Cinematic modernism and contemporary film: aesthetics and narrative in the international art film
Cinema was the most important new artistic medium of the twentieth century and modernism was the most important new aesthetic movement across the arts in the twentieth century. However, what exactly is the relationship between cinema and modernism? Cinematic Modernism and Contemporary Film explores...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Academic
2022
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-355 DE-703 URL des Erstveröffentlichers |
| Zusammenfassung: | Cinema was the most important new artistic medium of the twentieth century and modernism was the most important new aesthetic movement across the arts in the twentieth century. However, what exactly is the relationship between cinema and modernism? Cinematic Modernism and Contemporary Film explores how in the early twentieth century cinema came to be seen as one of the new technologies which epitomised modernity and how cinema itself reflected ideas, hopes and fears concerning modern life. Howard Finn examines the emergence of a new ‘international style’ of cinema, combining a poetic aesthetic of the image with genre-based fictional narrative and documentary realism. He provides concise accounts of how theorists such as André Bazin, Siegfried Kracauer, Gilles Deleuze and Jacques Rancière have discussed this cinematic aesthetic, clarifying debates over terms such as ‘realism’, ‘classical’ and ‘avant-garde’ as well as recent controversies over terms such as ‘slow cinema’ and ‘vernacular modernism’. He further argues the influence of modernism through close readings of many contemporary films, including films by Abbas Kiarostami, Béla Tarr, Jia Zhangke, and Angela Schanelec. Drawing on a broad range of examples, including Soviet montage, Italian neorealism, postwar new waves and the ‘new cinema’ of Taiwan and Iran, this book explores the cultural significance of modernism and its lasting influence over cinema. |
| Beschreibung: | 1 Online-Ressource (ix, 320 Seiten) Illustrationen |
| ISBN: | 9781350242586 9781350242593 9781350242579 |
| DOI: | 10.5040/9781350242593 |
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| spelling | Finn, Howard Verfasser (DE-588)1269333097 aut Cinematic modernism and contemporary film aesthetics and narrative in the international art film Howard Finn London Bloomsbury Academic 2022 1 Online-Ressource (ix, 320 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Cinema was the most important new artistic medium of the twentieth century and modernism was the most important new aesthetic movement across the arts in the twentieth century. However, what exactly is the relationship between cinema and modernism? Cinematic Modernism and Contemporary Film explores how in the early twentieth century cinema came to be seen as one of the new technologies which epitomised modernity and how cinema itself reflected ideas, hopes and fears concerning modern life. Howard Finn examines the emergence of a new ‘international style’ of cinema, combining a poetic aesthetic of the image with genre-based fictional narrative and documentary realism. He provides concise accounts of how theorists such as André Bazin, Siegfried Kracauer, Gilles Deleuze and Jacques Rancière have discussed this cinematic aesthetic, clarifying debates over terms such as ‘realism’, ‘classical’ and ‘avant-garde’ as well as recent controversies over terms such as ‘slow cinema’ and ‘vernacular modernism’. He further argues the influence of modernism through close readings of many contemporary films, including films by Abbas Kiarostami, Béla Tarr, Jia Zhangke, and Angela Schanelec. Drawing on a broad range of examples, including Soviet montage, Italian neorealism, postwar new waves and the ‘new cinema’ of Taiwan and Iran, this book explores the cultural significance of modernism and its lasting influence over cinema. Rezeption (DE-588)4049716-1 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Motion pictures / Aesthetics Motion pictures / Philosophy Narration (Rhetoric) Cinéma / Esthétique Narration Moderne (DE-588)4039827-4 s Rezeption (DE-588)4049716-1 s Film (DE-588)4017102-4 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-7883-1273-8 https://doi.org/10.5040/9781350242593?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Finn, Howard Cinematic modernism and contemporary film aesthetics and narrative in the international art film Rezeption (DE-588)4049716-1 gnd Moderne (DE-588)4039827-4 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4049716-1 (DE-588)4039827-4 (DE-588)4017102-4 |
| title | Cinematic modernism and contemporary film aesthetics and narrative in the international art film |
| title_auth | Cinematic modernism and contemporary film aesthetics and narrative in the international art film |
| title_exact_search | Cinematic modernism and contemporary film aesthetics and narrative in the international art film |
| title_exact_search_txtP | Cinematic modernism and contemporary film aesthetics and narrative in the international art film |
| title_full | Cinematic modernism and contemporary film aesthetics and narrative in the international art film Howard Finn |
| title_fullStr | Cinematic modernism and contemporary film aesthetics and narrative in the international art film Howard Finn |
| title_full_unstemmed | Cinematic modernism and contemporary film aesthetics and narrative in the international art film Howard Finn |
| title_short | Cinematic modernism and contemporary film |
| title_sort | cinematic modernism and contemporary film aesthetics and narrative in the international art film |
| title_sub | aesthetics and narrative in the international art film |
| topic | Rezeption (DE-588)4049716-1 gnd Moderne (DE-588)4039827-4 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Rezeption Moderne Film |
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