Intellectual and Cultural Property: Between Market and Community
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Milton
Taylor & Francis Group
2020
|
| Subjects: | |
| Online Access: | DE-2070s DE-255 |
| Item Description: | Description based on publisher supplied metadata and other sources |
| Physical Description: | 1 online resource (233 pages) |
| ISBN: | 9780429759222 |
Staff View
MARC
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| 505 | 8 | |a Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Preface -- List of Abbreviations -- 1 Copyright and Cultural Production -- 1 Introduction -- 1.1 The Fall of Icarus and the Burden of Genius -- 1.2 Structure of the Book -- 1.3 A Brief Note on Terminology -- 2 The Long History of Copyright and its Consequences -- 2.1 Regulating the "Creative Arts" -- 2.2 Printers' Privileges, Market Regulation and Aesthetic Theory -- 3 Copyright in International Law -- 4 The Politics of Copyright -- 5 The Political Economy of Copyright: Critical Approaches -- 5.1 The Property Paradigm -- 5.2 The Market Paradigm and Investment Rights -- 5.3 Labour -- 5.4 The State, Politics and Geo-Politics -- 5.5 Creativity and Innovation -- 5.6 The Non-Propertized Space of Cultural Production -- 2 Hyperreality and the Non-Propertized Domain of Intellectual Space -- 1 Introduction: Imagining Intellectual Space -- 2 Intellectual Space, Intellectual Property and the Non-Propertized Zone -- 3 The Power of Property in Intellectual Space -- 4 Cultural Property/Heritage in Intellectual Space -- 5 While we're talking about the Romans ... -- 3 Heritage, Law and Community -- 1 Introduction: The UNESCO Regime in Geo-Political Context -- 2 The Concept of Cultural Heritage -- 2.1 The UNESCO Regime -- 2.2 An Overarching Concept? -- 2.3 Identity, Community, Property -- 3 Intangible Cultural Heritage -- 3.1 Defining Intangible Cultural Heritage -- 3.2 Intangible Cultural Heritage and Community -- 3.3 Intangible Cultural Heritage and Intellectual Property -- 4 Cultural Property and Decolonization -- 4.1 Claims of Developing Countries and Indigenous Peoples -- 4.2 Tangibility, Intangibility and the Privatization of Cultural Heritage -- 4.3 Public v Private Claims to Cultural Heritage -- 5 Asking Too Much of Heritage? -- 4 Community and Cultural Property | |
| 505 | 8 | |a 1 Introduction: Critical Heritage Studies v The Authorized Heritage Discourse -- 2 Recognizing Community -- 3 Community and Law -- 4 Community and Copyright Law -- 5 The Complex Reality -- 5 The Monumental Occidental Tragedy -- 1 Introduction: The West v The Rest -- 2 Tangibility, Intangibility and Digitization -- 2.1 Re-representation and Co-constitution -- 2.2 Access and Use -- 2.3 Intellectual Property (again) -- 3 Immoveability and Monumentality -- 4 Moving Targets -- 4.1 Origin and Community (Again) -- 4.2 Decontextualization -- 4.3 Conservation and Destruction -- 5 Authenticity -- 6 Nature and Culture -- 7 Being Flattened by the Capitalist Steamroller -- 6 Explorations in the Cultural Landscape - Arts Festivals -- 1 Introduction: Here, There and Everywhere -- 2 Definitions: Being Together in no Man's Land -- 3 Saturated by Copyright? -- 3.1 Performance and Text -- 3.2 Ephemeral Performances -- 3.3 Interactive Works -- 3.4 Things that are Not Copyright Works -- 4 The Festival Space: Cultural Production and Community -- 5 Law in the Festival Space -- 6 Re-appropriating the Space of Community -- 7 Living between Market and Community -- 1 The Dynamic Duo -- 2 Copyright, Creativity and the Commons -- 3 Cultural Rights -- 4 Heritage or Property? -- 5 Embedding the Market in Community -- 5.1 Rethinking Copyright -- 5.2 Radicalizing Cultural (Heritage/)Property -- 6 A Last (Short) Word on Heritage as a Cosmopolitan Ideal -- Index | |
