Freedom girls: voicing femininity in 1960s British pop
"This introduction positions the history of girl and young women singers in the 1960s in the context of broader histories of vocal training; ideas about voice, respectability, and expressivity; and the models of youthful femininity that were emergent in 1960s Britain. It connects this study to...
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| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York, NY
Oxford University Press
[2021]
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "This introduction positions the history of girl and young women singers in the 1960s in the context of broader histories of vocal training; ideas about voice, respectability, and expressivity; and the models of youthful femininity that were emergent in 1960s Britain. It connects this study to the emerging field of Voice Studies and provide an overview of the book's chapters"-- |
| Physical Description: | ix, 323 Seiten Illustrationen (schwarz-weiß) 24 cm |
| ISBN: | 9780190879907 9780190879891 |
Staff View
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| 505 | 8 | |a Introduction. Vocal Manners for Moderns -- Part I. Ordinary, Extraordinary Voices. Chart Chicks and Gear Girls : The Limits of Mod Femininity ; "A girl in a million, just like a million" : Sandie Shaw and Ordinary Girlhood ; Sounding Like Liverpool : Region, Memory, and Cilla Black's Accent -- Part II. England meets Jamaica's Lollipop Girl : Millie Small, Voice, and Migration ; Race, Self-Invention, and Dusty Springfield's Voice -- Part III. Voice, Age, and Sex. The Last Remaining Virgin in London : Lulu, Whiteness, and Youth ; Sex, Freedom, and Marianne Faithfull's Voice at the Twilight of the Sixties ; Remembering Rock and Roll with P.P. Arnold -- Epilogue | |
| 520 | 3 | |a "This introduction positions the history of girl and young women singers in the 1960s in the context of broader histories of vocal training; ideas about voice, respectability, and expressivity; and the models of youthful femininity that were emergent in 1960s Britain. It connects this study to the emerging field of Voice Studies and provide an overview of the book's chapters"-- | |
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Record in the Search Index
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| adam_text | Contents Acknowledgments About the Companion Website Introduction: Vocal Manners for Moderns vii xi 1 I. ORDINARY, EXTRAORDINARY VOICES 1. Chart Chicks and Gear Girls: The Limits of Mod Femininity 25 2. “A Girl in a Million, Just Like a Million”: Sandie Shaw and Ordinary Girlhood 49 3. Sounding Like Liverpool: Region, Memory, and Cilia Black’s Accent 79 II. TRANSATLANTIC VOICES 4. England Meets Jamaica’s Lollipop Girl: Millie Small, Voice, and Migration 111 5. Race, Self-Invention, and Dusty Springfield’s Voice 139 III. SEX, VOICE, AND ROCK AND ROLL 6. The Last Remaining Virgin in London: Lulu, Whiteness, and Youth 169 7. Sex, Freedom, and Marianne Faithfulľs Voice in the Afterlight of the 1960s 195 8. Remembering Rock and Roll with R R Arnold 225 Epilogue 255 Notes Bibliography Index 261 291 311
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| adam_txt |
Contents Acknowledgments About the Companion Website Introduction: Vocal Manners for Moderns vii xi 1 I. ORDINARY, EXTRAORDINARY VOICES 1. Chart Chicks and Gear Girls: The Limits of Mod Femininity 25 2. “A Girl in a Million, Just Like a Million”: Sandie Shaw and Ordinary Girlhood 49 3. Sounding Like Liverpool: Region, Memory, and Cilia Black’s Accent 79 II. TRANSATLANTIC VOICES 4. England Meets Jamaica’s Lollipop Girl: Millie Small, Voice, and Migration 111 5. Race, Self-Invention, and Dusty Springfield’s Voice 139 III. SEX, VOICE, AND ROCK AND ROLL 6. The Last Remaining Virgin in London: Lulu, Whiteness, and Youth 169 7. Sex, Freedom, and Marianne Faithfulľs Voice in the Afterlight of the 1960s 195 8. Remembering Rock and Roll with R R Arnold 225 Epilogue 255 Notes Bibliography Index 261 291 311 |
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| any_adam_object_boolean | 1 |
| author | Apolloni, Alexandra M. ca. 20./21. Jh |
| author_GND | (DE-588)1123735255 |
