El canon accidental: mujeres artistas en Argentina (1890-1950)
"El canon accidental: Woman artists in Argentina (1890-1950)" presents a wide selection of works produced by women artists in Argentina from the late nineteenth to the mid-twentieth century. By making visible their careers, which often included consecration at different venues, the exhibit...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Spanish English |
| Veröffentlicht: |
[Ciudad Autónoma de Buenos Aires]
Amigos del Bellas Artes
[2021]
|
| Ausgabe: | Primera edición |
| Schlagworte: | |
| Zusammenfassung: | "El canon accidental: Woman artists in Argentina (1890-1950)" presents a wide selection of works produced by women artists in Argentina from the late nineteenth to the mid-twentieth century. By making visible their careers, which often included consecration at different venues, the exhibition sets out to examine the paths explored by women as they searched for an artistic identity and a way to make a living. "El canon accidental" includes more than 80 works by 44 artists at the margins of art history and by others almost entirely unknown today, though they earned the admiration of their contemporaries. They all went from being at the center of the art scene to being, at best, just footnotes to art history. The "women artists" category has been the topic of debate for decades-and with good reason. It is often said that art knows no gender. Be that as it may, specific artistic practices and aesthetic choices have been inextricably linked to the gender of creators, whether as a limitation or as a possibility. Starting in the late nineteenth century, women made their way into the labor market, universities, politics, and art. The second half of the last century brought new and unexpected challenges to women, whether or not they were artists. But that's another story. This exhibition, the first of its kind to be held at the Museo Nacional de Bellas Artes, questions accepted narratives by resituating women artists in the Museum space. |
| Beschreibung: | 231 Seiten 27 cm |
| ISBN: | 9789871428502 9871428502 |
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| 245 | 1 | 0 | |a El canon accidental |b mujeres artistas en Argentina (1890-1950) |c edición: Museo Nacional de Bellas Artes ; textos: Andrés Duprat, Georgina G. Gluzman, Laura Malosetti Costa, Lucía Laumann, Gloria Cortés Aliaga, Dina Comisarenco Mirkin, Maria Antonietta Trasforini |
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| 505 | 8 | |a Presentación / Andrés Duprat -- Ex-céntricas / Georgina G. Gluzman -- Una historia de fantasmas. Artistas plásticas de la generación del ochenta en Buenos Aires / Laura Malosetti Costa -- Alrededor de la prensa. Las grabadoras en Buenos Aires, entre los talleres y las exhibiciones (19009-1950) / Lucía Laumann -- Otras latitudes. Mujeres artistas en el panorama internacional -- Los cuartos propios / Georgina G. Gluzman -- "Yo desprecio a los ricos, nunca han pensado en mi." La cuestión de la clase al interior de las relaciones femeninas en el arte chileno / Gloria Cortes Aliaga -- Mirarse y mirar: el autorretrato femenino en México (1850-1950) / Dina Comisarenco Mirkin -- Una historia indisciplinada. El género en la historia del arte / Maria Antonietta Trasforini -- En el centro de los géneros -- En el centro de la consagración -- En el centro de nuevas direcciones -- Biografías / Georgina G. Gluzmann y Lucía Laumann -- Obras, publicaciones, imágenes y documentos exhibidos -- English translation | |
| 520 | 3 | |a "El canon accidental: Woman artists in Argentina (1890-1950)" presents a wide selection of works produced by women artists in Argentina from the late nineteenth to the mid-twentieth century. By making visible their careers, which often included consecration at different venues, the exhibition sets out to examine the paths explored by women as they searched for an artistic identity and a way to make a living. "El canon accidental" includes more than 80 works by 44 artists at the margins of art history and by others almost entirely unknown today, though they earned the admiration of their contemporaries. They all went from being at the center of the art scene to being, at best, just footnotes to art history. The "women artists" category has been the topic of debate for decades-and with good reason. It is often said that art knows no gender. Be that as it may, specific artistic practices and aesthetic choices have been inextricably linked to the gender of creators, whether as a limitation or as a possibility. Starting in the late nineteenth century, women made their way into the labor market, universities, politics, and art. The second half of the last century brought new and unexpected challenges to women, whether or not they were artists. But that's another story. This exhibition, the first of its kind to be held at the Museo Nacional de Bellas Artes, questions accepted narratives by resituating women artists in the Museum space. | |
