Genre and reception in the Gothic parody: framing the subversive heroine
"This book brings together an analysis of the theoretical connection of genre, reception, and frame theory and a practical demonstration thereof, using a set of parodies of the first wave of the Gothic novel"--
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2022
|
| Schriftenreihe: | Routledge studies in speculative fiction
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "This book brings together an analysis of the theoretical connection of genre, reception, and frame theory and a practical demonstration thereof, using a set of parodies of the first wave of the Gothic novel"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | viii, 194 Seiten |
| ISBN: | 9780367742218 9781032154350 |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgements vii 1 Introduction: Framing the Gothic Novel 1 1.1 Situating Frame Theory 11 1.2 Why Frames? Frames Versus the Horizon of Expectation 15 2 Some Theory: Genre, Reception, Parody, and Frame, and How They Are Connected 20 2.1 Situating Genre Theory 21 2.1.1 The Old and the New Concept of Genre 21 2.1.2 The Genre Paradox 25 2.1.3 The Author as a Social Agent 27 2.2 Situating Reception Theory 29 2.2.1 Reception Theory: Development and Criticism 29 2.2.2 The Author in Reception Theory 34 2.3 Situating Parody Theory 36 2.3.1 Parody, a Multifaceted Concept 36 2.3.2 Defining Parody 38 2.3.3 Understanding Parody: The Position of the Reader 41 2.3.4 Parody as Criticism 43 2.4 Parody: Framing Genre and Reception? 45 3 Parodying the Excessive: The Gothic Novel Versus the Gothic Parody 3.1 Generically Gothic: The Gothic Novel in History and Research 54 3.2 Gothic Novels Versus Gothic Parodies: The Difficulties of Differentiation 60 3.3 Different Forms of Parody: Didactic and Autotelic Parodies 69 3.3.1 Didactic Parodies 72 3.3.2 Autotelic Parodies 81 53
vi Contents 3.4 Criticism and the Gothic Parody 85 3.4.1 “Bad Writing” and Literary-Aesthetic Criticism 87 3.4.2 “Harmful Influence” and Moral-Ideological Criticism 93 3.4.3 Literary-Aesthetic and Moral-Ideological Criticism: The Problems of Separation 97 4 5 Framing the Gothic Heroine: From Subtle Subversion to Complacency? 4.1 Socio-political Criticism in the Gothic Novel and the Gothic Parody 107 4.1.1 Social Criticism in the Gothic Parody 112 4.1.2 Political Criticism in the Gothic Parody 119 4.2 The Gothic Heroine: A Political Character? 126 4.3 Female Subversion and the Subversive Female from the Gothic Novel to the Gothic Parody 135 4.4 Female Body and Sexuality from the Gothic Novel to the Gothic Parody 150 Conclusion: Framing the Parody, Changing the Genre Gothic Parody, the Reader, and Frames Bibliography Index 106 164 173 189
Genre and Reception in the Gothic Parody This book brings together an analysis of the theoretical connection of genre, reception, and frame theory and a practical demonstration thereof, using a set of parodies of the first wave of the Gothic novel, ranging from well-known titles such as Jane Austen’s Northanger Abbey to little known and researched titles such as Mary Charlton’s Rosella. Miinderlein traces the development of socio-political debates con ducted in the late eighteenth and early nineteenth centuries on female roles, behaviour, and subversion from the subtly subversive Gothic novel to the Gothic parody. Combining two major areas of research, literary criticism and Gothic studies, the book provides both a new take on an ongoing debate in literary criticism as well as an in-depth study of a virtually neglected aspect of Gothic studies, the Gothic parody.
