Powers of the real: cinema, gender, and emotion in interwar Japan
"Examines the rise of cinema as a mass medium in Japan after the Great Kanto Earthquake, connecting the disaster to the new salience of emotion in public discourse, popular culture, and film and tracing how new forms of intimacy and emotion shaped by mass media became a major focus of cinematic...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge, Massachusetts
Harvard University Asia Center
2019
|
Schriftenreihe: | Harvard East Asian monographs
424 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Examines the rise of cinema as a mass medium in Japan after the Great Kanto Earthquake, connecting the disaster to the new salience of emotion in public discourse, popular culture, and film and tracing how new forms of intimacy and emotion shaped by mass media became a major focus of cinematic discourse in the 1920s"--Provided by publisher |
Beschreibung: | Literaturverzeichnis: Seite 241-253 |
Beschreibung: | xiii, 267 Seiten Illustrationen |
ISBN: | 9780674241169 9780674241152 |
Internformat
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245 | 1 | 0 | |a Powers of the real |b cinema, gender, and emotion in interwar Japan |c Diane Wei Lewis |
264 | 1 | |a Cambridge, Massachusetts |b Harvard University Asia Center |c 2019 | |
264 | 2 | |a Cambridge, Massachusetts ; London, England |b Harvard University Press |c 2019 | |
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505 | 8 | |a Part I. Backgrounds: the Great Kanto Earthquake and mass media: Great Kanto Earthquake documentary films and the state -- The testimony of the body: Nikkatsu's earthquake melodrama films -- "Realism" and modernity -- Part II. The power of cinema: identification and emotion: Desire and identification: the aspiring actress problem -- Intimacy and alienation: Murayama Tomoyoshi, modern media celebrity, and film -- Expressive excess: gendered bodies and proletarian texts | |
520 | 3 | |a "Examines the rise of cinema as a mass medium in Japan after the Great Kanto Earthquake, connecting the disaster to the new salience of emotion in public discourse, popular culture, and film and tracing how new forms of intimacy and emotion shaped by mass media became a major focus of cinematic discourse in the 1920s"--Provided by publisher | |
648 | 7 | |a Geschichte 1923-1930 |2 gnd |9 rswk-swf | |
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653 | 0 | |a Motion pictures / Japan / History / 20th century | |
653 | 0 | |a Emotions in motion pictures | |
653 | 0 | |a Sex differences in mass media | |
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Datensatz im Suchindex
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---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Lewis, Diane Wei 1979- |
author_GND | (DE-588)1197266623 |
author_facet | Lewis, Diane Wei 1979- |
author_role | aut |
author_sort | Lewis, Diane Wei 1979- |
author_variant | d w l dw dwl |
building | Verbundindex |
bvnumber | BV047635123 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1993 |
callnumber-raw | PN1993.5.J3 |
callnumber-search | PN1993.5.J3 |
callnumber-sort | PN 41993.5 J3 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 44963 |
contents | Part I. Backgrounds: the Great Kanto Earthquake and mass media: Great Kanto Earthquake documentary films and the state -- The testimony of the body: Nikkatsu's earthquake melodrama films -- "Realism" and modernity -- Part II. The power of cinema: identification and emotion: Desire and identification: the aspiring actress problem -- Intimacy and alienation: Murayama Tomoyoshi, modern media celebrity, and film -- Expressive excess: gendered bodies and proletarian texts |
ctrlnum | (OCoLC)1165640911 (DE-599)KXP1664317309 |
dewey-full | 791.430952 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.430952 |
dewey-search | 791.430952 |
dewey-sort | 3791.430952 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
era | Geschichte 1923-1930 gnd |
era_facet | Geschichte 1923-1930 |
format | Book |
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geographic | Japan (DE-588)4028495-5 gnd |
geographic_facet | Japan |
id | DE-604.BV047635123 |
illustrated | Illustrated |
index_date | 2024-07-03T18:46:32Z |
indexdate | 2024-10-23T10:07:34Z |
