East German film and the Holocaust:
"East Germany's ruling party never officially acknowledged responsibility for the crimes committed in Germany's name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish sufferin...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Berghahn
2021
|
| Schriftenreihe: | Film Europa
German cinema in an international context ; Volume 22 |
| Schlagworte: | |
| Online-Zugang: | DE-521 DE-255 DE-Y7 |
| Zusammenfassung: | "East Germany's ruling party never officially acknowledged responsibility for the crimes committed in Germany's name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted "Jakob der Lügner" - a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political"-- |
| Beschreibung: | 1 Online-Ressource (xiii, 245 Seiten) Illustrationen |
| ISBN: | 9781789207484 |
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| 490 | 1 | |a Film Europa : German cinema in an international context |v Volume 22 | |
| 505 | 8 | 0 | |t Picking up the pieces : Kurt Maetzig's "Ehe im Schatten" |t <<The>> German Democratic Republic's ambassador of good will : Konrad Wolf's "Sterne" |t Reframing victimhood : Konrad Wolf's "Professor Mamlock" |t Crimes of the past and politics of the present : Wolfgang Luderer's "Lebende Ware" |t 'In Babelsberg, nothing new' : Gottfried Kolditz's "Das Tal der sieben Monde" |t New encounters on well-worn paths : Kurt Jung-Alsen's "Die Bilder des Zeugen Schattmann" |t Returning to the past : Frank Beyer's "Jakob der Lügner" |t Shifting identities : Michael Kann's "Stielke, Heinz, fünfzehn" |t Calendar-based shame? : Siegfried Kühn's "Die Schauspielerin" |
| 520 | 3 | |a "East Germany's ruling party never officially acknowledged responsibility for the crimes committed in Germany's name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted "Jakob der Lügner" - a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political"-- | |
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Datensatz im Suchindex
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| author | Ward, Elizabeth |
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| building | Verbundindex |
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| contents | Picking up the pieces : Kurt Maetzig's "Ehe im Schatten" <<The>> German Democratic Republic's ambassador of good will : Konrad Wolf's "Sterne" Reframing victimhood : Konrad Wolf's "Professor Mamlock" Crimes of the past and politics of the present : Wolfgang Luderer's "Lebende Ware" 'In Babelsberg, nothing new' : Gottfried Kolditz's "Das Tal der sieben Monde" New encounters on well-worn paths : Kurt Jung-Alsen's "Die Bilder des Zeugen Schattmann" Returning to the past : Frank Beyer's "Jakob der Lügner" Shifting identities : Michael Kann's "Stielke, Heinz, fünfzehn" Calendar-based shame? : Siegfried Kühn's "Die Schauspielerin" |
| ctrlnum | (ZDB-30-PQE)EBC6565089 (OCoLC)1286856937 (DE-599)BVBBV047590476 |
| discipline | Allgemeines |
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| format | Electronic eBook |
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| geographic | Deutschland DDR (DE-588)4011890-3 gnd |
| geographic_facet | Deutschland DDR |
| id | DE-604.BV047590476 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:36:01Z |
| indexdate | 2024-09-24T00:25:29Z |
| institution | BVB |
| isbn | 9781789207484 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032975652 |
| oclc_num | 1286856937 |
| open_access_boolean | |
| owner | DE-255 DE-Y7 DE-521 |
| owner_facet | DE-255 DE-Y7 DE-521 |
| physical | 1 Online-Ressource (xiii, 245 Seiten) Illustrationen |
| psigel | ZDB-30-PQE BSB_NED_20211116 KUBA2-EK-ZDB-30-PQE DHB_BSB_FID ZDB-30-PQE EUV_EK_EBC ZDB-30-PQE BZI ZDB-30-PQE DFK |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Berghahn |
| record_format | marc |
| series | Film Europa |
| series2 | Film Europa : German cinema in an international context |
