Film manifestos and global cinema cultures: a critical anthology
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| ISBN: | 9780520377479 |
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Datensatz im Suchindex
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| adam_text | CONTENTS Acknowledgments · xix Introduction. “An Invention without a Future” · i Ն THE AVANT-GARDE(S) · 13 The Futurist Cinema (Italy, 1916) · 15 F. T. Marinetti, Bruno Corra, et al. Lenin Decree (USSR, 1919) · 19 Vladimir Ilyich Lenin The ABCs of Cinema (France, 1917-1921) · 20 ■ 23 Blaise Cendrars WE: Variant of a Manifesto (USSR, 1922) Dziga Vertov The Method of Making Workers’ Films (USSR, 1925) Sergei Eisenstein Constructivism in the Cinema (USSR, 1928) · Alexei Can Preface: Un chien Andalou (France, 1928) Luis Buñuel · 31 29 ՚ 27
Manifesto of the Surrealists Concerning L Age d’or (France, 1930) · 31 The Surrealist Croup Manifesto on “Que Viva Mexico” (USA, 1933) · 38 The Editors о/Experimental Film Spirit of Truth (France, 1933) · 41 Le Corbusier An Open Letter to the Film Industry and to All Who Are Interested in the Evolution of the Good Film (Hungary, 1934) · 44 · 49 László Moholy-Nagy Light*Form*Movement*Sound (USA, 1935) · 47 Mary Ellen Bute Prolegomena for All Future Cinema (France, 1952) Cuy Debord * No More Flat Feet! (France, 1952) · 50 Lettriste International The Lettristes Disavow the Insulters of Chaplin (France, 1952) · 51 Jean-lsidore /sou, Maurice Lemaître, and Gabriel Pomeraná The Only Dynamic Art (USA, 1953) · 52 Jim Davis A Statement of Principles (USA, 1961) · 56 Maya Deren The First Statement of the New American Cinema Group (USA, 1961) 58 New American Cinema Croup Foundation for the Invention and Creation of Absurd Movies (USA, 1962) · 61 Ron Rice From Metaphors on Vision (USA, 1963) · 62 Stan Brakhage Kuchár 8mm Film Manifesto (USA, 1964) George Kuchár Film Andepandan [Independents] Manifesto (Japan, 1964) · 70 Takahiko Umura, Koichiro Ishizaki, et al. vi · CONTENTS 69
Discontinuous Films (Canada, 1967) · 72 Keewatin Dewdney Hand-Made Films Manifesto (Australia, 1968) · 76 Ubu Films, Thoms Cinema Manifesto (Australia, 1971) · 77 Arthur Cantrill and Corinne Cantrill For a Metahistory of Film: Commonplace Notes and Hypotheses (USA, 1971) - 78 Hollis Frampton Elements of the Void (Greece, 1972) · 86 Gregory Markopoulos Small Gauge Manifesto (USA, 1980) 87 JoAnn Elam and Chuck Kleinhans Cinema of Transgression Manifesto (USA, 1985) · 88 Nick Zedd Modern, All Too Modern (USA, 1988) · 89 Keith Sanborn Open Letter to the Experimental Film Congress: Let’s Set the Record Straight (Canada, 1989) · 100 Peggy Ahwesh, Caroline Avery, et a!. Anti-100 Years of Cinema Manifesto (USA, 1996) · 102 Jonas Mekas The Decalogue (Czech Republic, 1999) · 103 Jan Švankmajer Your Film Farm Manifesto on Process Cinema (Canada, 2012) -105 Philip Hoffman 2. NATIONAL AND TRANSNATIONAL CINEMAS From “The Glass Eye” (Italy, 1933) · · 109 112 Leo Longanesi The Archers’Manifesto (UK, 1942) · 116 Michael Powell and Emeric Pressburger What Is Wrong with Indian Films? (India, 1948) ■ 117 Satyajit Ray CONTENTS
Buñuel the Poet (Mexico, 1951) · 120 Octavio Paz French Cinema Is Over (France, 1952) 123 Serge Berna, Guy Debord, et al. Some Ideas on the Cinema (Italy, 1953) · 124 Cesare Zavattini A Certain Tendency in French Cinema (France, 1954) · 133 François Truffaut Salamanca Manifesto Conclusions of the Congress of Salamanca (Spain, 1955) · 144 Juan Antonio Bardem Free Cinema Manifestos (UK, 1956-1959) · 149 Committeefar Free Cinema “« The Oberhausen Manifesto (West Germany, 1962) · 152 · 153 ■ 154 Alexander Kluge, Edgar Reitz, et al. Untitled [Oberhausen 1965] (West Germany, 1965) Jean-Marie Straub, Rodolf Thome, Dirk Alvermann, et al. The Mannheim Declaration (West Germany, 1967) Joseph von Sternberg, Alexander Kluge, et al. Sitges Manifesto (Spain, 1967) ■ 155 Manuel Revuelta, Antonio Artero, Joachin Jordà, and Julián Marcos Howto Make a Canadian Film (Canada, 1967) · 157 Guy Glover Howto Not Make a Canadian Film (Canada, 1967) · 161 ClaudeJutra From “The Estates General of the French Cinema, May 1968” (France, 1968) · 162 Thierry Derocles, Michel Demoule, Claude Chabrol, and Marin Karmitz Manifesto of the New Cinema Movement (India, 1968) Árun Kaul and Mrinal Sen What Is to Be Done? (France, 1970) · 169 Jean-Luc Godard The Winnipeg Manifesto (Canada, 1974) Denys Arcand, Colin Low, Don Shebib, et al. viii CONTENTS · 170 · 165
