REMEX: Toward an Art History of the NAFTA Era
REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994-2008). Marshaling over a decade's worth of archival research, interviews, and participant observation in Mexico City and the Mexico-US bo...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994-2008). Marshaling over a decade's worth of archival research, interviews, and participant observation in Mexico City and the Mexico-US borderlands, Amy Sara Carroll considers individual and collective art practices, recasting NAFTA as the most fantastical inter-American allegory of the turn of the millennium. Carroll organizes her interpretations of performance, installation, documentary film, built environment, and body, conceptual, and Internet art around three key coordinates-City, Woman, and Border. She links the rise of 1990s Mexico City art in the global market to the period's consolidation of Mexico-US border art as a genre. She then interrupts this transnational art history with a sustained analysis of chilanga and Chicana artists' remapping of the figure of Mexico as Woman. A tour de force that depicts a feedback loop of art and public policy-what Carroll terms the "allegorical performative"-REMEX adds context to the long-term effects of the post-1968 intersection of D.F. performance and conceptualism, centralizes women artists' embodied critiques of national and global master narratives, and tracks post-1984 border art's "undocumentation" of racialized and sexualized reconfigurations of North American labor pools. The book's featured artwork becomes the lens through which Carroll rereads a range of events and phenomenon from California's Proposition 187 to Zapatismo, US immigration policy, 9/11 (1973/2001), femicide in Ciudad Juárez, and Mexico's war on drugs |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781477311028 |
| DOI: | 10.7560/310649 |
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| index_date | 2024-07-03T18:36:37Z |
| indexdate | 2024-07-10T09:15:47Z |
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| isbn | 9781477311028 |
| language | English |
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| spelling | Carroll, Amy Sara Verfasser aut REMEX Toward an Art History of the NAFTA Era Amy Sara Carroll Austin University of Texas Press [2021] © 2017 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994-2008). Marshaling over a decade's worth of archival research, interviews, and participant observation in Mexico City and the Mexico-US borderlands, Amy Sara Carroll considers individual and collective art practices, recasting NAFTA as the most fantastical inter-American allegory of the turn of the millennium. Carroll organizes her interpretations of performance, installation, documentary film, built environment, and body, conceptual, and Internet art around three key coordinates-City, Woman, and Border. She links the rise of 1990s Mexico City art in the global market to the period's consolidation of Mexico-US border art as a genre. She then interrupts this transnational art history with a sustained analysis of chilanga and Chicana artists' remapping of the figure of Mexico as Woman. A tour de force that depicts a feedback loop of art and public policy-what Carroll terms the "allegorical performative"-REMEX adds context to the long-term effects of the post-1968 intersection of D.F. performance and conceptualism, centralizes women artists' embodied critiques of national and global master narratives, and tracks post-1984 border art's "undocumentation" of racialized and sexualized reconfigurations of North American labor pools. The book's featured artwork becomes the lens through which Carroll rereads a range of events and phenomenon from California's Proposition 187 to Zapatismo, US immigration policy, 9/11 (1973/2001), femicide in Ciudad Juárez, and Mexico's war on drugs In English ART / History / Contemporary (1945-) bisacsh Arts and society Mexican-American Border Region History 20th century Arts and society Mexican-American Border Region History 21st century Arts Political aspects Mexican-American Border Region History 20th century Arts Political aspects Mexican-American Border Region History 21st century Arts, Mexican 20th century Themes, motives Arts, Mexican 21st century Themes, motives Arts, Mexican-20th century-Themes, motives Arts, Mexican-21st century-Themes, motives https://doi.org/10.7560/310649 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Carroll, Amy Sara REMEX Toward an Art History of the NAFTA Era ART / History / Contemporary (1945-) bisacsh Arts and society Mexican-American Border Region History 20th century Arts and society Mexican-American Border Region History 21st century Arts Political aspects Mexican-American Border Region History 20th century Arts Political aspects Mexican-American Border Region History 21st century Arts, Mexican 20th century Themes, motives Arts, Mexican 21st century Themes, motives Arts, Mexican-20th century-Themes, motives Arts, Mexican-21st century-Themes, motives |
| title | REMEX Toward an Art History of the NAFTA Era |
| title_auth | REMEX Toward an Art History of the NAFTA Era |
| title_exact_search | REMEX Toward an Art History of the NAFTA Era |
| title_exact_search_txtP | REMEX Toward an Art History of the NAFTA Era |
| title_full | REMEX Toward an Art History of the NAFTA Era Amy Sara Carroll |
| title_fullStr | REMEX Toward an Art History of the NAFTA Era Amy Sara Carroll |
| title_full_unstemmed | REMEX Toward an Art History of the NAFTA Era Amy Sara Carroll |
| title_short | REMEX |
| title_sort | remex toward an art history of the nafta era |
| title_sub | Toward an Art History of the NAFTA Era |
| topic | ART / History / Contemporary (1945-) bisacsh Arts and society Mexican-American Border Region History 20th century Arts and society Mexican-American Border Region History 21st century Arts Political aspects Mexican-American Border Region History 20th century Arts Political aspects Mexican-American Border Region History 21st century Arts, Mexican 20th century Themes, motives Arts, Mexican 21st century Themes, motives Arts, Mexican-20th century-Themes, motives Arts, Mexican-21st century-Themes, motives |
| topic_facet | ART / History / Contemporary (1945-) Arts and society Mexican-American Border Region History 20th century Arts and society Mexican-American Border Region History 21st century Arts Political aspects Mexican-American Border Region History 20th century Arts Political aspects Mexican-American Border Region History 21st century Arts, Mexican 20th century Themes, motives Arts, Mexican 21st century Themes, motives Arts, Mexican-20th century-Themes, motives Arts, Mexican-21st century-Themes, motives |
| url | https://doi.org/10.7560/310649 |
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