The presence of the past in French art, 1870-1905: modernity and continuity
The study of late nineteenth- and early twentieth-century French art tends to focus on a search for the modern. Richard Thomson presents an innovative approach to a popular period of art history, instead investigating how art in early Third Republic France adapted styles from the past. The classical...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Haven ; London
Yale University Press
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The study of late nineteenth- and early twentieth-century French art tends to focus on a search for the modern. Richard Thomson presents an innovative approach to a popular period of art history, instead investigating how art in early Third Republic France adapted styles from the past. The classical is the predominant theme, punctuated by other stylistic currents, notably the Rubensian and the Botticellian. It asks, how did these styles-all three derived from foreign art-come to be adapted into French visual culture? How did the Republic customise classicism to its ideological ends? How was classicism manipulated by progressive painters for radical and reactionary readings? The Presence of the Past in French Art 1870-1905 considers artists of very different character and type-from Degas to Henner, Cezanne to Besnard, Roty to Seurat, Dalou to Maillol-as well as a variety of media, including painting, sculpture, medals and celebrity photographs, to open up new vistas of interpretation in this fascinating field |
| Beschreibung: | 288 Seiten Illustrationen |
| ISBN: | 9780300257106 |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgements 7 Introduction: Conscious Continuities and Modern Meaning 9 1 The Third Republic’s Classical Vocabulary 21 The Rumbustious Rubensian: Reactionary or Republican? 69 The Originality of Tradition: Classicism and the Avant-Garde 105 ‘Fra Angelico has been put out to stud’: Quoting the Quattrocento 153 Classicism for the New Century 193 Conclusion: The Confidence of Continuity 245 Notes 253 Bibliography 265 Index 279 Photographic credits 288
|
| adam_txt |
Contents Acknowledgements 7 Introduction: Conscious Continuities and Modern Meaning 9 1 The Third Republic’s Classical Vocabulary 21 The Rumbustious Rubensian: Reactionary or Republican? 69 The Originality of Tradition: Classicism and the Avant-Garde 105 ‘Fra Angelico has been put out to stud’: Quoting the Quattrocento 153 Classicism for the New Century 193 Conclusion: The Confidence of Continuity 245 Notes 253 Bibliography 265 Index 279 Photographic credits 288 |
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| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1870-1905 gnd |
| era_facet | Geschichte 1870-1905 |
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| spelling | Thomson, Richard 1953- Verfasser (DE-588)133340295 aut The presence of the past in French art, 1870-1905 modernity and continuity Richard Thomson New Haven ; London Yale University Press 2021 288 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier The study of late nineteenth- and early twentieth-century French art tends to focus on a search for the modern. Richard Thomson presents an innovative approach to a popular period of art history, instead investigating how art in early Third Republic France adapted styles from the past. The classical is the predominant theme, punctuated by other stylistic currents, notably the Rubensian and the Botticellian. It asks, how did these styles-all three derived from foreign art-come to be adapted into French visual culture? How did the Republic customise classicism to its ideological ends? How was classicism manipulated by progressive painters for radical and reactionary readings? The Presence of the Past in French Art 1870-1905 considers artists of very different character and type-from Degas to Henner, Cezanne to Besnard, Roty to Seurat, Dalou to Maillol-as well as a variety of media, including painting, sculpture, medals and celebrity photographs, to open up new vistas of interpretation in this fascinating field Geschichte 1870-1905 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Nationalbewusstsein (DE-588)4041282-9 gnd rswk-swf Kunststil (DE-588)4073889-9 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Kunst (DE-588)4114333-4 s Kunststil (DE-588)4073889-9 s Nationalbewusstsein (DE-588)4041282-9 s Geschichte 1870-1905 z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033083342&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Thomson, Richard 1953- The presence of the past in French art, 1870-1905 modernity and continuity Kunst (DE-588)4114333-4 gnd Nationalbewusstsein (DE-588)4041282-9 gnd Kunststil (DE-588)4073889-9 gnd |
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| title | The presence of the past in French art, 1870-1905 modernity and continuity |
| title_auth | The presence of the past in French art, 1870-1905 modernity and continuity |
| title_exact_search | The presence of the past in French art, 1870-1905 modernity and continuity |
| title_exact_search_txtP | The presence of the past in French art, 1870-1905 modernity and continuity |
| title_full | The presence of the past in French art, 1870-1905 modernity and continuity Richard Thomson |
| title_fullStr | The presence of the past in French art, 1870-1905 modernity and continuity Richard Thomson |
| title_full_unstemmed | The presence of the past in French art, 1870-1905 modernity and continuity Richard Thomson |
| title_short | The presence of the past in French art, 1870-1905 |
| title_sort | the presence of the past in french art 1870 1905 modernity and continuity |
| title_sub | modernity and continuity |
| topic | Kunst (DE-588)4114333-4 gnd Nationalbewusstsein (DE-588)4041282-9 gnd Kunststil (DE-588)4073889-9 gnd |
| topic_facet | Kunst Nationalbewusstsein Kunststil Frankreich |
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