Hamburg Declaration of German Filmmakers (West Germany, 1979) · 172 Rainer Werner Fassbinder, Werner Herzog, Wim Wenders, et al. Manifesto I (Denmark, 1984) · 173 Lars von Trier Manifesto И (Denmark, 1987) · 174 Lars von Trier Manifesto III: I Confess! (Denmark, 1990) · 174 Lars von Trier The Cinema We Need (Canada, 1985) ■ 176 R. Bruce Elder Pathways to the Establishment of a Nigerian Film Industry (Nigeria, 1985) · 183 Ola Balogun Manifesto of 1988 (German Democratic Republic, 1988) · 192 Young DEFA Filmmakers In Praise of a Poor Cinema (Scotland, 1993) · 194 Colin McArthur Dogme ’95 Manifesto and Vow of Chastity (Denmark, 1995) · 201 Lars von Trier and Thomas Vinterberg I Sinema Manifesto (Indonesia, 1999) · 203 Dimas Djayadinigrcrt, Enison Sinaro, et al. 3. THIRD CINEMAS, COLONIALISM, DECOLONIZATION, AND POSTCOLONIALISM · 207 Manifesto of the New Cinema Group (Mexico, 1961) · 209 El grupo nuevo cine Cinema and Underdevelopment (Argentina, 1962) · 211 Fernando Birri The Aesthetics of Hunger (Brazil, 1965) · 218 Glauber Rocha For an Imperfect Cinema (Cuba, 1969) · 220 Julio Carda Espinosa CONTENTS X · IX
Towards a Third Cinema: Notes and Experiences for the Development of a Cinema of Liberation in the Third World (Argentina, 1969) ■ 230 Fernando Solanas and Octavio Cetino Film Makers and the Popular Government Political Manifesto (Chile, 1970) · 250 Comité de cine de la unidad popular Consciousness of a Need (Uruguay, 1970) · 253 Mario Handler Militant Cinema: An Internal Category ofThird Cinema (Argentina, 1971) ■ 256 Octavio Cetino and Fernando Solanas For Colombia 1971: Militancy and Cinema (Colombia, 1971) · 258..,. Carlos Alvarez The Cinema: Another Face of Colonised Québec (Canada, 1971) · 264 Association professionnelle des cinéastes du Québec 8 Millimeters versus 8 Millions (Mexico, 1972) · 272 Jaime Humberto Hermosillo, Arturo Ripstein, Paul Leduc, et al. Manifesto of the Palestinian Cinema Group (Palestine, 1973) ֊ 27Յ Palestinian Cinema Croup Resolutions of the Third World Filmmakers Meeting (Algeria, 1973) · 275 Fernando Birri, Ousmane Sembène, Jorge Silva, et al. The Luz e Ação Manifesto (Brazil, 1973) · 284 Carlos Diegues, Glauber Rocha, et al. Problems of Form and Content in Revolutionary Cinema (Bolivia, 1976) · 286 Jorge Sanjinés Manifesto of the National Front of Cinematographers (Mexico, 1975) · 294 Paul Leduc, Jorge Fons, et al. The Algiers Charter on African Cinema (Algeria, 1975) FEPACI (Fédération panafricaine des cinéastes) X CONTENTS · 296
Declaration of Principles and Goals of the Nicaraguan Institute of Cinema (Nicaragua, 1979) · 298 Nicaraguan Institute of Cinema What Is the Cinema for Us? (Mauritania, 1979) · 300 Med Hondo Niamey Manifesto of African Filmmakers (Niger, 1982) · 303 FEPACI (Fédération panafricaine des cinéastes) Black Independent Filmmaking: A Statement by the Black Audio Film Collective (UK, 1983) · 307 John Akomfrah From Birth Certificate ofthe International School of Cinema and Television In San Antonio de Los Baños, Cuba, Nicknamed the School of Three Worlds (Cuba, 1986) · 309 Fernando Birri FeCAViP Manifesto (France, 1990) · 312 Federation of Caribbean Audiovisual Professionals Final Communique of the First Frontline Film Festival and Workshop (Zimbabwe, 1990) ■ 313 SADCC (South African Development Coordination Conference) Pocha Manifesto #1 (USA, 1994) · 316 Sandra Peña-Sarmiento Poor Cinema Manifesto (Cuba, 2004) · 318 Humberto Solds Jollywood Manifesto (Haiti, 2008) · 320 Ciné Institute The Toronto Declaration: No Celebration of Occupation (Canada, 2009) · 321 John Creyson, Naomi Klein, et al. 4. GENDER, FEMINIST, QUEER, SEXUALITY, AND PORN MANIFESTOS · 32; Woman’s Place in Photoplay Production (USA, 1914) · 328 Alice Cuy-Blaché Hands Off Love (France, 1927) · 330 Maxime Alexandre, Louis Aragon, et al. CONTENTS V · XI
