Heaven, Hell, and Everything in Between: Murals of the Colonial Andes
Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Austin
University of Texas Press
[2021]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals were embedded in complex networks of trade, commerce, and the exchange of ideas between the Andes and Europe, Ananda Cohen-Aponte also considers the ways in which artists and viewers worked through difficult questions of envisioning sacredness. This study brings to light the fact that, unlike the murals of New Spain, the murals of the Andes possess few direct visual connections to a pre-Columbian painting tradition; the Incas' preference for abstracted motifs created a problem for visually translating Catholic doctrine to indigenous congregations, as the Spaniards were unable to read Inca visual culture. Nevertheless, as Cohen Suarez demonstrates, colonial murals of the Andes can be seen as a reformulation of a long-standing artistic practice of adorning architectural spaces with images that command power and contemplation. Drawing on extensive secondary and archival sources, including account books from the churches, as well as on colonial Spanish texts, Cohen Suarez urges us to see the murals not merely as decoration or as tools of missionaries but as visual archives of the complex negotiations among empire, communities, and individuals |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9781477300442 |
| DOI: | 10.7560/309544 |
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| spelling | Cohen Suarez, Ananda Verfasser aut Heaven, Hell, and Everything in Between Murals of the Colonial Andes Ananda Cohen Suarez Austin University of Texas Press [2021] © 2016 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals were embedded in complex networks of trade, commerce, and the exchange of ideas between the Andes and Europe, Ananda Cohen-Aponte also considers the ways in which artists and viewers worked through difficult questions of envisioning sacredness. This study brings to light the fact that, unlike the murals of New Spain, the murals of the Andes possess few direct visual connections to a pre-Columbian painting tradition; the Incas' preference for abstracted motifs created a problem for visually translating Catholic doctrine to indigenous congregations, as the Spaniards were unable to read Inca visual culture. Nevertheless, as Cohen Suarez demonstrates, colonial murals of the Andes can be seen as a reformulation of a long-standing artistic practice of adorning architectural spaces with images that command power and contemplation. Drawing on extensive secondary and archival sources, including account books from the churches, as well as on colonial Spanish texts, Cohen Suarez urges us to see the murals not merely as decoration or as tools of missionaries but as visual archives of the complex negotiations among empire, communities, and individuals In English ART / Caribbean & Latin American bisacsh Art and society Andes Region History Art Political aspects Andes Region History Indian mural painting and decoration Andes Region Indian mural painting and decoration Peru (Viceroyalty) Indians of South America Andes Region Antiquities Indians of South America Andes Region Religion https://doi.org/10.7560/309544 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Cohen Suarez, Ananda Heaven, Hell, and Everything in Between Murals of the Colonial Andes ART / Caribbean & Latin American bisacsh Art and society Andes Region History Art Political aspects Andes Region History Indian mural painting and decoration Andes Region Indian mural painting and decoration Peru (Viceroyalty) Indians of South America Andes Region Antiquities Indians of South America Andes Region Religion |
| title | Heaven, Hell, and Everything in Between Murals of the Colonial Andes |
| title_auth | Heaven, Hell, and Everything in Between Murals of the Colonial Andes |
| title_exact_search | Heaven, Hell, and Everything in Between Murals of the Colonial Andes |
| title_exact_search_txtP | Heaven, Hell, and Everything in Between Murals of the Colonial Andes |
| title_full | Heaven, Hell, and Everything in Between Murals of the Colonial Andes Ananda Cohen Suarez |
| title_fullStr | Heaven, Hell, and Everything in Between Murals of the Colonial Andes Ananda Cohen Suarez |
| title_full_unstemmed | Heaven, Hell, and Everything in Between Murals of the Colonial Andes Ananda Cohen Suarez |
| title_short | Heaven, Hell, and Everything in Between |
| title_sort | heaven hell and everything in between murals of the colonial andes |
| title_sub | Murals of the Colonial Andes |
| topic | ART / Caribbean & Latin American bisacsh Art and society Andes Region History Art Political aspects Andes Region History Indian mural painting and decoration Andes Region Indian mural painting and decoration Peru (Viceroyalty) Indians of South America Andes Region Antiquities Indians of South America Andes Region Religion |
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