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| contents | Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Preface -- List of Abbreviations -- 1 Copyright and Cultural Production -- 1 Introduction -- 1.1 The Fall of Icarus and the Burden of Genius -- 1.2 Structure of the Book -- 1.3 A Brief Note on Terminology -- 2 The Long History of Copyright and its Consequences -- 2.1 Regulating the "Creative Arts" -- 2.2 Printers' Privileges, Market Regulation and Aesthetic Theory -- 3 Copyright in International Law -- 4 The Politics of Copyright -- 5 The Political Economy of Copyright: Critical Approaches -- 5.1 The Property Paradigm -- 5.2 The Market Paradigm and Investment Rights -- 5.3 Labour -- 5.4 The State, Politics and Geo-Politics -- 5.5 Creativity and Innovation -- 5.6 The Non-Propertized Space of Cultural Production -- 2 Hyperreality and the Non-Propertized Domain of Intellectual Space -- 1 Introduction: Imagining Intellectual Space -- 2 Intellectual Space, Intellectual Property and the Non-Propertized Zone -- 3 The Power of Property in Intellectual Space -- 4 Cultural Property/Heritage in Intellectual Space -- 5 While we're talking about the Romans ... -- 3 Heritage, Law and Community -- 1 Introduction: The UNESCO Regime in Geo-Political Context -- 2 The Concept of Cultural Heritage -- 2.1 The UNESCO Regime -- 2.2 An Overarching Concept? -- 2.3 Identity, Community, Property -- 3 Intangible Cultural Heritage -- 3.1 Defining Intangible Cultural Heritage -- 3.2 Intangible Cultural Heritage and Community -- 3.3 Intangible Cultural Heritage and Intellectual Property -- 4 Cultural Property and Decolonization -- 4.1 Claims of Developing Countries and Indigenous Peoples -- 4.2 Tangibility, Intangibility and the Privatization of Cultural Heritage -- 4.3 Public v Private Claims to Cultural Heritage -- 5 Asking Too Much of Heritage? -- 4 Community and Cultural Property 1 Introduction: Critical Heritage Studies v The Authorized Heritage Discourse -- 2 Recognizing Community -- 3 Community and Law -- 4 Community and Copyright Law -- 5 The Complex Reality -- 5 The Monumental Occidental Tragedy -- 1 Introduction: The West v The Rest -- 2 Tangibility, Intangibility and Digitization -- 2.1 Re-representation and Co-constitution -- 2.2 Access and Use -- 2.3 Intellectual Property (again) -- 3 Immoveability and Monumentality -- 4 Moving Targets -- 4.1 Origin and Community (Again) -- 4.2 Decontextualization -- 4.3 Conservation and Destruction -- 5 Authenticity -- 6 Nature and Culture -- 7 Being Flattened by the Capitalist Steamroller -- 6 Explorations in the Cultural Landscape - Arts Festivals -- 1 Introduction: Here, There and Everywhere -- 2 Definitions: Being Together in no Man's Land -- 3 Saturated by Copyright? -- 3.1 Performance and Text -- 3.2 Ephemeral Performances -- 3.3 Interactive Works -- 3.4 Things that are Not Copyright Works -- 4 The Festival Space: Cultural Production and Community -- 5 Law in the Festival Space -- 6 Re-appropriating the Space of Community -- 7 Living between Market and Community -- 1 The Dynamic Duo -- 2 Copyright, Creativity and the Commons -- 3 Cultural Rights -- 4 Heritage or Property? -- 5 Embedding the Market in Community -- 5.1 Rethinking Copyright -- 5.2 Radicalizing Cultural (Heritage/)Property -- 6 A Last (Short) Word on Heritage as a Cosmopolitan Ideal -- Index |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:57:01Z |
| indexdate | 2025-01-10T17:14:03Z |
| institution | BVB |
| isbn | 9780429759222 |
| language | English |