The Perfect Filmic Appositeness of Maria Montez (USA, 1962) · 336 Jack Smith On Film No. 4 (In Taking the Bottoms of 365 Saints of Our Time) (UK, 1967) ■ 344 Yoko Оно Statement (USA, 1969) · 346 Kenneth Anger Wet Dream Film Festival Manifesto (The Netherlands, 1970) · 346 S. £ L F. (Sexual Egalitarianism and Libertarian Fraternity) Women’s Cinema as Counter-Cinema (UK, 1973) · 347 Claire Johnston Manifesto fo r a Non-sexist Cinema (Canada, 1974) · 356 FECIP (Fédération européenne du cinéma progressiste) Womanifesto (USA, 1975) · 359 Feminists in the Media Visual Pleasure and Narrative Cinema (UK, 1975) · 359 Laura Mulvey An Egret in the Porno Swamp: Notes of Sex in the Cinema (Sweden, 1977) · 370 Vilgot Sjöman For the Self-Expression of the Arab Woman (France, 1978) · 375 Heiny Srour, Salma Baccar, and Magda Wassef Manifesto of the Women Filmmakers (West Germany, 1979) · 376 Verband der Filmarbeiterinnen Wimmin’s Fire Brigade Communiqué (Canada, 1982) · 377 Wimmin’s Fire Brigade Thoughts on Women’s Cinema: Eating Words, Voicing Struggles (USA, 1986) · 378 Yvonne Rainer The Post Porn Modernist Manifesto (USA, 1989) Annie Sprinkle, Veronica Vera, et al. xii CONTENTS · 382
Statement of African Women Professionals of Cinema, Television and Video (Burkina Faso, 1991) · 383 FEPACI (Fédération panafricaine des cinéastes) Puzzy Power Manifesto: Thoughts on Women and Pornography (Denmark, 1998) · 385 Vibeke Windeløv, Lene Børglum, et al. Cinema with Tits (Spain, 1998) · 388 Idar Bollafn My Porn Manifesto (France, 2002) · 390 Ovidie No More Mr. Nice Cay: A Manifesto (USA, 2009) · 392 Todd Ve row Barefoot Filmmaking Manifesto (UK, 2009) · 396 Sally Potter Dirty Diaries Manifesto (Sweden, 2009) · 397 Mia Engberg 5. MILITATING HOLLYWOOD · 403 Code to Govern the Making of Talking, Synchronized and Silent Motion Pictures (Motion Picture Production Code) (USA, 1930) · 405 Motion Picture Producers and Distributors ofAmerica Red Films: Soviets Spreading Doctrine in U.S. Theatres (USA, 1935) · W William Randolph Hearst Statement of Principles (USA, 1944) · 420 Motion Picture Alliance for the Preservation ofAmerican Ideals Screen Guide for Americans (USA, 1947) ■ 422 Αγη Rand White Elephant Art vs. Termite Art (USA, 1962) · 432 Manny Färber Super Fly: A Summary of Objections by the Kuumba Workshop (USA, 1972) 440 Kuumba Workshop Full Frontal Manifesto (USA, 2001) ■ 441 Steven Soderbergh CONTENTS Ч xiii
· 445 6. THE CREATIVE TREATMENT OF ACTUALITY Towards a Social Cinema (France, 1930) ■ 448 Jean Vigo From “First Principles of Documentary” (UK, 1932) ■ 453 John Grierson Manifesto on the Documentary Film (UK, 1933) · 460 Oswell Blakeston Declaration of the Group of Thirty (France, 1953) · 461 Jean Pain levé, Jacques-Yves Cousteau, Alain Resnais, et al. Initial Statement of the Newsreel (USA, 1967) · 462 New York Newsreel Nowsreel, or the Potentialities of a Political Cinema (USA, 1970) · 46з։ Robert Kramer, New York Newsreel Documentary Filmmakers Make Their Case (Poland, 7971) ■ 464 Bohdan Kosiński, Krzysztof Kieślowski, and Tomasz Zygadło The Asian Filmmakers at Yamagata YIDFF Manifesto (Japan, 1989) 469 Kidlat Tahimik, Stephen Teo, et ai. Minnesota Declaration: Truth and Fact in Documentary Cinema (Germany, 1999) ■ 471 Werner Herzog Defocus Manifesto (Denmark, 2000) · 472 Lars von Trier Kill the Documentary as We Know It (USA, 2002) · 473 Jill Godmilow Ethnographic Cinema (EC): A Manifesto/A Provocation (USA, 2003) · 476 Jay Ruby Reality Cinema Manifesto (Russia, 2005) · 478 Vitaly Manskiy Documentary Manifesto (USA, 2008) Albert Maysles xiv CONTENTS · 479