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Datensatz im Suchindex
| _version_ | 1806959023649456128 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Gluzman, Georgina G. 1984- |
| author2_role | edt |
| author2_variant | g g g gg ggg |
| author_GND | (DE-588)1247113043 (DE-588)1057171743 |
| author_facet | Gluzman, Georgina G. 1984- |
| building | Verbundindex |
| bvnumber | BV047629624 |
| contents | Presentación / Andrés Duprat -- Ex-céntricas / Georgina G. Gluzman -- Una historia de fantasmas. Artistas plásticas de la generación del ochenta en Buenos Aires / Laura Malosetti Costa -- Alrededor de la prensa. Las grabadoras en Buenos Aires, entre los talleres y las exhibiciones (19009-1950) / Lucía Laumann -- Otras latitudes. Mujeres artistas en el panorama internacional -- Los cuartos propios / Georgina G. Gluzman -- "Yo desprecio a los ricos, nunca han pensado en mi." La cuestión de la clase al interior de las relaciones femeninas en el arte chileno / Gloria Cortes Aliaga -- Mirarse y mirar: el autorretrato femenino en México (1850-1950) / Dina Comisarenco Mirkin -- Una historia indisciplinada. El género en la historia del arte / Maria Antonietta Trasforini -- En el centro de los géneros -- En el centro de la consagración -- En el centro de nuevas direcciones -- Biografías / Georgina G. Gluzmann y Lucía Laumann -- Obras, publicaciones, imágenes y documentos exhibidos -- English translation |
| ctrlnum | (OCoLC)1289774725 (DE-599)BVBBV047629624 |
| edition | Primera edición |
| era | Geschichte 1850-1950 gnd Geschichte 1890-1950 gnd |
| era_facet | Geschichte 1850-1950 Geschichte 1890-1950 |
| format | Book |
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| genre | (DE-588)4135467-9 Ausstellungskatalog Museo Nacional de Bellas Artes 25.03.2021-01.08.2021 Buenos Aires gnd-content (DE-588)4145395-5 Bildband gnd-content |
| genre_facet | Ausstellungskatalog Museo Nacional de Bellas Artes 25.03.2021-01.08.2021 Buenos Aires Bildband |
| geographic | Mexiko (DE-588)4039058-5 gnd Argentinien (DE-588)4002890-2 gnd Chile (DE-588)4009929-5 gnd |
| geographic_facet | Mexiko Argentinien Chile |
| id | DE-604.BV047629624 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:45:13Z |
| indexdate | 2024-08-10T00:40:11Z |
| institution | BVB |
| institution_GND | (DE-588)5053376-9 |
| isbn | 9789871428502 9871428502 |
| language | Spanish English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033014064 |
| oclc_num | 1289774725 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 231 Seiten 27 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Amigos del Bellas Artes |
| record_format | marc |
| spelling | El canon accidental mujeres artistas en Argentina (1890-1950) edición: Museo Nacional de Bellas Artes ; textos: Andrés Duprat, Georgina G. Gluzman, Laura Malosetti Costa, Lucía Laumann, Gloria Cortés Aliaga, Dina Comisarenco Mirkin, Maria Antonietta Trasforini Primera edición [Ciudad Autónoma de Buenos Aires] Amigos del Bellas Artes [2021] 231 Seiten 27 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Presentación / Andrés Duprat -- Ex-céntricas / Georgina G. Gluzman -- Una historia de fantasmas. Artistas plásticas de la generación del ochenta en Buenos Aires / Laura Malosetti Costa -- Alrededor de la prensa. Las grabadoras en Buenos Aires, entre los talleres y las exhibiciones (19009-1950) / Lucía Laumann -- Otras latitudes. Mujeres artistas en el panorama internacional -- Los cuartos propios / Georgina G. Gluzman -- "Yo desprecio a los ricos, nunca han pensado en mi." La cuestión de la clase al interior de las relaciones femeninas en el arte chileno / Gloria Cortes Aliaga -- Mirarse y mirar: el autorretrato femenino en México (1850-1950) / Dina Comisarenco Mirkin -- Una historia indisciplinada. El género en la historia del arte / Maria Antonietta Trasforini -- En el centro de los géneros -- En el centro de la consagración -- En el centro de nuevas direcciones -- Biografías / Georgina G. Gluzmann y Lucía Laumann -- Obras, publicaciones, imágenes y documentos exhibidos -- English translation "El canon accidental: Woman artists in Argentina (1890-1950)" presents a wide selection of works produced by women artists in Argentina from the late nineteenth to the mid-twentieth century. By making visible their careers, which often included consecration at different venues, the exhibition sets out to examine the paths explored by women as they searched for an artistic identity and a way to make a living. "El canon accidental" includes more than 80 works by 44 artists at the margins of art history and by others almost entirely unknown today, though they earned the admiration of their contemporaries. They all went from being at the center of the art scene to being, at best, just footnotes to art history. The "women artists" category has been the topic of debate for decades-and with good reason. It is often said that art knows no gender. Be that as it may, specific artistic practices and aesthetic choices have been inextricably linked to the