Refracted Modernity: Visual Culture and Identity in Colonial Taiwan
Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscap...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2007]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895-1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the "discovery" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of "local color," which was imposed by Japanese, and its relation to the "nativism" that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized.Contributors: Chao-Ching Fu, Chia-yu Hu, Yuko Kikuchi, Kaoru Kojima, Ming-chu Lai, Hsin-tien Liao, Naoko Shimazu, Toshio Watanabe, Chuan-ying Yen |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (288 pages) 106 illus |
| ISBN: | 9780824864101 |
| DOI: | 10.1515/9780824864101 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:54:15Z |
| indexdate | 2024-07-10T09:18:45Z |
| institution | BVB |
| isbn | 9780824864101 |
| language | English |
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| spelling | Refracted Modernity Visual Culture and Identity in Colonial Taiwan ed. by Yuko Kikuchi Honolulu University of Hawaii Press [2007] © 2007 1 online resource (288 pages) 106 illus txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895-1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the "discovery" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of "local color," which was imposed by Japanese, and its relation to the "nativism" that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized.Contributors: Chao-Ching Fu, Chia-yu Hu, Yuko Kikuchi, Kaoru Kojima, Ming-chu Lai, Hsin-tien Liao, Naoko Shimazu, Toshio Watanabe, Chuan-ying Yen In English ART / History / Modern (late 19th Century to 1945) bisacsh Art, Chinese Japanese influences Art, Chinese 20th century Imperialism in art Fu, Chao-Ching Sonstige oth Hu, Chia-Yu Sonstige oth Kikuchi, Yuko Sonstige oth Kojima, Kaoru Sonstige oth Lai, Ming-Chu Sonstige oth Liao, Hsin-Tien Sonstige oth Shimazu, Naoko Sonstige oth Watanabe, Toshio Sonstige oth Yen, Chuan-Ying Sonstige oth https://doi.org/10.1515/9780824864101 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Refracted Modernity Visual Culture and Identity in Colonial Taiwan ART / History / Modern (late 19th Century to 1945) bisacsh Art, Chinese Japanese influences Art, Chinese 20th century Imperialism in art |
| title | Refracted Modernity Visual Culture and Identity in Colonial Taiwan |
| title_auth | Refracted Modernity Visual Culture and Identity in Colonial Taiwan |
| title_exact_search | Refracted Modernity Visual Culture and Identity in Colonial Taiwan |
| title_exact_search_txtP | Refracted Modernity Visual Culture and Identity in Colonial Taiwan |
| title_full | Refracted Modernity Visual Culture and Identity in Colonial Taiwan ed. by Yuko Kikuchi |
| title_fullStr | Refracted Modernity Visual Culture and Identity in Colonial Taiwan ed. by Yuko Kikuchi |
| title_full_unstemmed | Refracted Modernity Visual Culture and Identity in Colonial Taiwan ed. by Yuko Kikuchi |
| title_short | Refracted Modernity |
| title_sort | refracted modernity visual culture and identity in colonial taiwan |
| title_sub | Visual Culture and Identity in Colonial Taiwan |
| topic | ART / History / Modern (late 19th Century to 1945) bisacsh Art, Chinese Japanese influences Art, Chinese 20th century Imperialism in art |
| topic_facet | ART / History / Modern (late 19th Century to 1945) Art, Chinese Japanese influences Art, Chinese 20th century Imperialism in art |
| url | https://doi.org/10.1515/9780824864101 |
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