China Independent Film Festival Manifesto: Shamans * Animals (People’s Republic of China, гоп) · 480 By several documentary filmmakers who participated and also who did not participate in the festival 7. STATES, DICTATORSHIPS, THE COMINTERN, AND THEOCRACIES · 487 Capture the Film! Hints on the Use of, Out of the Use of, Proletarian Film Propaganda (USA, 1925) · 490 Willi Münzenberg The Legion of Decency Pledge (USA, 1934) · 492 ArchbishopJohn McNicholas Creative Film (Germany, 1935) · 493 Joseph Goebbels Vigilanti Cura: On Motion Pictures (Vatican City, 1936) · 495 Pope Pius XI Four Cardinal Points of A Revolução de Maio (Portugal, 1937) · 505 António Lopes Ribeiro From On the Art of Cinema (North Korea, 1973) · 506 Kim Jong-il · 517 8. ARCHIVES, MUSEUMS, FESTIVALS, AND CINEMATHEQUES A New Source of History: The Creation of a Depository for Historical Cinematography (Poland/France, 1898) · 520 Bolesław Matuszewski The Film Prayer (USA, c. 1920) · 523 A. P. Hollis The Film Society (UK, 1925) · 524 Iris Barry Filmliga Manifesto (The Netherlands, 1927) · 525 Joris Ivens, Henrik Schölte, Men’no Ter Bbaak, et al. Statement of Purposes (USA, 1948) · 527 Amos Vogel, Cinema 16 The Importance of Film Archives (UK, 1948) · 529 Ernest Lindgren CONTENTS Ч · XV
A Plea for a Canadian Film Archive (Canada, 1949) · 533 Hye Bossin Open Letter to Film-Makers of the World (USA, 1966) · 534 Jonas Mekas A Declaration from the Committee for the Defense of La Cinémathèque française (France, 1968) Committee for the Defense of La · 539 Cinémathèque française Filmmakers versus the Museum of Modern Art (USA, 1969) · 540 Hollis Prompton, Ken Jacobs, and Michael Snow Anthology Film Archives Manifesto (USA, 1970) · 543 P. Adams Sitney Toward an Ethnographic Film Archive (USA, 1971) ■ 544 Alan Lomax., Brooklyn Babylon Cinema Manifesto (USA, 1998) · 555 Scott Miller Berry and Stephen Kent Jusick Don’t Throw Film Away: The FIAF 70th Anniversary Manifesto (France, 2008) · 556 Hisashi Okajima and La fédération internationale des archives du film Manifesto Working Croup The Lindgren Manifesto: The Film Curator of the Future (Italy, гою) · 558 Paolo Cherchi Usai Film Festival Form: A Manifesto (UK, 2012) · 559 Mark Cousins 9. SOUNDS AND SILENCE · 565 A Statement on Sound (USSR, 1928) · 566 Sergei Eisenstein, Vsevolod Pudovkin, and Grigori Alexandrov A Rejection ofthe Talkies (USA, 1931) · 568 Charlie Chaplin A Dialogue on Sound: A Manifesto (UK, 1934) · 570 Basil Wright and B. Vivian Braun Amalfi Manifesto (Italy, 1967) · 572 Michelangelo Antonioni, Bernardo Bertolucci, Pier Paolo Pasolini, et al. xvi CONTENTS
10.THE DIGITAL REVOLUTION · 575 Culture: Intercom and Expanded Cinema: A Proposal and Manifesto (USA, 1966) · 576 Stan VanDerBeek The Digital Revolution and the Future Cinema (Iran, 2000) · 580 Samira Makhmalbaf The Pluginmanifesto (UK, 2001) · 586 Ana Kronschnabl Digital Dekalogo: A Manifesto for a Filmless Philippines (The Philippines, 2003) · 588 Khavn de la Cruz П. AESTHETICS AND THE FUTURES OF THE CINEMA The Birth of the Sixth Art (France, 19η) ■ 593 · 595 Ricciotto Canudo The Birth of a New Avant Garde: La caméra-stylo (France, 1948) · 603 Alexandre Astruc From Preface to Film (UK, 1954) · 607 Raymond Williams The Snakeskin (Sweden, 1965) · 614 Ingmar Bergman Manifesto (Italy, 1965) · 616 Roberto Rossellini, Bernardo Bertolucci, Tinto Brass, et al. Manifesto on the Release of La Chinoise (France, 1967) · 618 Jean-Luc Codard Direct Action Cinema Manifesto (USA, 1985) · 618 Rob Nilsson Remodernist Film Manifesto (USA, 2008) · 619 Jesse Richards The Age of Amateur Cinema Will Return (People’s Republic of China, 2010) · 622 Jia Zhangke CONTENTS xvu
Appendix. What Is a Manifesto Film”? Notes ■ 629 Acknowledgments of Permissions Index ХѴІІІ · · CONTtNTS 641 · 625 635
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| adam_txt |
CONTENTS Acknowledgments · xix Introduction. “An Invention without a Future” · i Ն THE AVANT-GARDE(S) · 13 The Futurist Cinema (Italy, 1916) · 15 F. T. Marinetti, Bruno Corra, et al. Lenin Decree (USSR, 1919) · 19 Vladimir Ilyich Lenin The ABCs of Cinema (France, 1917-1921) · 20 ■ 23 Blaise Cendrars WE: Variant of a Manifesto (USSR, 1922) Dziga Vertov The Method of Making Workers’ Films (USSR, 1925) Sergei Eisenstein Constructivism in the Cinema (USSR, 1928) · Alexei Can Preface: Un chien Andalou (France, 1928) Luis Buñuel · 31 29 ՚ 27