| spelling | Ward, Elizabeth Verfasser (DE-588)1162968087 aut East German film and the Holocaust Elizabeth Ward New York ; Oxford Berghahn 2021 1 Online-Ressource (xiii, 245 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Film Europa : German cinema in an international context Volume 22 Picking up the pieces : Kurt Maetzig's "Ehe im Schatten" <<The>> German Democratic Republic's ambassador of good will : Konrad Wolf's "Sterne" Reframing victimhood : Konrad Wolf's "Professor Mamlock" Crimes of the past and politics of the present : Wolfgang Luderer's "Lebende Ware" 'In Babelsberg, nothing new' : Gottfried Kolditz's "Das Tal der sieben Monde" New encounters on well-worn paths : Kurt Jung-Alsen's "Die Bilder des Zeugen Schattmann" Returning to the past : Frank Beyer's "Jakob der Lügner" Shifting identities : Michael Kann's "Stielke, Heinz, fünfzehn" Calendar-based shame? : Siegfried Kühn's "Die Schauspielerin" "East Germany's ruling party never officially acknowledged responsibility for the crimes committed in Germany's name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted "Jakob der Lügner" - a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political"-- Judenvernichtung Motiv (DE-588)4122228-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Deutschland DDR (DE-588)4011890-3 gnd rswk-swf Motion pictures / Germany (East) / History Holocaust, Jewish (1939-1945), in motion pictures Motion pictures Germany (East) History Deutschland DDR (DE-588)4011890-3 g Film (DE-588)4017102-4 s Judenvernichtung Motiv (DE-588)4122228-3 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-78920-747-7 (DE-604)BV047296366 Film Europa German cinema in an international context ; Volume 22 (DE-604)BV047590905 22 |
| spellingShingle | Ward, Elizabeth East German film and the Holocaust Film Europa Picking up the pieces : Kurt Maetzig's "Ehe im Schatten" <<The>> German Democratic Republic's ambassador of good will : Konrad Wolf's "Sterne" Reframing victimhood : Konrad Wolf's "Professor Mamlock" Crimes of the past and politics of the present : Wolfgang Luderer's "Lebende Ware" 'In Babelsberg, nothing new' : Gottfried Kolditz's "Das Tal der sieben Monde" New encounters on well-worn paths : Kurt Jung-Alsen's "Die Bilder des Zeugen Schattmann" Returning to the past : Frank Beyer's "Jakob der Lügner" Shifting identities : Michael Kann's "Stielke, Heinz, fünfzehn" Calendar-based shame? : Siegfried Kühn's "Die Schauspielerin" Judenvernichtung Motiv (DE-588)4122228-3 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4122228-3 (DE-588)4017102-4 (DE-588)4011890-3 |
| title | East German film and the Holocaust |
| title_alt | Picking up the pieces : Kurt Maetzig's "Ehe im Schatten" <<The>> German Democratic Republic's ambassador of good will : Konrad Wolf's "Sterne" Reframing victimhood : Konrad Wolf's "Professor Mamlock" Crimes of the past and politics of the present : Wolfgang Luderer's "Lebende Ware" 'In Babelsberg, nothing new' : Gottfried Kolditz's "Das Tal der sieben Monde" New encounters on well-worn paths : Kurt Jung-Alsen's "Die Bilder des Zeugen Schattmann" Returning to the past : Frank Beyer's "Jakob der Lügner" Shifting identities : Michael Kann's "Stielke, Heinz, fünfzehn" Calendar-based shame? : Siegfried Kühn's "Die Schauspielerin" |
| title_auth | East German film and the Holocaust |
| title_exact_search | East German film and the Holocaust |
| title_exact_search_txtP | East German film and the Holocaust |
| title_full | East German film and the Holocaust Elizabeth Ward |
| title_fullStr | East German film and the Holocaust Elizabeth Ward |
| title_full_unstemmed | East German film and the Holocaust Elizabeth Ward |
| title_short | East German film and the Holocaust |
| title_sort | east german film and the holocaust |
| topic | Judenvernichtung Motiv (DE-588)4122228-3 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Judenvernichtung Motiv Film Deutschland DDR |
| volume_link | (DE-604)BV047590905 |
| work_keys_str_mv | AT wardelizabeth eastgermanfilmandtheholocaust |