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| spelling | Macmillan, Fiona Verfasser aut Intellectual and Cultural Property Between Market and Community Milton Taylor & Francis Group 2020 ©2021 1 online resource (233 pages) txt rdacontent c rdamedia cr rdacarrier Description based on publisher supplied metadata and other sources Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Preface -- List of Abbreviations -- 1 Copyright and Cultural Production -- 1 Introduction -- 1.1 The Fall of Icarus and the Burden of Genius -- 1.2 Structure of the Book -- 1.3 A Brief Note on Terminology -- 2 The Long History of Copyright and its Consequences -- 2.1 Regulating the "Creative Arts" -- 2.2 Printers' Privileges, Market Regulation and Aesthetic Theory -- 3 Copyright in International Law -- 4 The Politics of Copyright -- 5 The Political Economy of Copyright: Critical Approaches -- 5.1 The Property Paradigm -- 5.2 The Market Paradigm and Investment Rights -- 5.3 Labour -- 5.4 The State, Politics and Geo-Politics -- 5.5 Creativity and Innovation -- 5.6 The Non-Propertized Space of Cultural Production -- 2 Hyperreality and the Non-Propertized Domain of Intellectual Space -- 1 Introduction: Imagining Intellectual Space -- 2 Intellectual Space, Intellectual Property and the Non-Propertized Zone -- 3 The Power of Property in Intellectual Space -- 4 Cultural Property/Heritage in Intellectual Space -- 5 While we're talking about the Romans ... -- 3 Heritage, Law and Community -- 1 Introduction: The UNESCO Regime in Geo-Political Context -- 2 The Concept of Cultural Heritage -- 2.1 The UNESCO Regime -- 2.2 An Overarching Concept? -- 2.3 Identity, Community, Property -- 3 Intangible Cultural Heritage -- 3.1 Defining Intangible Cultural Heritage -- 3.2 Intangible Cultural Heritage and Community -- 3.3 Intangible Cultural Heritage and Intellectual Property -- 4 Cultural Property and Decolonization -- 4.1 Claims of Developing Countries and Indigenous Peoples -- 4.2 Tangibility, Intangibility and the Privatization of Cultural Heritage -- 4.3 Public v Private Claims to Cultural Heritage -- 5 Asking Too Much of Heritage? -- 4 Community and Cultural Property 1 Introduction: Critical Heritage Studies v The Authorized Heritage Discourse -- 2 Recognizing Community -- 3 Community and Law -- 4 Community and Copyright Law -- 5 The Complex Reality -- 5 The Monumental Occidental Tragedy -- 1 Introduction: The West v The Rest -- 2 Tangibility, Intangibility and Digitization -- 2.1 Re-representation and Co-constitution -- 2.2 Access and Use -- 2.3 Intellectual Property (again) -- 3 Immoveability and Monumentality -- 4 Moving Targets -- 4.1 Origin and Community (Again) -- 4.2 Decontextualization -- 4.3 Conservation and Destruction -- 5 Authenticity -- 6 Nature and Culture -- 7 Being Flattened by the Capitalist Steamroller -- 6 Explorations in the Cultural Landscape - Arts Festivals -- 1 Introduction: Here, There and Everywhere -- 2 Definitions: Being Together in no Man's Land -- 3 Saturated by Copyright? -- 3.1 Performance and Text -- 3.2 Ephemeral Performances -- 3.3 Interactive Works -- 3.4 Things that are Not Copyright Works -- 4 The Festival Space: Cultural Production and Community -- 5 Law in the Festival Space -- 6 Re-appropriating the Space of Community -- 7 Living between Market and Community -- 1 The Dynamic Duo -- 2 Copyright, Creativity and the Commons -- 3 Cultural Rights -- 4 Heritage or Property? -- 5 Embedding the Market in Community -- 5.1 Rethinking Copyright -- 5.2 Radicalizing Cultural (Heritage/)Property -- 6 A Last (Short) Word on Heritage as a Cosmopolitan Ideal -- Index Geistiges Eigentum (DE-588)4136832-0 gnd rswk-swf Kulturerbe (DE-588)4033560-4 gnd rswk-swf Geistiges Eigentum (DE-588)4136832-0 s Kulturerbe (DE-588)4033560-4 s DE-604 Erscheint auch als Druck-Ausgabe Macmillan, Fiona Intellectual and Cultural Property Milton : Taylor & Francis Group,c2020 9781138388062 |