Manifesto of the Surrealists Concerning L'Age d’or (France, 1930) · 31 The Surrealist Croup Manifesto on “Que Viva Mexico” (USA, 1933) · 38 The Editors о/Experimental Film Spirit of Truth (France, 1933) · 41 Le Corbusier An Open Letter to the Film Industry and to All Who Are Interested in the Evolution of the Good Film (Hungary, 1934) · 44 · 49 László Moholy-Nagy Light*Form*Movement*Sound (USA, 1935) · 47 Mary Ellen Bute Prolegomena for All Future Cinema (France, 1952) Cuy Debord '* No More Flat Feet! (France, 1952) · 50 Lettriste International The Lettristes Disavow the Insulters of Chaplin (France, 1952) · 51 Jean-lsidore /sou, Maurice Lemaître, and Gabriel Pomeraná The Only Dynamic Art (USA, 1953) · 52 Jim Davis A Statement of Principles (USA, 1961) · 56 Maya Deren The First Statement of the New American Cinema Group (USA, 1961) 58 New American Cinema Croup Foundation for the Invention and Creation of Absurd Movies (USA, 1962) · 61 Ron Rice From Metaphors on Vision (USA, 1963) · 62 Stan Brakhage Kuchár 8mm Film Manifesto (USA, 1964) George Kuchár Film Andepandan [Independents] Manifesto (Japan, 1964) · 70 Takahiko Umura, Koichiro Ishizaki, et al. vi · CONTENTS 69
Discontinuous Films (Canada, 1967) · 72 Keewatin Dewdney Hand-Made Films Manifesto (Australia, 1968) · 76 Ubu Films, Thoms Cinema Manifesto (Australia, 1971) · 77 Arthur Cantrill and Corinne Cantrill For a Metahistory of Film: Commonplace Notes and Hypotheses (USA, 1971) - 78 Hollis Frampton Elements of the Void (Greece, 1972) · 86 Gregory Markopoulos Small Gauge Manifesto (USA, 1980) 87 JoAnn Elam and Chuck Kleinhans Cinema of Transgression Manifesto (USA, 1985) · 88 Nick Zedd Modern, All Too Modern (USA, 1988) · 89 Keith Sanborn Open Letter to the Experimental Film Congress: Let’s Set the Record Straight (Canada, 1989) · 100 Peggy Ahwesh, Caroline Avery, et a!. Anti-100 Years of Cinema Manifesto (USA, 1996) · 102 Jonas Mekas The Decalogue (Czech Republic, 1999) · 103 Jan Švankmajer Your Film Farm Manifesto on Process Cinema (Canada, 2012) -105 Philip Hoffman 2. NATIONAL AND TRANSNATIONAL CINEMAS From “The Glass Eye” (Italy, 1933) · · 109 112 Leo Longanesi The Archers’Manifesto (UK, 1942) · 116 Michael Powell and Emeric Pressburger What Is Wrong with Indian Films? (India, 1948) ■ 117 Satyajit Ray CONTENTS
Buñuel the Poet (Mexico, 1951) · 120 Octavio Paz French Cinema Is Over (France, 1952) 123 Serge Berna, Guy Debord, et al. Some Ideas on the Cinema (Italy, 1953) · 124 Cesare Zavattini A Certain Tendency in French Cinema (France, 1954) · 133 François Truffaut Salamanca Manifesto Conclusions of the Congress of Salamanca (Spain, 1955) · 144 Juan Antonio Bardem Free Cinema Manifestos (UK, 1956-1959) · 149 Committeefar Free Cinema “« The Oberhausen Manifesto (West Germany, 1962) · 152 · 153 ■ 154 Alexander Kluge, Edgar Reitz, et al. Untitled [Oberhausen 1965] (West Germany, 1965) Jean-Marie Straub, Rodolf Thome, Dirk Alvermann, et al. The Mannheim Declaration (West Germany, 1967) Joseph von Sternberg, Alexander Kluge, et al. Sitges Manifesto (Spain, 1967) ■ 155 Manuel Revuelta, Antonio Artero, Joachin Jordà, and Julián Marcos Howto Make a Canadian Film (Canada, 1967) · 157 Guy Glover Howto Not Make a Canadian Film (Canada, 1967) · 161 ClaudeJutra From “The Estates General of the French Cinema, May 1968” (France, 1968) · 162 Thierry Derocles, Michel Demoule, Claude Chabrol, and Marin Karmitz Manifesto of the New Cinema Movement (India, 1968) Árun Kaul and Mrinal Sen What Is to Be Done? (France, 1970) · 169 Jean-Luc Godard The Winnipeg Manifesto (Canada, 1974) Denys Arcand, Colin Low, Don Shebib, et al. viii CONTENTS · 170 · 165
Hamburg Declaration of German Filmmakers (West Germany, 1979) · 172 Rainer Werner Fassbinder, Werner Herzog, Wim Wenders, et al. Manifesto I (Denmark, 1984) · 173 Lars von Trier Manifesto И (Denmark, 1987) · 174 Lars von Trier Manifesto III: I Confess! (Denmark, 1990) · 174 Lars von Trier The Cinema We Need (Canada, 1985) ■ 176 R. Bruce Elder Pathways to the Establishment of a Nigerian Film Industry (Nigeria, 1985) · 183 Ola Balogun Manifesto of 1988 (German Democratic Republic, 1988) · 192 Young DEFA Filmmakers In Praise of a Poor Cinema (Scotland, 1993) · 194 Colin McArthur Dogme ’95 Manifesto and Vow of Chastity (Denmark, 1995) · 201 Lars von Trier and Thomas Vinterberg I Sinema Manifesto (Indonesia, 1999) · 203 Dimas Djayadinigrcrt, Enison Sinaro, et al. 3. THIRD CINEMAS, COLONIALISM, DECOLONIZATION, AND POSTCOLONIALISM · 207 Manifesto of the New Cinema Group (Mexico, 1961) · 209 El grupo nuevo cine Cinema and Underdevelopment (Argentina, 1962) · 211 Fernando Birri The Aesthetics of Hunger (Brazil, 1965) · 218 Glauber Rocha For an Imperfect Cinema (Cuba, 1969) · 220 Julio Carda Espinosa CONTENTS X · IX
