fish Mosaics at Praeneste and Pompeii 207 Typological Connections 223 Workshops and Intermediaries 228 The Significance of Fish Mosaics for Italian Viewers 231 The Case for Hellenistic Origins 235 Interpreting the Postulated Archetype 242 Conclusions 245 7. Garden Paintings in Rome and the Bay of Naples: Bringing the Natural World Indoors 247 The Painted Garden Room at Prima Porta 248 Interpreting Livia’s Garden Room 257
CONTENTS ХІ Painted Garden Rooms in Early Imperial Pompeii 263 Reading the Garden Paintings at Pompeii 277 Hellenistic Origins: Existing Theories 278 Hellenistic Origins: A More Flexible Hypothesis 283 Conclusions 288 8. Conclusions 291 Art, Science, and the Natural World in theAncient Mediterranean 291 The Legacy of Hellenistic Natural Science 294 Closing Remarks 301 Bibliography Index 303 349
|
| adam_txt |
CONTENTS List of Illustrations Abbreviations Note on Translations xiii xxv xxvii I. Art, Science, and the Natural World: Introduction and Historical Background i The Alexandrian Intellectual Achievement 5 Aristotle and His Impact on Alexandrian Intellectualism 18 The Ptolemies and Other Animals 30 2. The Nile Mosaic at Praeneste: Evidence of Ptolemaic Natural Science in Late Republican Italy 41 Context, Chronology, and Modern History 41 The Topography of the Nile Mosaic 49 A Ptolemaic Archetype 55 Praeneste and the Hellenistic East 60 The Nile Mosaic in Its Alexandrian Context 63 Ptolemaic Taxonomy in the Nile Mosaic 68 Territorial Ideology 82 Conclusions 87 3. The Tomb of Apollophanes at Marisa: Parading Knowledge in Hellenistic Idumaea 89 Architecture and Chronology 91 Marisa in the Third Century вс 97 The Painted Decoration of the Tomb 99 The Animal Frieze 104 The Leopardess Hunt: Origins and Significance 114 Aethiopia, Egypt, and the Animal Frieze 117 A Parade of Knowledge? 123 Conclusions 125
X CONTENTS 4. The Artemidoros Papyrus: An Assortment of Scientific Images and Texts 127 Discovery and Reconstruction 128 Chronology and Context 132 Artemidoros and the Verso of PArtemid. 134 The Verso Illustrations: Artistry, Arrangement, Origins 143 P.Artemid. and Hellenistic Natural Science 154 The Function(s) of the Verso 160 Conclusions 166 5. Animals in Hellenistic Royal Mosaics: Tryphe and Taxonomy in Alexandria and Pergamon 168 The Dog Mosaic from Alexandria 169 Royal Mosaics from Pergamon 175 Pliny the Elder and Sosos of Pergamon 186 Contextualizing the Mosaics of Sosos 198 Captive Animals and Transportable Intermediaries 202 Conclusions 204 6. Fish Mosaics in Late Republican Italy: Between Roman Gastronomy and Hellenistic Ichthyology 206 The Fish Mosaics at Praeneste and Pompeii 207 Typological Connections 223 Workshops and Intermediaries 228 The Significance of Fish Mosaics for Italian Viewers 231 The Case for Hellenistic Origins 235 Interpreting the Postulated Archetype 242 Conclusions 245 7. Garden Paintings in Rome and the Bay of Naples: Bringing the Natural World Indoors 247 The Painted Garden Room at Prima Porta 248 Interpreting Livia’s Garden Room 257
CONTENTS ХІ Painted Garden Rooms in Early Imperial Pompeii 263 Reading the Garden Paintings at Pompeii 277 Hellenistic Origins: Existing Theories 278 Hellenistic Origins: A More Flexible Hypothesis 283 Conclusions 288 8. Conclusions 291 Art, Science, and the Natural World in theAncient Mediterranean 291 The Legacy of Hellenistic Natural Science 294 Closing Remarks 301 Bibliography Index 303 349 |
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