institution | BVB |
isbn | 9780674241169 9780674241152 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033019424 |
oclc_num | 1165640911 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | xiii, 267 Seiten Illustrationen |
psigel | BSB_NED_20220204 |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Harvard University Asia Center |
record_format | marc |
series | Harvard East Asian monographs |
series2 | Harvard East Asian monographs |
spelling | Lewis, Diane Wei 1979- Verfasser (DE-588)1197266623 aut Powers of the real cinema, gender, and emotion in interwar Japan Diane Wei Lewis Cambridge, Massachusetts Harvard University Asia Center 2019 Cambridge, Massachusetts ; London, England Harvard University Press 2019 xiii, 267 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Harvard East Asian monographs 424 Literaturverzeichnis: Seite 241-253 Part I. Backgrounds: the Great Kanto Earthquake and mass media: Great Kanto Earthquake documentary films and the state -- The testimony of the body: Nikkatsu's earthquake melodrama films -- "Realism" and modernity -- Part II. The power of cinema: identification and emotion: Desire and identification: the aspiring actress problem -- Intimacy and alienation: Murayama Tomoyoshi, modern media celebrity, and film -- Expressive excess: gendered bodies and proletarian texts "Examines the rise of cinema as a mass medium in Japan after the Great Kanto Earthquake, connecting the disaster to the new salience of emotion in public discourse, popular culture, and film and tracing how new forms of intimacy and emotion shaped by mass media became a major focus of cinematic discourse in the 1920s"--Provided by publisher Geschichte 1923-1930 gnd rswk-swf Gefühl (DE-588)4019702-5 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Frau (DE-588)4018202-2 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Kanto Earthquake, Japan, 1923, in motion pictures Motion pictures / Japan / History / 20th century Emotions in motion pictures Sex differences in mass media Japan / Civilization / 1912-1926 Japan / Civilization / 1926-1945 Japan (DE-588)4028495-5 g Film (DE-588)4017102-4 s Frau (DE-588)4018202-2 s Gefühl (DE-588)4019702-5 s Geschichte 1923-1930 z DE-604 Harvard East Asian monographs 424 (DE-604)BV002779893 424 DE-601 pdf/application https://www.gbv.de/dms/bowker/toc/9780674241169.pdf 2020-01-19 Aggregator Inhaltsverzeichnis |
spellingShingle | Lewis, Diane Wei 1979- Powers of the real cinema, gender, and emotion in interwar Japan Harvard East Asian monographs Part I. Backgrounds: the Great Kanto Earthquake and mass media: Great Kanto Earthquake documentary films and the state -- The testimony of the body: Nikkatsu's earthquake melodrama films -- "Realism" and modernity -- Part II. The power of cinema: identification and emotion: Desire and identification: the aspiring actress problem -- Intimacy and alienation: Murayama Tomoyoshi, modern media celebrity, and film -- Expressive excess: gendered bodies and proletarian texts Gefühl (DE-588)4019702-5 gnd Film (DE-588)4017102-4 gnd Frau (DE-588)4018202-2 gnd |
subject_GND | (DE-588)4019702-5 (DE-588)4017102-4 (DE-588)4018202-2 (DE-588)4028495-5 |
title | Powers of the real cinema, gender, and emotion in interwar Japan |
title_auth | Powers of the real cinema, gender, and emotion in interwar Japan |
title_exact_search | Powers of the real cinema, gender, and emotion in interwar Japan |
title_exact_search_txtP | Powers of the real cinema, gender, and emotion in interwar Japan |
title_full | Powers of the real cinema, gender, and emotion in interwar Japan Diane Wei Lewis |
title_fullStr | Powers of the real cinema, gender, and emotion in interwar Japan Diane Wei Lewis |
title_full_unstemmed | Powers of the real cinema, gender, and emotion in interwar Japan Diane Wei Lewis |
title_short | Powers of the real |
title_sort | powers of the real cinema gender and emotion in interwar japan |
title_sub | cinema, gender, and emotion in interwar Japan |
topic | Gefühl (DE-588)4019702-5 gnd Film (DE-588)4017102-4 gnd Frau (DE-588)4018202-2 gnd |
topic_facet | Gefühl Film Frau Japan |
url | https://www.gbv.de/dms/bowker/toc/9780674241169.pdf |
volume_link | (DE-604)BV002779893 |
work_keys_str_mv | AT lewisdianewei powersoftherealcinemagenderandemotionininterwarjapan |