|
| adam_txt |
Contents Acknowledgements vii 1 Introduction: Framing the Gothic Novel 1 1.1 Situating Frame Theory 11 1.2 Why Frames? Frames Versus the Horizon of Expectation 15 2 Some Theory: Genre, Reception, Parody, and Frame, and How They Are Connected 20 2.1 Situating Genre Theory 21 2.1.1 The Old and the New Concept of Genre 21 2.1.2 The Genre Paradox 25 2.1.3 The Author as a Social Agent 27 2.2 Situating Reception Theory 29 2.2.1 Reception Theory: Development and Criticism 29 2.2.2 The Author in Reception Theory 34 2.3 Situating Parody Theory 36 2.3.1 Parody, a Multifaceted Concept 36 2.3.2 Defining Parody 38 2.3.3 Understanding Parody: The Position of the Reader 41 2.3.4 Parody as Criticism 43 2.4 Parody: Framing Genre and Reception? 45 3 Parodying the Excessive: The Gothic Novel Versus the Gothic Parody 3.1 Generically Gothic: The Gothic Novel in History and Research 54 3.2 Gothic Novels Versus Gothic Parodies: The Difficulties of Differentiation 60 3.3 Different Forms of Parody: Didactic and Autotelic Parodies 69 3.3.1 Didactic Parodies 72 3.3.2 Autotelic Parodies 81 53
vi Contents 3.4 Criticism and the Gothic Parody 85 3.4.1 “Bad Writing” and Literary-Aesthetic Criticism 87 3.4.2 “Harmful Influence” and Moral-Ideological Criticism 93 3.4.3 Literary-Aesthetic and Moral-Ideological Criticism: The Problems of Separation 97 4 5 Framing the Gothic Heroine: From Subtle Subversion to Complacency? 4.1 Socio-political Criticism in the Gothic Novel and the Gothic Parody 107 4.1.1 Social Criticism in the Gothic Parody 112 4.1.2 Political Criticism in the Gothic Parody 119 4.2 The Gothic Heroine: A Political Character? 126 4.3 Female Subversion and the Subversive Female from the Gothic Novel to the Gothic Parody 135 4.4 Female Body and Sexuality from the Gothic Novel to the Gothic Parody 150 Conclusion: Framing the Parody, Changing the Genre Gothic Parody, the Reader, and Frames Bibliography Index 106 164 173 189
Genre and Reception in the Gothic Parody This book brings together an analysis of the theoretical connection of genre, reception, and frame theory and a practical demonstration thereof, using a set of parodies of the first wave of the Gothic novel, ranging from well-known titles such as Jane Austen’s Northanger Abbey to little known and researched titles such as Mary Charlton’s Rosella. Miinderlein traces the development of socio-political debates con ducted in the late eighteenth and early nineteenth centuries on female roles, behaviour, and subversion from the subtly subversive Gothic novel to the Gothic parody. Combining two major areas of research, literary criticism and Gothic studies, the book provides both a new take on an ongoing debate in literary criticism as well as an in-depth study of a virtually neglected aspect of Gothic studies, the Gothic parody. |
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| title | Genre and reception in the Gothic parody framing the subversive heroine |
| title_auth | Genre and reception in the Gothic parody framing the subversive heroine |
| title_exact_search | Genre and reception in the Gothic parody framing the subversive heroine |
| title_exact_search_txtP | Genre and reception in the Gothic parody framing the subversive heroine |
| title_full | Genre and reception in the Gothic parody framing the subversive heroine Kerstin-Anja Münderlein |
| title_fullStr | Genre and reception in the Gothic parody framing the subversive heroine Kerstin-Anja Münderlein |
| title_full_unstemmed | Genre and reception in the Gothic parody framing the subversive heroine Kerstin-Anja Münderlein |
| title_short | Genre and reception in the Gothic parody |
| title_sort | genre and reception in the gothic parody framing the subversive heroine |
| title_sub | framing the subversive heroine |
| topic | Schauerliteratur (DE-588)4179419-9 gnd Englisch (DE-588)4014777-0 gnd Heldin (DE-588)4159490-3 gnd Geschlechterrolle (DE-588)4071776-8 gnd Frau (DE-588)4018202-2 gnd Schauerroman (DE-588)4179420-5 gnd Parodie (DE-588)4044719-4 gnd |
| topic_facet | Schauerliteratur Englisch Heldin Geschlechterrolle Frau Schauerroman Parodie Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033004172&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033004172&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT munderleinkerstinanja genreandreceptioninthegothicparodyframingthesubversiveheroine |