Performance studies: the basics
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London ; New York
Routledge, Taylor & Francis Group
2022
|
| Series: | The basics
Drama / theatre studies |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | viii, 160 Seiten |
| ISBN: | 9780367232979 9780367251758 |
Staff View
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CONTENTS Acknowledgements Introduction ix 1 1 What is performance? Framing performance Performance in everyday life Rituals Performativity The anti-performance prejudice Not only bodies perform What is performance studies? Performance ethnography and practice Why performance? Further reading/research 4 4 7 8 10 12 14 17 19 20 21 2 Performance art What is performance art? The origins of performance art Feminist performance art Expanding the boundaries of performance art Extreme body performance Performance art and capitalism Further reading/research 22 22 24 27 33 36 41 43 3 Performance and performativity Repetition and re-enactment Liveness and mediation 45 45 48
viii CONTENTS Spectatorship, community, participation Performance, performativity and the performative Performance failure Further reading 4 Identity and lived experience ,, Performance, representation and visibility Performance and subjectivity Performance and lived experience Performance, authenticity and cultural appropriation Further reading 52 56 61 63 64 64 71 76 80 84 Performance activism Performance as activism What exactly is performance activism? A brief (and incomplete) history of performance activism When performance activism backfires A few lessons in performance activism Further reading 89 97 100 103 6 Performance research methods What are research methods? Archival research and performance historiography Close readings ' Performance ethnography Autoethnography Oral history performance Performative writing Staging performance Further reading/research 104 104 105 110 113 118 120 123 124 127 7 Performance studies The birth of performance studies Performance studies around the world Performance and the status quo Speculative futures of performance studies Why performance studies, then? 128 128 132 136 141 144 Glossary Bibliography Index 147 151 157 5 85 85 87 |
| adam_txt |
CONTENTS Acknowledgements Introduction ix 1 1 What is performance? Framing performance Performance in everyday life Rituals Performativity The anti-performance prejudice Not only bodies perform What is performance studies? Performance ethnography and practice Why performance? Further reading/research 4 4 7 8 10 12 14 17 19 20 21 2 Performance art What is performance art? The origins of performance art Feminist performance art Expanding the boundaries of performance art Extreme body performance Performance art and capitalism Further reading/research 22 22 24 27 33 36 41 43 3 Performance and performativity Repetition and re-enactment Liveness and mediation 45 45 48
viii CONTENTS Spectatorship, community, participation Performance, performativity and the performative Performance failure Further reading 4 Identity and lived experience ,, Performance, representation and visibility Performance and subjectivity Performance and lived experience Performance, authenticity and cultural appropriation Further reading 52 56 61 63 64 64 71 76 80 84 Performance activism Performance as activism What exactly is performance activism? A brief (and incomplete) history of performance activism When performance activism backfires A few lessons in performance activism Further reading 89 97 100 103 6 Performance research methods What are research methods? Archival research and performance historiography Close readings ' Performance ethnography Autoethnography Oral history performance Performative writing Staging performance Further reading/research 104 104 105 110 113 118 120 123 124 127 7 Performance studies The birth of performance studies Performance studies around the world Performance and the status quo Speculative futures of performance studies Why performance studies, then? 128 128 132 136 141 144 Glossary Bibliography Index 147 151 157 5 85 85 87 |
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| index_date | 2024-07-03T18:34:27Z |
| indexdate | 2025-02-02T17:00:13Z |
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| isbn | 9780367232979 9780367251758 |
| language | English |
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| spelling | Micu, Andreea S. Verfasser (DE-588)1247221288 aut Performance studies the basics Andreea S. Micu London ; New York Routledge, Taylor & Francis Group 2022 viii, 160 Seiten txt rdacontent n rdamedia nc rdacarrier The basics Drama / theatre studies Performance Künste (DE-588)4173750-7 gnd rswk-swf Performance Künste (DE-588)4173750-7 s DE-604 Erscheint auch als Online-Ausgabe, (ebk) 978-0-429-28637-7 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032970308&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Performance studies the basics |
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| title_full | Performance studies the basics Andreea S. Micu |
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| title_short | Performance studies |
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