Some keywords in Dickens:
This volume shows how highly conscious Dickens was of words – of their meaning of course, and of the ideas they conjured up, but also of their very substance, texture, plasticity, visuality, and resonance, as well as their interactions with other words, and with their cultural environment. Each keyw...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Göttingen
V&R unipress
2021
|
| Schriftenreihe: | Close reading
volume 4 |
| Schlagworte: | |
| Zusammenfassung: | This volume shows how highly conscious Dickens was of words – of their meaning of course, and of the ideas they conjured up, but also of their very substance, texture, plasticity, visuality, and resonance, as well as their interactions with other words, and with their cultural environment. Each keyword is treated not as a semantic unit with a fixed meaning but rather as a flexible linguistic construct. Some keywords are just a word, a characteristic or even idiosyncratic lexical unit; some are treated as a load-bearing conceptual category or theme; some disintegrate into noise, complicating readers’ assumptions about what a keyword must be. The focus shifts from "word" at micro- to macro-levels of signification, at times denoting wider cultural usage. Dynamic relations, oppositions, correlations and overlappings result from these individualized reading journeys, creating unforeseen and rich systems of meaning. |
| Beschreibung: | 247 Seiten |
| ISBN: | 9783847113157 |
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| isbn | 9783847113157 |
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| physical | 247 Seiten |
| publishDate | 2021 |
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| series | Close reading |
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| spelling | Hollington, Michael 1942- Verfasser (DE-588)1043185127 aut Some keywords in Dickens Michael Hollington, Francesca Orestano, Nathalie Vanfasse Göttingen V&R unipress 2021 247 Seiten txt rdacontent n rdamedia nc rdacarrier Close reading volume 4 This volume shows how highly conscious Dickens was of words – of their meaning of course, and of the ideas they conjured up, but also of their very substance, texture, plasticity, visuality, and resonance, as well as their interactions with other words, and with their cultural environment. Each keyword is treated not as a semantic unit with a fixed meaning but rather as a flexible linguistic construct. Some keywords are just a word, a characteristic or even idiosyncratic lexical unit; some are treated as a load-bearing conceptual category or theme; some disintegrate into noise, complicating readers’ assumptions about what a keyword must be. The focus shifts from "word" at micro- to macro-levels of signification, at times denoting wider cultural usage. Dynamic relations, oppositions, correlations and overlappings result from these individualized reading journeys, creating unforeseen and rich systems of meaning. Dickens, Charles 1812-1870 (DE-588)118525239 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Dickens, Charles 1812-1870 (DE-588)118525239 p DE-604 Orestano, Francesca 1949- Sonstige (DE-588)1260743810 oth Vanfasse, Nathalie 1970- Sonstige (DE-588)1031701672 oth Close reading volume 4 (DE-604)BV042162972 4 |
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| subject_GND | (DE-588)118525239 (DE-588)4143413-4 |
| title | Some keywords in Dickens |
| title_auth | Some keywords in Dickens |
| title_exact_search | Some keywords in Dickens |
| title_exact_search_txtP | Some Keywords in Dickens |
| title_full | Some keywords in Dickens Michael Hollington, Francesca Orestano, Nathalie Vanfasse |
| title_fullStr | Some keywords in Dickens Michael Hollington, Francesca Orestano, Nathalie Vanfasse |
| title_full_unstemmed | Some keywords in Dickens Michael Hollington, Francesca Orestano, Nathalie Vanfasse |
| title_short | Some keywords in Dickens |
| title_sort | some keywords in dickens |
| topic | Dickens, Charles 1812-1870 (DE-588)118525239 gnd |
| topic_facet | Dickens, Charles 1812-1870 Aufsatzsammlung |
| volume_link | (DE-604)BV042162972 |
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