Towards a Third Cinema: Notes and Experiences for the Development of a Cinema of Liberation in the Third World (Argentina, 1969) ■ 230 Fernando Solanas and Octavio Cetino Film Makers and the Popular Government Political Manifesto (Chile, 1970) · 250 Comité de cine de la unidad popular Consciousness of a Need (Uruguay, 1970) · 253 Mario Handler Militant Cinema: An Internal Category ofThird Cinema (Argentina, 1971) ■ 256 Octavio Cetino and Fernando Solanas For Colombia 1971: Militancy and Cinema (Colombia, 1971) · 258.,. Carlos Alvarez The Cinema: Another Face of Colonised Québec (Canada, 1971) · 264 Association professionnelle des cinéastes du Québec 8 Millimeters versus 8 Millions (Mexico, 1972) · 272 Jaime Humberto Hermosillo, Arturo Ripstein, Paul Leduc, et al. Manifesto of the Palestinian Cinema Group (Palestine, 1973) ֊ 27Յ Palestinian Cinema Croup Resolutions of the Third World Filmmakers Meeting (Algeria, 1973) · 275 Fernando Birri, Ousmane Sembène, Jorge Silva, et al. The Luz e Ação Manifesto (Brazil, 1973) · 284 Carlos Diegues, Glauber Rocha, et al. Problems of Form and Content in Revolutionary Cinema (Bolivia, 1976) · 286 Jorge Sanjinés Manifesto of the National Front of Cinematographers (Mexico, 1975) · 294 Paul Leduc, Jorge Fons, et al. The Algiers Charter on African Cinema (Algeria, 1975) FEPACI (Fédération panafricaine des cinéastes) X CONTENTS · 296
Declaration of Principles and Goals of the Nicaraguan Institute of Cinema (Nicaragua, 1979) · 298 Nicaraguan Institute of Cinema What Is the Cinema for Us? (Mauritania, 1979) · 300 Med Hondo Niamey Manifesto of African Filmmakers (Niger, 1982) · 303 FEPACI (Fédération panafricaine des cinéastes) Black Independent Filmmaking: A Statement by the Black Audio Film Collective (UK, 1983) · 307 John Akomfrah From Birth Certificate ofthe International School of Cinema and Television In San Antonio de Los Baños, Cuba, Nicknamed the School of Three Worlds (Cuba, 1986) · 309 Fernando Birri FeCAViP Manifesto (France, 1990) · 312 Federation of Caribbean Audiovisual Professionals Final Communique of the First Frontline Film Festival and Workshop (Zimbabwe, 1990) ■ 313 SADCC (South African Development Coordination Conference) Pocha Manifesto #1 (USA, 1994) · 316 Sandra Peña-Sarmiento Poor Cinema Manifesto (Cuba, 2004) · 318 Humberto Solds Jollywood Manifesto (Haiti, 2008) · 320 Ciné Institute The Toronto Declaration: No Celebration of Occupation (Canada, 2009) · 321 John Creyson, Naomi Klein, et al. 4. GENDER, FEMINIST, QUEER, SEXUALITY, AND PORN MANIFESTOS · 32; Woman’s Place in Photoplay Production (USA, 1914) · 328 Alice Cuy-Blaché Hands Off Love (France, 1927) · 330 Maxime Alexandre, Louis Aragon, et al. CONTENTS V · XI
The Perfect Filmic Appositeness of Maria Montez (USA, 1962) · 336 Jack Smith On Film No. 4 (In Taking the Bottoms of 365 Saints of Our Time) (UK, 1967) ■ 344 Yoko Оно Statement (USA, 1969) · 346 Kenneth Anger Wet Dream Film Festival Manifesto (The Netherlands, 1970) · 346 S. £ L F. (Sexual Egalitarianism and Libertarian Fraternity) Women’s Cinema as Counter-Cinema (UK, 1973) · 347 Claire Johnston Manifesto fo'r'a Non-sexist Cinema (Canada, 1974) · 356 FECIP (Fédération européenne du cinéma progressiste) Womanifesto (USA, 1975) · 359 Feminists in the Media Visual Pleasure and Narrative Cinema (UK, 1975) · 359 Laura Mulvey An Egret in the Porno Swamp: Notes of Sex in the Cinema (Sweden, 1977) · 370 Vilgot Sjöman For the Self-Expression of the Arab Woman (France, 1978) · 375 Heiny Srour, Salma Baccar, and Magda Wassef Manifesto of the Women Filmmakers (West Germany, 1979) · 376 Verband der Filmarbeiterinnen Wimmin’s Fire Brigade Communiqué (Canada, 1982) · 377 Wimmin’s Fire Brigade Thoughts on Women’s Cinema: Eating Words, Voicing Struggles (USA, 1986) · 378 Yvonne Rainer The Post Porn Modernist Manifesto (USA, 1989) Annie Sprinkle, Veronica Vera, et al. xii CONTENTS · 382
