Make It the same: poetry in the age of global media
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Columbia University Press
2022
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| Ausgabe: | Paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xiii, 346 Seiten Breite 152 mm, Hoehe 229 mm |
| ISBN: | 9780231190039 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS ACKNOWLEDGMENTS ІХ Introduction: Ihe Copy as Global Master Trope i Chapter One Postcolonial Media: Kamau Brathwaites Reel Revolution 20 Chapter Two The Art of Samizdat: Dmitri Prigov, Moscow Conceptualism, and the Carbon-Copy Origins of New Media Poetics 62 Chapter Three Making Waves in World Literature: Yang Lian and John Cayley’s Networked Collaboration 91 Chapter Four Shibboleth: The Border Crossings of Caroline Bergvall, Performance Writing, and Iterative Poetics 116
viii CONTENTS Chapter Five Copy Rights: Conceptual Writing, the Mongrel Coalition, and the Racial Politics of Digital Media 151 Chapter Six Chinese Rooms: The Work of Poetry in an Age of Global Languages, Machine Translation, and Automatic Estrangement 194 Recapitulations: Repetition and Revolution in World Poetry NOTES 241 BIBLIOGRAPHY INDEX 325 293 232
Make It the Same examines the turn toward repetition in poetry to offer a deeply in ventive account of modern and contemporary literature. Analyzing the works of writ ers such as Kamau Brathwaite, Dmitri Prigov, Yang Lian, Μ. NourbeSe Philip, Caroline Bergvall, Christian Bök, and Tan Lin, Jacob Edmond explores how poetry—an art form associated with the singular, inimitable utterance—is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition.
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| adam_txt |
CONTENTS ACKNOWLEDGMENTS ІХ Introduction: Ihe Copy as Global Master Trope i Chapter One Postcolonial Media: Kamau Brathwaites Reel Revolution 20 Chapter Two The Art of Samizdat: Dmitri Prigov, Moscow Conceptualism, and the Carbon-Copy Origins of New Media Poetics 62 Chapter Three Making Waves in World Literature: Yang Lian and John Cayley’s Networked Collaboration 91 Chapter Four Shibboleth: The Border Crossings of Caroline Bergvall, Performance Writing, and Iterative Poetics 116
viii CONTENTS Chapter Five Copy Rights: Conceptual Writing, the Mongrel Coalition, and the Racial Politics of Digital Media 151 Chapter Six Chinese Rooms: The Work of Poetry in an Age of Global Languages, Machine Translation, and Automatic Estrangement 194 Recapitulations: Repetition and Revolution in World Poetry NOTES 241 BIBLIOGRAPHY INDEX 325 293 232
Make It the Same examines the turn toward repetition in poetry to offer a deeply in ventive account of modern and contemporary literature. Analyzing the works of writ ers such as Kamau Brathwaite, Dmitri Prigov, Yang Lian, Μ. NourbeSe Philip, Caroline Bergvall, Christian Bök, and Tan Lin, Jacob Edmond explores how poetry—an art form associated with the singular, inimitable utterance—is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition. |
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| title | Make It the same poetry in the age of global media |
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