Music in Cinema:
Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each o...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2021]
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| Schriftenreihe: | Film and Culture Series
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 URL des Erstveröffentlichers |
| Zusammenfassung: | Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson's performance in The Jazz Singer, the zither in The Third Man, Godard's patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors' attraction to atonal and dissonant music as well as musique concrète, of which he is a composer.Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars. |
| Beschreibung: | 1 Online-Ressource (xiii, 380 Seiten) Illustrationen |
| ISBN: | 9780231552851 |
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| author | Chion, Michel 1947- |
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| dewey-ones | 781 - General principles and musical forms |
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| isbn | 9780231552851 |
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| spelling | Chion, Michel 1947- Verfasser (DE-588)122192478 aut Music in Cinema Michel Chion New York, NY Columbia University Press [2021] © 2021 1 Online-Ressource (xiii, 380 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Film and Culture Series Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson's performance in The Jazz Singer, the zither in The Third Man, Godard's patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors' attraction to atonal and dissonant music as well as musique concrète, of which he is a composer.Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars. Geschichte gnd rswk-swf ART / Film & Video bisacsh Motion picture music History and criticism Motion pictures and music Filmmusik (DE-588)4017129-2 gnd rswk-swf Filmmusik (DE-588)4017129-2 s Geschichte z DE-604 Gorbman, Claudia ca. 20. Jh. Sonstige (DE-588)1037207955 oth Erscheint auch als Druck-Ausgabe, Hardcover 978-0-231-19888-2 Erscheint auch als Druck-Ausgabe, Paperback 978-0-231-19889-9 https://www.degruyter.com/isbn/9780231552851 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Chion, Michel 1947- Music in Cinema ART / Film & Video bisacsh Motion picture music History and criticism Motion pictures and music Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4017129-2 |
| title | Music in Cinema |
| title_auth | Music in Cinema |
| title_exact_search | Music in Cinema |
| title_exact_search_txtP | Music in Cinema |
| title_full | Music in Cinema Michel Chion |
| title_fullStr | Music in Cinema Michel Chion |
| title_full_unstemmed | Music in Cinema Michel Chion |
| title_short | Music in Cinema |
| title_sort | music in cinema |
| topic | ART / Film & Video bisacsh Motion picture music History and criticism Motion pictures and music Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | ART / Film & Video Motion picture music History and criticism Motion pictures and music Filmmusik |
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| work_keys_str_mv | AT chionmichel musicincinema AT gorbmanclaudia musicincinema |