Statement of African Women Professionals of Cinema, Television and Video (Burkina Faso, 1991) · 383 FEPACI (Fédération panafricaine des cinéastes) Puzzy Power Manifesto: Thoughts on Women and Pornography (Denmark, 1998) · 385 Vibeke Windeløv, Lene Børglum, et al. Cinema with Tits (Spain, 1998) · 388 Idar Bollafn My Porn Manifesto (France, 2002) · 390 Ovidie No More Mr. Nice Cay: A Manifesto (USA, 2009) · 392 Todd Ve row Barefoot Filmmaking Manifesto (UK, 2009) · 396 Sally Potter Dirty Diaries Manifesto (Sweden, 2009) · 397 Mia Engberg 5. MILITATING HOLLYWOOD · 403 Code to Govern the Making of Talking, Synchronized and Silent Motion Pictures (Motion Picture Production Code) (USA, 1930) · 405 Motion Picture Producers and Distributors ofAmerica Red Films: Soviets Spreading Doctrine in U.S. Theatres (USA, 1935) · W William Randolph Hearst Statement of Principles (USA, 1944) · 420 Motion Picture Alliance for the Preservation ofAmerican Ideals Screen Guide for Americans (USA, 1947) ■ 422 Αγη Rand White Elephant Art vs. Termite Art (USA, 1962) · 432 Manny Färber Super Fly: A Summary of Objections by the Kuumba Workshop (USA, 1972) 440 Kuumba Workshop Full Frontal Manifesto (USA, 2001) ■ 441 Steven Soderbergh CONTENTS Ч xiii
· 445 6. THE CREATIVE TREATMENT OF ACTUALITY Towards a Social Cinema (France, 1930) ■ 448 Jean Vigo From “First Principles of Documentary” (UK, 1932) ■ 453 John Grierson Manifesto on the Documentary Film (UK, 1933) · 460 Oswell Blakeston Declaration of the Group of Thirty (France, 1953) · 461 Jean Pain levé, Jacques-Yves Cousteau, Alain Resnais, et al. Initial Statement of the Newsreel (USA, 1967) · 462 New York Newsreel Nowsreel, or the Potentialities of a Political Cinema (USA, 1970) · 46з։ Robert Kramer, New York Newsreel Documentary Filmmakers Make Their Case (Poland, 7971) ■ 464 Bohdan Kosiński, Krzysztof Kieślowski, and Tomasz Zygadło The Asian Filmmakers at Yamagata YIDFF Manifesto (Japan, 1989) 469 Kidlat Tahimik, Stephen Teo, et ai. Minnesota Declaration: Truth and Fact in Documentary Cinema (Germany, 1999) ■ 471 Werner Herzog Defocus Manifesto (Denmark, 2000) · 472 Lars von Trier Kill the Documentary as We Know It (USA, 2002) · 473 Jill Godmilow Ethnographic Cinema (EC): A Manifesto/A Provocation (USA, 2003) · 476 Jay Ruby Reality Cinema Manifesto (Russia, 2005) · 478 Vitaly Manskiy Documentary Manifesto (USA, 2008) Albert Maysles xiv CONTENTS · 479
China Independent Film Festival Manifesto: Shamans * Animals (People’s Republic of China, гоп) · 480 By several documentary filmmakers who participated and also who did not participate in the festival 7. STATES, DICTATORSHIPS, THE COMINTERN, AND THEOCRACIES · 487 Capture the Film! Hints on the Use of, Out of the Use of, Proletarian Film Propaganda (USA, 1925) · 490 Willi Münzenberg The Legion of Decency Pledge (USA, 1934) · 492 ArchbishopJohn McNicholas Creative Film (Germany, 1935) · 493 Joseph Goebbels Vigilanti Cura: On Motion Pictures (Vatican City, 1936) · 495 Pope Pius XI Four Cardinal Points of A Revolução de Maio (Portugal, 1937) · 505 António Lopes Ribeiro From On the Art of Cinema (North Korea, 1973) · 506 Kim Jong-il · 517 8. ARCHIVES, MUSEUMS, FESTIVALS, AND CINEMATHEQUES A New Source of History: The Creation of a Depository for Historical Cinematography (Poland/France, 1898) · 520 Bolesław Matuszewski The Film Prayer (USA, c. 1920) · 523 A. P. Hollis The Film Society (UK, 1925) · 524 Iris Barry Filmliga Manifesto (The Netherlands, 1927) · 525 Joris Ivens, Henrik Schölte, Men’no Ter Bbaak, et al. Statement of Purposes (USA, 1948) · 527 Amos Vogel, Cinema 16 The Importance of Film Archives (UK, 1948) · 529 Ernest Lindgren CONTENTS Ч · XV
