New Maricón Cinema: Outing Latin American Film
Recent critically and commercially acclaimed Latin American films such as XXY, Contracorriente, and Plan B create an affective and bodily connection with viewers that elicits in them an emotive and empathic relationship with queer identities. Referring to these films as New Maricón Cinema, Vinodh Ve...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Austin
University of Texas Press
[2021]
|
| Subjects: | |
| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | Recent critically and commercially acclaimed Latin American films such as XXY, Contracorriente, and Plan B create an affective and bodily connection with viewers that elicits in them an emotive and empathic relationship with queer identities. Referring to these films as New Maricón Cinema, Vinodh Venkatesh argues that they represent a distinct break from what he terms Maricón Cinema, or a cinema that deals with sex and gender difference through an ethically and visually disaffected position, exemplified in films such as Fresa y chocolate, No se lo digas a nadie, and El lugar sin límites. Covering feature films from Argentina, Chile, Cuba, Ecuador, Mexico, Peru, the United States, and Venezuela, New Maricón Cinema is the first study to contextualize and analyze recent homo-/trans-/intersexed-themed cinema in Latin America within a broader historical and aesthetic genealogy. Working with theories of affect, circulation, and orientations, Venkatesh examines key scenes in the work of auteurs such as Marco Berger, Javier Fuentes-León, and Julia Solomonoff and in films including Antes que anochezca and Y tu mamá también to show how their use of an affective poetics situates and regenerates viewers in an ethically productive cinematic space. He further demonstrates that New Maricón Cinema has encouraged the production of "gay friendly" commercial films for popular audiences, which reflects wider sociocultural changes regarding gender difference and civil rights that are occurring in Latin America |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Physical Description: | 1 online resource |
| ISBN: | 9781477310168 |
| DOI: | 10.7560/310144 |
Staff View
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| 520 | |a Recent critically and commercially acclaimed Latin American films such as XXY, Contracorriente, and Plan B create an affective and bodily connection with viewers that elicits in them an emotive and empathic relationship with queer identities. Referring to these films as New Maricón Cinema, Vinodh Venkatesh argues that they represent a distinct break from what he terms Maricón Cinema, or a cinema that deals with sex and gender difference through an ethically and visually disaffected position, exemplified in films such as Fresa y chocolate, No se lo digas a nadie, and El lugar sin límites. Covering feature films from Argentina, Chile, Cuba, Ecuador, Mexico, Peru, the United States, and Venezuela, New Maricón Cinema is the first study to contextualize and analyze recent homo-/trans-/intersexed-themed cinema in Latin America within a broader historical and aesthetic genealogy. Working with theories of affect, circulation, and orientations, Venkatesh examines key scenes in the work of auteurs such as Marco Berger, Javier Fuentes-León, and Julia Solomonoff and in films including Antes que anochezca and Y tu mamá también to show how their use of an affective poetics situates and regenerates viewers in an ethically productive cinematic space. He further demonstrates that New Maricón Cinema has encouraged the production of "gay friendly" commercial films for popular audiences, which reflects wider sociocultural changes regarding gender difference and civil rights that are occurring in Latin America | ||
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| spelling | Venkatesh, Vinodh Verfasser aut New Maricón Cinema Outing Latin American Film Vinodh Venkatesh Austin University of Texas Press [2021] © 2016 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) Recent critically and commercially acclaimed Latin American films such as XXY, Contracorriente, and Plan B create an affective and bodily connection with viewers that elicits in them an emotive and empathic relationship with queer identities. Referring to these films as New Maricón Cinema, Vinodh Venkatesh argues that they represent a distinct break from what he terms Maricón Cinema, or a cinema that deals with sex and gender difference through an ethically and visually disaffected position, exemplified in films such as Fresa y chocolate, No se lo digas a nadie, and El lugar sin límites. Covering feature films from Argentina, Chile, Cuba, Ecuador, Mexico, Peru, the United States, and Venezuela, New Maricón Cinema is the first study to contextualize and analyze recent homo-/trans-/intersexed-themed cinema in Latin America within a broader historical and aesthetic genealogy. Working with theories of affect, circulation, and orientations, Venkatesh examines key scenes in the work of auteurs such as Marco Berger, Javier Fuentes-León, and Julia Solomonoff and in films including Antes que anochezca and Y tu mamá también to show how their use of an affective poetics situates and regenerates viewers in an ethically productive cinematic space. He further demonstrates that New Maricón Cinema has encouraged the production of "gay friendly" commercial films for popular audiences, which reflects wider sociocultural changes regarding gender difference and civil rights that are occurring in Latin America In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Gay men in motion pictures Homosexuality in motion pictures Masculinity in popular culture Latin America Motion pictures Latin America https://doi.org/10.7560/310144 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Venkatesh, Vinodh New Maricón Cinema Outing Latin American Film PERFORMING ARTS / Film & Video / History & Criticism bisacsh Gay men in motion pictures Homosexuality in motion pictures Masculinity in popular culture Latin America Motion pictures Latin America |
| title | New Maricón Cinema Outing Latin American Film |
| title_auth | New Maricón Cinema Outing Latin American Film |
| title_exact_search | New Maricón Cinema Outing Latin American Film |
| title_exact_search_txtP | New Maricón Cinema Outing Latin American Film |
| title_full | New Maricón Cinema Outing Latin American Film Vinodh Venkatesh |
| title_fullStr | New Maricón Cinema Outing Latin American Film Vinodh Venkatesh |
| title_full_unstemmed | New Maricón Cinema Outing Latin American Film Vinodh Venkatesh |
| title_short | New Maricón Cinema |
| title_sort | new maricon cinema outing latin american film |
| title_sub | Outing Latin American Film |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Gay men in motion pictures Homosexuality in motion pictures Masculinity in popular culture Latin America Motion pictures Latin America |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Gay men in motion pictures Homosexuality in motion pictures Masculinity in popular culture Latin America Motion pictures Latin America |
| url | https://doi.org/10.7560/310144 |
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