| author_facet | Apolloni, Alexandra M. ca. 20./21. Jh |
| author_role | aut |
| author_sort | Apolloni, Alexandra M. ca. 20./21. Jh |
| author_variant | a m a am ama |
| building | Verbundindex |
| bvnumber | BV047664256 |
| contents | Introduction. Vocal Manners for Moderns -- Part I. Ordinary, Extraordinary Voices. Chart Chicks and Gear Girls : The Limits of Mod Femininity ; "A girl in a million, just like a million" : Sandie Shaw and Ordinary Girlhood ; Sounding Like Liverpool : Region, Memory, and Cilla Black's Accent -- Part II. England meets Jamaica's Lollipop Girl : Millie Small, Voice, and Migration ; Race, Self-Invention, and Dusty Springfield's Voice -- Part III. Voice, Age, and Sex. The Last Remaining Virgin in London : Lulu, Whiteness, and Youth ; Sex, Freedom, and Marianne Faithfull's Voice at the Twilight of the Sixties ; Remembering Rock and Roll with P.P. Arnold -- Epilogue |
| ctrlnum | (OCoLC)1281368278 (DE-599)BVBBV047664256 |
| era | Geschichte 1960-1970 gnd |
| era_facet | Geschichte 1960-1970 |
| format | Book |
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| spelling | Apolloni, Alexandra M. ca. 20./21. Jh. Verfasser (DE-588)1123735255 aut Freedom girls voicing femininity in 1960s British pop Alexandra M. Apolloni New York, NY Oxford University Press [2021] © 2021 ix, 323 Seiten Illustrationen (schwarz-weiß) 24 cm txt rdacontent n rdamedia nc rdacarrier Introduction. Vocal Manners for Moderns -- Part I. Ordinary, Extraordinary Voices. Chart Chicks and Gear Girls : The Limits of Mod Femininity ; "A girl in a million, just like a million" : Sandie Shaw and Ordinary Girlhood ; Sounding Like Liverpool : Region, Memory, and Cilla Black's Accent -- Part II. England meets Jamaica's Lollipop Girl : Millie Small, Voice, and Migration ; Race, Self-Invention, and Dusty Springfield's Voice -- Part III. Voice, Age, and Sex. The Last Remaining Virgin in London : Lulu, Whiteness, and Youth ; Sex, Freedom, and Marianne Faithfull's Voice at the Twilight of the Sixties ; Remembering Rock and Roll with P.P. Arnold -- Epilogue "This introduction positions the history of girl and young women singers in the 1960s in the context of broader histories of vocal training; ideas about voice, respectability, and expressivity; and the models of youthful femininity that were emergent in 1960s Britain. It connects this study to the emerging field of Voice Studies and provide an overview of the book's chapters"-- Geschichte 1960-1970 gnd rswk-swf Popsängerin (DE-588)4550934-7 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Popular music / Great Britain / 1961-1970 / History and criticism Women singers / Great Britain Femininity in music Femininity in popular culture / Great Britain / History / 20th century Femininity in popular culture Popular music Women singers Great Britain 1900-1999 Criticism, interpretation, etc History Großbritannien (DE-588)4022153-2 g Popsängerin (DE-588)4550934-7 s Geschichte 1960-1970 z DE-604 Erscheint auch als Online-Ausgabe 9780190879921 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033049016&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Apolloni, Alexandra M. ca. 20./21. Jh Freedom girls voicing femininity in 1960s British pop Introduction. Vocal Manners for Moderns -- Part I. Ordinary, Extraordinary Voices. Chart Chicks and Gear Girls : The Limits of Mod Femininity ; "A girl in a million, just like a million" : Sandie Shaw and Ordinary Girlhood ; Sounding Like Liverpool : Region, Memory, and Cilla Black's Accent -- Part II. England meets Jamaica's Lollipop Girl : Millie Small, Voice, and Migration ; Race, Self-Invention, and Dusty Springfield's Voice -- Part III. Voice, Age, and Sex. The Last Remaining Virgin in London : Lulu, Whiteness, and Youth ; Sex, Freedom, and Marianne Faithfull's Voice at the Twilight of the Sixties ; Remembering Rock and Roll with P.P. Arnold -- Epilogue Popsängerin (DE-588)4550934-7 gnd |
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| title | Freedom girls voicing femininity in 1960s British pop |
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| title_full | Freedom girls voicing femininity in 1960s British pop Alexandra M. Apolloni |
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