Derecho y cine en 100 películas: una guía básica

As with many other objects, ideas and knowledge, there is a filmic image of Law, although it has traditionally been ignored by legal thought. Since the cinematographer was born, however, it has used the Law in its narratives, presenting it to the general public. There will be for those who are deali...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Rivaya García, Benjamín (VerfasserIn)
Format: Buch
Sprache:Spanish
Veröffentlicht: Valencia tirant lo blanch 2021
Ausgabe:2a edición revisada y ampliada
Schlagworte:
Zusammenfassung:As with many other objects, ideas and knowledge, there is a filmic image of Law, although it has traditionally been ignored by legal thought. Since the cinematographer was born, however, it has used the Law in its narratives, presenting it to the general public. There will be for those who are dealing with a minor issue, but films, audiovisuals in general, have influenced and influence the understanding and perception, positive or negative, optimistic or pessimistic, that the collective consciousness has of this phenomenon. Both the cinephile and the jurist can enjoy this filmic image; the student can take advantage of it and reflect with, from or on it; the professor and the student of Law can and should use it as a didactic tool. This book analyzes the possible existence of a legal cinema, the presence of legal arguments in filmography throughout more than a century of history, the relationship between theories of cinema and the Law, as well as the utilities of the studies of Law and cinema, analogous to those of Literature and cinema, utilities of which one hundred examples are shown. They can do it, but neither the jurists nor, above all, those who are preparing to become so should do without the cinema, which sometimes teaches more and, above all, better than the best treatises
Beschreibung:659 Seiten 22 cm
ISBN:9788413781181
8413781183

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