Cinema and the Cultural Cold War: US Diplomacy and the Origins of the Asian Cinema Network
Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when analyz...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2020]
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| Schriftenreihe: | The United States in the World
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| Schlagworte: | |
| Online-Zugang: | FHA01 Volltext |
| Zusammenfassung: | Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. By taking a closer look at the cultural realities of this tumultuous period, Lee comprehensively reconstructs Asian film history in light of the international relationships forged, broken, and re-established as the influence of the non-aligned movement grew across the Cold War.Lee elucidates how motion picture executives, creative personnel, policy makers, and intellectuals in East and Southeast Asia aspired to industrialize their Hollywood-inspired system in order to expand the market and raise the competitiveness of their cultural products. They did this by forming the Federation of Motion Picture Producers in Asia, co-hosting the Asian Film Festival, and co-producing films. Cinema and the Cultural Cold War demonstrates that the emergence of the first intensive postwar film producers' network in Asia was, in large part, the offspring of Cold War cultural politics and the product of American hegemony.Film festivals that took place in cities as diverse as Tokyo, Singapore, Hong Kong, and Kuala Lumpur were annual showcases of cinematic talent as well as opportunities for the Central Intelligence Agency to establish and maintain cultural, political, and institutional linkages between the United States and Asia during the Cold War. Cinema and the Cultural Cold War reanimates this almost-forgotten history of cinema and the film industry in Asia |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021) |
| Beschreibung: | 1 online resource (312 pages) 25 b&w halftones |
| ISBN: | 9781501752322 |
| DOI: | 10.1515/9781501752322 |
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| isbn | 9781501752322 |
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| spelling | Lee, Sangjoon Verfasser aut Cinema and the Cultural Cold War US Diplomacy and the Origins of the Asian Cinema Network Sangjoon Lee Ithaca, NY Cornell University Press [2020] © 2020 1 online resource (312 pages) 25 b&w halftones txt rdacontent c rdamedia cr rdacarrier The United States in the World Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021) Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. By taking a closer look at the cultural realities of this tumultuous period, Lee comprehensively reconstructs Asian film history in light of the international relationships forged, broken, and re-established as the influence of the non-aligned movement grew across the Cold War.Lee elucidates how motion picture executives, creative personnel, policy makers, and intellectuals in East and Southeast Asia aspired to industrialize their Hollywood-inspired system in order to expand the market and raise the competitiveness of their cultural products. They did this by forming the Federation of Motion Picture Producers in Asia, co-hosting the Asian Film Festival, and co-producing films. Cinema and the Cultural Cold War demonstrates that the emergence of the first intensive postwar film producers' network in Asia was, in large part, the offspring of Cold War cultural politics and the product of American hegemony.Film festivals that took place in cities as diverse as Tokyo, Singapore, Hong Kong, and Kuala Lumpur were annual showcases of cinematic talent as well as opportunities for the Central Intelligence Agency to establish and maintain cultural, political, and institutional linkages between the United States and Asia during the Cold War. Cinema and the Cultural Cold War reanimates this almost-forgotten history of cinema and the film industry in Asia In English Asian Studies Film U.S. History HISTORY / Asia / General bisacsh Cold War Influence Communism and motion pictures Asia Motion picture industry Political aspects Asia History 20th century Motion pictures and transnationalism Asia Motion pictures Political aspects Asia History 20th century https://doi.org/10.1515/9781501752322 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Lee, Sangjoon Cinema and the Cultural Cold War US Diplomacy and the Origins of the Asian Cinema Network Asian Studies Film U.S. History HISTORY / Asia / General bisacsh Cold War Influence Communism and motion pictures Asia Motion picture industry Political aspects Asia History 20th century Motion pictures and transnationalism Asia Motion pictures Political aspects Asia History 20th century |
| title | Cinema and the Cultural Cold War US Diplomacy and the Origins of the Asian Cinema Network |
| title_auth | Cinema and the Cultural Cold War US Diplomacy and the Origins of the Asian Cinema Network |
| title_exact_search | Cinema and the Cultural Cold War US Diplomacy and the Origins of the Asian Cinema Network |
| title_exact_search_txtP | Cinema and the Cultural Cold War US Diplomacy and the Origins of the Asian Cinema Network |
| title_full | Cinema and the Cultural Cold War US Diplomacy and the Origins of the Asian Cinema Network Sangjoon Lee |
| title_fullStr | Cinema and the Cultural Cold War US Diplomacy and the Origins of the Asian Cinema Network Sangjoon Lee |
| title_full_unstemmed | Cinema and the Cultural Cold War US Diplomacy and the Origins of the Asian Cinema Network Sangjoon Lee |
| title_short | Cinema and the Cultural Cold War |
| title_sort | cinema and the cultural cold war us diplomacy and the origins of the asian cinema network |
| title_sub | US Diplomacy and the Origins of the Asian Cinema Network |
| topic | Asian Studies Film U.S. History HISTORY / Asia / General bisacsh Cold War Influence Communism and motion pictures Asia Motion picture industry Political aspects Asia History 20th century Motion pictures and transnationalism Asia Motion pictures Political aspects Asia History 20th century |
| topic_facet | Asian Studies Film U.S. History HISTORY / Asia / General Cold War Influence Communism and motion pictures Asia Motion picture industry Political aspects Asia History 20th century Motion pictures and transnationalism Asia Motion pictures Political aspects Asia History 20th century |
| url | https://doi.org/10.1515/9781501752322 |
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