A Plea for a Canadian Film Archive (Canada, 1949) · 533 Hye Bossin Open Letter to Film-Makers of the World (USA, 1966) · 534 Jonas Mekas A Declaration from the Committee for the Defense of La Cinémathèque française (France, 1968) Committee for the Defense of La · 539 Cinémathèque française Filmmakers versus the Museum of Modern Art (USA, 1969) · 540 Hollis Prompton, Ken Jacobs, and Michael Snow Anthology Film Archives Manifesto (USA, 1970) · 543 P. Adams Sitney Toward an Ethnographic Film Archive (USA, 1971) ■ 544 Alan Lomax., Brooklyn Babylon Cinema Manifesto (USA, 1998) · 555 Scott Miller Berry and Stephen Kent Jusick Don’t Throw Film Away: The FIAF 70th Anniversary Manifesto (France, 2008) · 556 Hisashi Okajima and La fédération internationale des archives du film Manifesto Working Croup The Lindgren Manifesto: The Film Curator of the Future (Italy, гою) · 558 Paolo Cherchi Usai Film Festival Form: A Manifesto (UK, 2012) · 559 Mark Cousins 9. SOUNDS AND SILENCE · 565 A Statement on Sound (USSR, 1928) · 566 Sergei Eisenstein, Vsevolod Pudovkin, and Grigori Alexandrov A Rejection ofthe Talkies (USA, 1931) · 568 Charlie Chaplin A Dialogue on Sound: A Manifesto (UK, 1934) · 570 Basil Wright and B. Vivian Braun Amalfi Manifesto (Italy, 1967) · 572 Michelangelo Antonioni, Bernardo Bertolucci, Pier Paolo Pasolini, et al. xvi CONTENTS
10.THE DIGITAL REVOLUTION · 575 Culture: Intercom and Expanded Cinema: A Proposal and Manifesto (USA, 1966) · 576 Stan VanDerBeek The Digital Revolution and the Future Cinema (Iran, 2000) · 580 Samira Makhmalbaf The Pluginmanifesto (UK, 2001) · 586 Ana Kronschnabl Digital Dekalogo: A Manifesto for a Filmless Philippines (The Philippines, 2003) · 588 Khavn de la Cruz П. AESTHETICS AND THE FUTURES OF THE CINEMA The Birth of the Sixth Art (France, 19η) ■ 593 · 595 Ricciotto Canudo The Birth of a New Avant Garde: La caméra-stylo (France, 1948) · 603 Alexandre Astruc From Preface to Film (UK, 1954) · 607 Raymond Williams The Snakeskin (Sweden, 1965) · 614 Ingmar Bergman Manifesto (Italy, 1965) · 616 Roberto Rossellini, Bernardo Bertolucci, Tinto Brass, et al. Manifesto on the Release of La Chinoise (France, 1967) · 618 Jean-Luc Codard Direct Action Cinema Manifesto (USA, 1985) · 618 Rob Nilsson Remodernist Film Manifesto (USA, 2008) · 619 Jesse Richards The Age of Amateur Cinema Will Return (People’s Republic of China, 2010) · 622 Jia Zhangke CONTENTS xvu
Appendix. What Is a "Manifesto Film”? Notes ■ 629 Acknowledgments of Permissions Index ХѴІІІ · · CONTtNTS 641 · 625 635 |
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| spelling | Film manifestos and global cinema cultures a critical anthology Scott MacKenzie First paperback printing Oakland University of California Press 2020 xxi, 651 Seiten txt rdacontent n rdamedia nc rdacarrier Film Philosophie Motion pictures Philosophy Filmästhetik (DE-588)4140881-0 gnd rswk-swf Manifest (DE-588)4205648-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Filmtheorie (DE-588)4071216-3 s Film (DE-588)4017102-4 s Manifest (DE-588)4205648-2 s Filmästhetik (DE-588)4140881-0 s DE-604 MacKenzie, Scott 1967- (DE-588)131619217 edt Äquivalent Druck-Ausgabe, Hardcover 978-0-520-27674-1 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032964153&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Film manifestos and global cinema cultures a critical anthology |
| title_auth | Film manifestos and global cinema cultures a critical anthology |
| title_exact_search | Film manifestos and global cinema cultures a critical anthology |
| title_exact_search_txtP | Film manifestos and global cinema cultures a critical anthology |
| title_full | Film manifestos and global cinema cultures a critical anthology Scott MacKenzie |
| title_fullStr | Film manifestos and global cinema cultures a critical anthology Scott MacKenzie |
| title_full_unstemmed | Film manifestos and global cinema cultures a critical anthology Scott MacKenzie |
| title_short | Film manifestos and global cinema cultures |
| title_sort | film manifestos and global cinema cultures a critical anthology |
| title_sub | a critical anthology |
| topic | Film Philosophie Motion pictures Philosophy Filmästhetik (DE-588)4140881-0 gnd Manifest (DE-588)4205648-2 gnd Film (DE-588)4017102-4 gnd Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Film Philosophie Motion pictures Philosophy Filmästhetik Manifest Filmtheorie Aufsatzsammlung |
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