Cormac McCarthy's House: Reading McCarthy Without Walls
Novelist Cormac McCarthy's brilliant and challenging work demands deep engagement from his readers. In Cormac McCarthy's House, author, painter, photographer, and actor-director Peter Josyph draws on a wide range of experience to pose provocative, unexpected questions about McCarthy's...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Austin
University of Texas Press
[2021]
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Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | Novelist Cormac McCarthy's brilliant and challenging work demands deep engagement from his readers. In Cormac McCarthy's House, author, painter, photographer, and actor-director Peter Josyph draws on a wide range of experience to pose provocative, unexpected questions about McCarthy's work, how it is achieved, and how it is interpreted. As a visual artist, Josyph wrestles with the challenge of rendering McCarthy's former home in El Paso as a symbol of a great writer's workshop. As an actor and filmmaker, he analyzes the high art of Tommy Lee Jones in The Sunset Limited and No Country for Old Men. Invoking the recent suicide of a troubled friend, he grapples with the issue of "our brother's keeper" in The Crossing and The Sunset Limited. But for Josyph, reading the finest prose-poet of our day is a project into which he invites many voices, and his investigations include a talk with Mark Morrow about photographing McCarthy while he was writing Blood Meridian; an in-depth conversation with director Tom Cornford on the challenges of staging The Sunset Limited and The Stonemason; a walk through the streets, waterfronts, and hidden haunts of Suttree with McCarthy scholar and Knoxville resident Wesley Morgan; insights from the cast of The Gardener's Son about a controversial scene in that film; actress Miriam Colon's perspective on portraying the Dueña Alfonsa opposite Matt Damon in All the Pretty Horses; and a harsh critique of Josyph's views on The Crossing by McCarthy scholar Marty Priola, which leads to a sometimes heated debate. Illustrated with thirty-one photographs, Josyph's unconventional journeys into the genius of Cormac McCarthy form a new, highly personal way of appreciating literary greatness |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
Beschreibung: | 1 Online-Ressource |
ISBN: | 9780292745285 |
DOI: | 10.7560/744295 |
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spelling | Josyph, Peter Verfasser aut Cormac McCarthy's House Reading McCarthy Without Walls Peter Josyph Austin University of Texas Press [2021] © 2013 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) Novelist Cormac McCarthy's brilliant and challenging work demands deep engagement from his readers. In Cormac McCarthy's House, author, painter, photographer, and actor-director Peter Josyph draws on a wide range of experience to pose provocative, unexpected questions about McCarthy's work, how it is achieved, and how it is interpreted. As a visual artist, Josyph wrestles with the challenge of rendering McCarthy's former home in El Paso as a symbol of a great writer's workshop. As an actor and filmmaker, he analyzes the high art of Tommy Lee Jones in The Sunset Limited and No Country for Old Men. Invoking the recent suicide of a troubled friend, he grapples with the issue of "our brother's keeper" in The Crossing and The Sunset Limited. But for Josyph, reading the finest prose-poet of our day is a project into which he invites many voices, and his investigations include a talk with Mark Morrow about photographing McCarthy while he was writing Blood Meridian; an in-depth conversation with director Tom Cornford on the challenges of staging The Sunset Limited and The Stonemason; a walk through the streets, waterfronts, and hidden haunts of Suttree with McCarthy scholar and Knoxville resident Wesley Morgan; insights from the cast of The Gardener's Son about a controversial scene in that film; actress Miriam Colon's perspective on portraying the Dueña Alfonsa opposite Matt Damon in All the Pretty Horses; and a harsh critique of Josyph's views on The Crossing by McCarthy scholar Marty Priola, which leads to a sometimes heated debate. Illustrated with thirty-one photographs, Josyph's unconventional journeys into the genius of Cormac McCarthy form a new, highly personal way of appreciating literary greatness In English LITERARY CRITICISM / American / General bisacsh Western stories Criticism and interpretation https://doi.org/10.7560/744295 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Josyph, Peter Cormac McCarthy's House Reading McCarthy Without Walls LITERARY CRITICISM / American / General bisacsh Western stories Criticism and interpretation |
title | Cormac McCarthy's House Reading McCarthy Without Walls |
title_auth | Cormac McCarthy's House Reading McCarthy Without Walls |
title_exact_search | Cormac McCarthy's House Reading McCarthy Without Walls |
title_exact_search_txtP | Cormac McCarthy's House Reading McCarthy Without Walls |
title_full | Cormac McCarthy's House Reading McCarthy Without Walls Peter Josyph |
title_fullStr | Cormac McCarthy's House Reading McCarthy Without Walls Peter Josyph |
title_full_unstemmed | Cormac McCarthy's House Reading McCarthy Without Walls Peter Josyph |
title_short | Cormac McCarthy's House |
title_sort | cormac mccarthy s house reading mccarthy without walls |
title_sub | Reading McCarthy Without Walls |
topic | LITERARY CRITICISM / American / General bisacsh Western stories Criticism and interpretation |
topic_facet | LITERARY CRITICISM / American / General Western stories Criticism and interpretation |
url | https://doi.org/10.7560/744295 |
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