The Oxford handbook of cinematic listening:
The Possibilities of Cinematic Listening : An Introduction / Carlo Cenciarelli -- GENEALOGIES AND BEGINNINGS. Deeds of Music in Bourgeois Opera (What the Listener Sees . . . ) / Peter Franklin ; Hearing the Shadows at the Chat Noir's Pre-cinematic Theatre / Emilio Sala ; The Courtships of Ada a...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2021]
|
| Schlagworte: | |
| Zusammenfassung: | The Possibilities of Cinematic Listening : An Introduction / Carlo Cenciarelli -- GENEALOGIES AND BEGINNINGS. Deeds of Music in Bourgeois Opera (What the Listener Sees . . . ) / Peter Franklin ; Hearing the Shadows at the Chat Noir's Pre-cinematic Theatre / Emilio Sala ; The Courtships of Ada and Len : Mediated Musicals and Vocal Caricature Before the Cinema / Jacob Smith ; The Trickality of Listening in Early Musical Trick Films / Julie Brown ; Cinematic Listening and the Early Talkie / Jim Buhler -- LOCATIONS AND RELOCATIONS. Historical Sound-Film Presentation and the Closed-Curtain Roadshow Overture / Ben Winters ; Tasteful Networks of Attention : Language, Listening, Meaning, and Art House Exhibition / Jocelyn Szczepaniak-Gillece ; The Atmosphere Was Entirely Good Humoured : The Cinema as a Venue for Live Music in Britain in the 1950s and 1960s / Simon Frith ; Out of the Frame : Live-Score Film Screenings and the Cinematic Experience / Jeremy Barham ; Leveraging a Long and Tuneful History : Perspectival Manipulation, Surround Sound, and Dolby Atmos / Meredith C. Ward -- REPRESENTATIONS AND REPRESENTATIONS. Making Sense of Noise and Silence in La Captive / Richard Dyer ; Hearing Hearing? Reflections on the Kubrickian Soundtrack / David Code ; Countercultural Listening in Malick's Badlands (1973) / Julie Hubbert ; Music Lovers : Listening in (and to) Composer Biopics / Guido Heldt ; Hi-Yo, Rossini : Hearing Pre-existing music as Post-existing Music / Jonathan Godsall ; You Sorta Listen with Your Eyes : How Audiences Talk about Film Music Martin Barker -- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xii, 774 Seiten Illustrationen |
| ISBN: | 9780190853617 |
Internformat
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| 520 | 3 | |a The Possibilities of Cinematic Listening : An Introduction / Carlo Cenciarelli -- GENEALOGIES AND BEGINNINGS. Deeds of Music in Bourgeois Opera (What the Listener Sees . . . ) / Peter Franklin ; Hearing the Shadows at the Chat Noir's Pre-cinematic Theatre / Emilio Sala ; The Courtships of Ada and Len : Mediated Musicals and Vocal Caricature Before the Cinema / Jacob Smith ; The Trickality of Listening in Early Musical Trick Films / Julie Brown ; Cinematic Listening and the Early Talkie / Jim Buhler -- | |
| 520 | 3 | |a LOCATIONS AND RELOCATIONS. Historical Sound-Film Presentation and the Closed-Curtain Roadshow Overture / Ben Winters ; Tasteful Networks of Attention : Language, Listening, Meaning, and Art House Exhibition / Jocelyn Szczepaniak-Gillece ; The Atmosphere Was Entirely Good Humoured : The Cinema as a Venue for Live Music in Britain in the 1950s and 1960s / Simon Frith ; Out of the Frame : Live-Score Film Screenings and the Cinematic Experience / Jeremy Barham ; Leveraging a Long and Tuneful History : Perspectival Manipulation, Surround Sound, and Dolby Atmos / Meredith C. Ward -- | |
| 520 | 3 | |a REPRESENTATIONS AND REPRESENTATIONS. Making Sense of Noise and Silence in La Captive / Richard Dyer ; Hearing Hearing? Reflections on the Kubrickian Soundtrack / David Code ; Countercultural Listening in Malick's Badlands (1973) / Julie Hubbert ; Music Lovers : Listening in (and to) Composer Biopics / Guido Heldt ; Hi-Yo, Rossini : Hearing Pre-existing music as Post-existing Music / Jonathan Godsall ; You Sorta Listen with Your Eyes : How Audiences Talk about Film Music Martin Barker -- | |
| 650 | 0 | 7 | |a Filmmusik |0 (DE-588)4017129-2 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Motion picture music / History and criticism | |
| 653 | 0 | |a Film soundtracks / History and criticism | |