| spellingShingle | Macmillan, Fiona Intellectual and Cultural Property Between Market and Community Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Preface -- List of Abbreviations -- 1 Copyright and Cultural Production -- 1 Introduction -- 1.1 The Fall of Icarus and the Burden of Genius -- 1.2 Structure of the Book -- 1.3 A Brief Note on Terminology -- 2 The Long History of Copyright and its Consequences -- 2.1 Regulating the "Creative Arts" -- 2.2 Printers' Privileges, Market Regulation and Aesthetic Theory -- 3 Copyright in International Law -- 4 The Politics of Copyright -- 5 The Political Economy of Copyright: Critical Approaches -- 5.1 The Property Paradigm -- 5.2 The Market Paradigm and Investment Rights -- 5.3 Labour -- 5.4 The State, Politics and Geo-Politics -- 5.5 Creativity and Innovation -- 5.6 The Non-Propertized Space of Cultural Production -- 2 Hyperreality and the Non-Propertized Domain of Intellectual Space -- 1 Introduction: Imagining Intellectual Space -- 2 Intellectual Space, Intellectual Property and the Non-Propertized Zone -- 3 The Power of Property in Intellectual Space -- 4 Cultural Property/Heritage in Intellectual Space -- 5 While we're talking about the Romans ... -- 3 Heritage, Law and Community -- 1 Introduction: The UNESCO Regime in Geo-Political Context -- 2 The Concept of Cultural Heritage -- 2.1 The UNESCO Regime -- 2.2 An Overarching Concept? -- 2.3 Identity, Community, Property -- 3 Intangible Cultural Heritage -- 3.1 Defining Intangible Cultural Heritage -- 3.2 Intangible Cultural Heritage and Community -- 3.3 Intangible Cultural Heritage and Intellectual Property -- 4 Cultural Property and Decolonization -- 4.1 Claims of Developing Countries and Indigenous Peoples -- 4.2 Tangibility, Intangibility and the Privatization of Cultural Heritage -- 4.3 Public v Private Claims to Cultural Heritage -- 5 Asking Too Much of Heritage? -- 4 Community and Cultural Property 1 Introduction: Critical Heritage Studies v The Authorized Heritage Discourse -- 2 Recognizing Community -- 3 Community and Law -- 4 Community and Copyright Law -- 5 The Complex Reality -- 5 The Monumental Occidental Tragedy -- 1 Introduction: The West v The Rest -- 2 Tangibility, Intangibility and Digitization -- 2.1 Re-representation and Co-constitution -- 2.2 Access and Use -- 2.3 Intellectual Property (again) -- 3 Immoveability and Monumentality -- 4 Moving Targets -- 4.1 Origin and Community (Again) -- 4.2 Decontextualization -- 4.3 Conservation and Destruction -- 5 Authenticity -- 6 Nature and Culture -- 7 Being Flattened by the Capitalist Steamroller -- 6 Explorations in the Cultural Landscape - Arts Festivals -- 1 Introduction: Here, There and Everywhere -- 2 Definitions: Being Together in no Man's Land -- 3 Saturated by Copyright? -- 3.1 Performance and Text -- 3.2 Ephemeral Performances -- 3.3 Interactive Works -- 3.4 Things that are Not Copyright Works -- 4 The Festival Space: Cultural Production and Community -- 5 Law in the Festival Space -- 6 Re-appropriating the Space of Community -- 7 Living between Market and Community -- 1 The Dynamic Duo -- 2 Copyright, Creativity and the Commons -- 3 Cultural Rights -- 4 Heritage or Property? -- 5 Embedding the Market in Community -- 5.1 Rethinking Copyright -- 5.2 Radicalizing Cultural (Heritage/)Property -- 6 A Last (Short) Word on Heritage as a Cosmopolitan Ideal -- Index Geistiges Eigentum (DE-588)4136832-0 gnd Kulturerbe (DE-588)4033560-4 gnd |
| subject_GND | (DE-588)4136832-0 (DE-588)4033560-4 |
| title | Intellectual and Cultural Property Between Market and Community |
| title_auth | Intellectual and Cultural Property Between Market and Community |
| title_exact_search | Intellectual and Cultural Property Between Market and Community |
| title_exact_search_txtP | Intellectual and Cultural Property Between Market and Community |
| title_full | Intellectual and Cultural Property Between Market and Community |
| title_fullStr | Intellectual and Cultural Property Between Market and Community |
| title_full_unstemmed | Intellectual and Cultural Property Between Market and Community |
| title_short | Intellectual and Cultural Property |
| title_sort | intellectual and cultural property between market and community |
| title_sub | Between Market and Community |
| topic | Geistiges Eigentum (DE-588)4136832-0 gnd Kulturerbe (DE-588)4033560-4 gnd |
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