gender of creators, whether as a limitation or as a possibility. Starting in the late nineteenth century, women made their way into the labor market, universities, politics, and art. The second half of the last century brought new and unexpected challenges to women, whether or not they were artists. But that's another story. This exhibition, the first of its kind to be held at the Museo Nacional de Bellas Artes, questions accepted narratives by resituating women artists in the Museum space. Text spanisch und englisch Geschichte 1850-1950 gnd rswk-swf Geschichte 1890-1950 gnd rswk-swf Künstlerin (DE-588)4033430-2 gnd rswk-swf Soziales System (DE-588)4055764-9 gnd rswk-swf Selbstbildnis (DE-588)4054394-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Frau (DE-588)4018202-2 gnd rswk-swf Mexiko (DE-588)4039058-5 gnd rswk-swf Argentinien (DE-588)4002890-2 gnd rswk-swf Chile (DE-588)4009929-5 gnd rswk-swf Art / Argentina / 19th century / Exhibitions Art / Argentina / 20th century / Exhibitions Women artists / Argentina / 19th century / Exhibitions Women artists / Argentina / 20th century / Exhibitions Women artists / Argentina / Biography (DE-588)4135467-9 Ausstellungskatalog Museo Nacional de Bellas Artes 25.03.2021-01.08.2021 Buenos Aires gnd-content (DE-588)4145395-5 Bildband gnd-content Argentinien (DE-588)4002890-2 g Künstlerin (DE-588)4033430-2 s Geschichte 1890-1950 z DE-604 Kunst (DE-588)4114333-4 s Frau (DE-588)4018202-2 s Mexiko (DE-588)4039058-5 g Selbstbildnis (DE-588)4054394-8 s Geschichte 1850-1950 z Chile (DE-588)4009929-5 g Soziales System (DE-588)4055764-9 s Gluzman, Georgina G. 1984- (DE-588)1247113043 wst edt Duprat, Andrés wst Malosetti Costa, Laura 1956- (DE-588)1057171743 wst Museo Nacional de Bellas Artes (Buenos Aires) (DE-588)5053376-9 his isb |
| spellingShingle | El canon accidental mujeres artistas en Argentina (1890-1950) Presentación / Andrés Duprat -- Ex-céntricas / Georgina G. Gluzman -- Una historia de fantasmas. Artistas plásticas de la generación del ochenta en Buenos Aires / Laura Malosetti Costa -- Alrededor de la prensa. Las grabadoras en Buenos Aires, entre los talleres y las exhibiciones (19009-1950) / Lucía Laumann -- Otras latitudes. Mujeres artistas en el panorama internacional -- Los cuartos propios / Georgina G. Gluzman -- "Yo desprecio a los ricos, nunca han pensado en mi." La cuestión de la clase al interior de las relaciones femeninas en el arte chileno / Gloria Cortes Aliaga -- Mirarse y mirar: el autorretrato femenino en México (1850-1950) / Dina Comisarenco Mirkin -- Una historia indisciplinada. El género en la historia del arte / Maria Antonietta Trasforini -- En el centro de los géneros -- En el centro de la consagración -- En el centro de nuevas direcciones -- Biografías / Georgina G. Gluzmann y Lucía Laumann -- Obras, publicaciones, imágenes y documentos exhibidos -- English translation Künstlerin (DE-588)4033430-2 gnd Soziales System (DE-588)4055764-9 gnd Selbstbildnis (DE-588)4054394-8 gnd Kunst (DE-588)4114333-4 gnd Frau (DE-588)4018202-2 gnd |
| subject_GND | (DE-588)4033430-2 (DE-588)4055764-9 (DE-588)4054394-8 (DE-588)4114333-4 (DE-588)4018202-2 (DE-588)4039058-5 (DE-588)4002890-2 (DE-588)4009929-5 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | El canon accidental mujeres artistas en Argentina (1890-1950) |
| title_auth | El canon accidental mujeres artistas en Argentina (1890-1950) |
| title_exact_search | El canon accidental mujeres artistas en Argentina (1890-1950) |
| title_exact_search_txtP | El canon accidental mujeres artistas en Argentina (1890-1950) |
| title_full | El canon accidental mujeres artistas en Argentina (1890-1950) edición: Museo Nacional de Bellas Artes ; textos: Andrés Duprat, Georgina G. Gluzman, Laura Malosetti Costa, Lucía Laumann, Gloria Cortés Aliaga, Dina Comisarenco Mirkin, Maria Antonietta Trasforini |
| title_fullStr | El canon accidental mujeres artistas en Argentina (1890-1950) edición: Museo Nacional de Bellas Artes ; textos: Andrés Duprat, Georgina G. Gluzman, Laura Malosetti Costa, Lucía Laumann, Gloria Cortés Aliaga, Dina Comisarenco Mirkin, Maria Antonietta Trasforini |
| title_full_unstemmed | El canon accidental mujeres artistas en Argentina (1890-1950) edición: Museo Nacional de Bellas Artes ; textos: Andrés Duprat, Georgina G. Gluzman, Laura Malosetti Costa, Lucía Laumann, Gloria Cortés Aliaga, Dina Comisarenco Mirkin, Maria Antonietta Trasforini |
| title_short | El canon accidental |
| title_sort | el canon accidental mujeres artistas en argentina 1890 1950 |
| title_sub | mujeres artistas en Argentina (1890-1950) |
| topic | Künstlerin (DE-588)4033430-2 gnd Soziales System (DE-588)4055764-9 gnd Selbstbildnis (DE-588)4054394-8 gnd Kunst (DE-588)4114333-4 gnd Frau (DE-588)4018202-2 gnd |
| topic_facet | Künstlerin Soziales System Selbstbildnis Kunst Frau Mexiko Argentinien Chile Ausstellungskatalog Museo Nacional de Bellas Artes 25.03.2021-01.08.2021 Buenos Aires Bildband |
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