| 653 | 0 | |a Listening | |
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| 700 | 1 | |a Cenciarelli, Carlo |0 (DE-588)1026026059 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-0-19-085363-1 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032967055 | ||
Datensatz im Suchindex
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/4209 |
| dewey-search | 781.5/4209 |
| dewey-sort | 3781.5 44209 |
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| discipline | Allgemeines Musikwissenschaft |
| discipline_str_mv | Allgemeines Musikwissenschaft |
| format | Book |
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| id | DE-604.BV047581679 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:33:22Z |
| indexdate | 2024-07-10T09:15:27Z |
| institution | BVB |
| isbn | 9780190853617 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032967055 |
| oclc_num | 1253758381 |
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| owner_facet | DE-703 DE-11 DE-Po75 |
| physical | xii, 774 Seiten Illustrationen |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | The Oxford handbook of cinematic listening edited by Carlo Cenciarelli New York, NY Oxford University Press [2021] ©2021 xii, 774 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index The Possibilities of Cinematic Listening : An Introduction / Carlo Cenciarelli -- GENEALOGIES AND BEGINNINGS. Deeds of Music in Bourgeois Opera (What the Listener Sees . . . ) / Peter Franklin ; Hearing the Shadows at the Chat Noir's Pre-cinematic Theatre / Emilio Sala ; The Courtships of Ada and Len : Mediated Musicals and Vocal Caricature Before the Cinema / Jacob Smith ; The Trickality of Listening in Early Musical Trick Films / Julie Brown ; Cinematic Listening and the Early Talkie / Jim Buhler -- LOCATIONS AND RELOCATIONS. Historical Sound-Film Presentation and the Closed-Curtain Roadshow Overture / Ben Winters ; Tasteful Networks of Attention : Language, Listening, Meaning, and Art House Exhibition / Jocelyn Szczepaniak-Gillece ; The Atmosphere Was Entirely Good Humoured : The Cinema as a Venue for Live Music in Britain in the 1950s and 1960s / Simon Frith ; Out of the Frame : Live-Score Film Screenings and the Cinematic Experience / Jeremy Barham ; Leveraging a Long and Tuneful History : Perspectival Manipulation, Surround Sound, and Dolby Atmos / Meredith C. Ward -- REPRESENTATIONS AND REPRESENTATIONS. Making Sense of Noise and Silence in La Captive / Richard Dyer ; Hearing Hearing? Reflections on the Kubrickian Soundtrack / David Code ; Countercultural Listening in Malick's Badlands (1973) / Julie Hubbert ; Music Lovers : Listening in (and to) Composer Biopics / Guido Heldt ; Hi-Yo, Rossini : Hearing Pre-existing music as Post-existing Music / Jonathan Godsall ; You Sorta Listen with Your Eyes : How Audiences Talk about Film Music Martin Barker -- Filmmusik (DE-588)4017129-2 gnd rswk-swf Motion picture music / History and criticism Film soundtracks / History and criticism Listening Filmmusik (DE-588)4017129-2 s DE-604 Cenciarelli, Carlo (DE-588)1026026059 edt Erscheint auch als Online-Ausgabe, EPUB 978-0-19-085363-1 |
| spellingShingle | The Oxford handbook of cinematic listening Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4017129-2 |
| title | The Oxford handbook of cinematic listening |
| title_auth | The Oxford handbook of cinematic listening |
| title_exact_search | The Oxford handbook of cinematic listening |
| title_exact_search_txtP | The Oxford handbook of cinematic listening |
| title_full | The Oxford handbook of cinematic listening edited by Carlo Cenciarelli |
| title_fullStr | The Oxford handbook of cinematic listening edited by Carlo Cenciarelli |
| title_full_unstemmed | The Oxford handbook of cinematic listening edited by Carlo Cenciarelli |
| title_short | The Oxford handbook of cinematic listening |
| title_sort | the oxford handbook of cinematic listening |
| topic | Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Filmmusik |
| work_keys_str_mv | AT cenciarellicarlo theoxfordhandbookofcinematiclistening |