Art, Nature, and Religion in the Central Andes: Themes and Variations from Prehistory to the Present
From prehistory to the present, the Indigenous peoples of the Andes have used a visual symbol system-that is, art-to express their sense of the sacred and its immanence in the natural world. Many visual motifs that originated prior to the Incas still appear in Andean art today, despite the onslaught...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Austin
University of Texas Press
[2021]
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| Subjects: | |
| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | From prehistory to the present, the Indigenous peoples of the Andes have used a visual symbol system-that is, art-to express their sense of the sacred and its immanence in the natural world. Many visual motifs that originated prior to the Incas still appear in Andean art today, despite the onslaught of cultural disruption that native Andeans have endured over several centuries. Indeed, art has always been a unifying power through which Andeans maintain their spirituality, pride, and culture while resisting the oppression of the dominant society. In this book, Mary Strong takes a significantly new approach to Andean art that links prehistoric to contemporary forms through an ethnographic understanding of Indigenous Andean culture. In the first part of the book, she provides a broad historical survey of Andean art that explores how Andean religious concepts have been expressed in art and how artists have responded to cultural encounters and impositions, ranging from invasion and conquest to international labor migration and the internet. In the second part, Strong looks at eight contemporary art types-the scissors dance (danza de tijeras), home altars (retablos), carved gourds (mates), ceramics (ceramica), painted boards (tablas), weavings (textiles), tinware (hojalateria), and Huamanga stone carvings (piedra de Huamanga). She includes prehistoric and historic information about each art form, its religious meaning, the natural environment and sociopolitical processes that help to shape its expression, and how it is constructed or performed by today's artists, many of whom are "ed in the book |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Physical Description: | 1 online resource |
| ISBN: | 9780292735729 |
Staff View
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| spelling | Strong, Mary Verfasser aut Art, Nature, and Religion in the Central Andes Themes and Variations from Prehistory to the Present Mary Strong Austin University of Texas Press [2021] © 2012 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) From prehistory to the present, the Indigenous peoples of the Andes have used a visual symbol system-that is, art-to express their sense of the sacred and its immanence in the natural world. Many visual motifs that originated prior to the Incas still appear in Andean art today, despite the onslaught of cultural disruption that native Andeans have endured over several centuries. Indeed, art has always been a unifying power through which Andeans maintain their spirituality, pride, and culture while resisting the oppression of the dominant society. In this book, Mary Strong takes a significantly new approach to Andean art that links prehistoric to contemporary forms through an ethnographic understanding of Indigenous Andean culture. In the first part of the book, she provides a broad historical survey of Andean art that explores how Andean religious concepts have been expressed in art and how artists have responded to cultural encounters and impositions, ranging from invasion and conquest to international labor migration and the internet. In the second part, Strong looks at eight contemporary art types-the scissors dance (danza de tijeras), home altars (retablos), carved gourds (mates), ceramics (ceramica), painted boards (tablas), weavings (textiles), tinware (hojalateria), and Huamanga stone carvings (piedra de Huamanga). She includes prehistoric and historic information about each art form, its religious meaning, the natural environment and sociopolitical processes that help to shape its expression, and how it is constructed or performed by today's artists, many of whom are "ed in the book In English ART / Caribbean & Latin American bisacsh Indian art Andes Region Indians of South America Andes Region History Indians of South America Andes Region Religion Indians of South America Andes Region Social life and customs https://www.degruyter.com/isbn/9780292735729 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Strong, Mary Art, Nature, and Religion in the Central Andes Themes and Variations from Prehistory to the Present ART / Caribbean & Latin American bisacsh Indian art Andes Region Indians of South America Andes Region History Indians of South America Andes Region Religion Indians of South America Andes Region Social life and customs |
| title | Art, Nature, and Religion in the Central Andes Themes and Variations from Prehistory to the Present |
| title_auth | Art, Nature, and Religion in the Central Andes Themes and Variations from Prehistory to the Present |
| title_exact_search | Art, Nature, and Religion in the Central Andes Themes and Variations from Prehistory to the Present |
| title_exact_search_txtP | Art, Nature, and Religion in the Central Andes Themes and Variations from Prehistory to the Present |
| title_full | Art, Nature, and Religion in the Central Andes Themes and Variations from Prehistory to the Present Mary Strong |
| title_fullStr | Art, Nature, and Religion in the Central Andes Themes and Variations from Prehistory to the Present Mary Strong |
| title_full_unstemmed | Art, Nature, and Religion in the Central Andes Themes and Variations from Prehistory to the Present Mary Strong |
| title_short | Art, Nature, and Religion in the Central Andes |
| title_sort | art nature and religion in the central andes themes and variations from prehistory to the present |
| title_sub | Themes and Variations from Prehistory to the Present |
| topic | ART / Caribbean & Latin American bisacsh Indian art Andes Region Indians of South America Andes Region History Indians of South America Andes Region Religion Indians of South America Andes Region Social life and customs |
| topic_facet | ART / Caribbean & Latin American Indian art Andes Region Indians of South America Andes Region History Indians of South America Andes Region Religion Indians of South America Andes Region Social life and customs |
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