Connecting The Wire: Race, Space, and Postindustrial Baltimore
Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial Un...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society riven by racism and inequality. In Connecting The Wire , Stanley Corkin presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show's depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire's creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social "givens." In The Wire's gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Corkin maps a web of relationships and forces that define urban social life, and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781477311783 |
| DOI: | 10.7560/311769 |
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| 520 | |a Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society riven by racism and inequality. In Connecting The Wire , Stanley Corkin presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show's depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire's creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social "givens." In The Wire's gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Corkin maps a web of relationships and forces that define urban social life, and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture | ||
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| spelling | Corkin, Stanley Verfasser aut Connecting The Wire Race, Space, and Postindustrial Baltimore Stanley Corkin Austin University of Texas Press [2021] © 2017 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society riven by racism and inequality. In Connecting The Wire , Stanley Corkin presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show's depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire's creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social "givens." In The Wire's gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Corkin maps a web of relationships and forces that define urban social life, and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture In English PERFORMING ARTS / Television / History & Criticism bisacsh Baltimore (Md.)-Drama Race relations on television Social classes on television Television programs Social aspects Television programs United States History and criticism Television programs-Social aspects Television programs-United States-History and criticism https://doi.org/10.7560/311769 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Corkin, Stanley Connecting The Wire Race, Space, and Postindustrial Baltimore PERFORMING ARTS / Television / History & Criticism bisacsh Baltimore (Md.)-Drama Race relations on television Social classes on television Television programs Social aspects Television programs United States History and criticism Television programs-Social aspects Television programs-United States-History and criticism |
| title | Connecting The Wire Race, Space, and Postindustrial Baltimore |
| title_auth | Connecting The Wire Race, Space, and Postindustrial Baltimore |
| title_exact_search | Connecting The Wire Race, Space, and Postindustrial Baltimore |
| title_exact_search_txtP | Connecting The Wire Race, Space, and Postindustrial Baltimore |
| title_full | Connecting The Wire Race, Space, and Postindustrial Baltimore Stanley Corkin |
| title_fullStr | Connecting The Wire Race, Space, and Postindustrial Baltimore Stanley Corkin |
| title_full_unstemmed | Connecting The Wire Race, Space, and Postindustrial Baltimore Stanley Corkin |
| title_short | Connecting The Wire |
| title_sort | connecting the wire race space and postindustrial baltimore |
| title_sub | Race, Space, and Postindustrial Baltimore |
| topic | PERFORMING ARTS / Television / History & Criticism bisacsh Baltimore (Md.)-Drama Race relations on television Social classes on television Television programs Social aspects Television programs United States History and criticism Television programs-Social aspects Television programs-United States-History and criticism |
| topic_facet | PERFORMING ARTS / Television / History & Criticism Baltimore (Md.)-Drama Race relations on television Social classes on television Television programs Social aspects Television programs United States History and criticism Television programs-Social aspects Television programs-United States-History and criticism |
| url | https://doi.org/10.7560/311769 |
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